Marina Rova – författare

Creative Bodies in Therapy, Performance and Community champions several diverse and innovative approaches in the professional engagement with the creative body as a catalyst for change in therapy, education, somatics and performance. With contributors from the wide-ranging fields of performance and visual arts, psychotherapy, dance and somatics, this book articulates practice-based experiences in a creative language. The readers are invited to move from the process of reading, into the experience of being in and making sense of the world through a moving body. The book meanders purposefully through practice-led embodied approaches in research that generate new knowledge, methodological frameworks that have emerged in response to the needs of different contexts, as well as offerring a window on first-hand experience as practice.The book will appeal to a wide range of practitioners and trainees in Dance Movement Psychotherapy, arts therapies, counselling and psychotherapy, somatics, community practice and performance.

Creative Bodies in Therapy, Performance and Community champions several diverse and innovative approaches in the professional engagement with the creative body as a catalyst for change in therapy, education, somatics and performance. With contributors from the wide-ranging fields of performance and visual arts, psychotherapy, dance and somatics, this book articulates practice-based experiences in a creative language. The readers are invited to move from the process of reading, into the experience of being in and making sense of the world through a moving body. The book meanders purposefully through practice-led embodied approaches in research that generate new knowledge, methodological frameworks that have emerged in response to the needs of different contexts, as well as offerring a window on first-hand experience as practice.The book will appeal to a wide range of practitioners and trainees in Dance Movement Psychotherapy, arts therapies, counselling and psychotherapy, somatics, community practice and performance.

This anthology brings a focus to practice research in which moving bodies and creative processes are imperatives. It brings together a diverse range of researchers and performers who present innovative research through single authored and co-authored projects that trouble the notion that there are limited ways of researching and performing.As the anthology unfolds, readers are invited to consider the many different ways in which (em)bodied research and performance generates new knowledge; that is new ways of seeing the world. The approaches include phenomenology, new materialism, posthumanism, arts-based research, autoethnography, case study and ecofeminist methodologies. The wide range of methodologies performed in the book illustrate the multiple (infinite) possibilities of practice research, each of which are uniquely situated within personal, professional, spacio-temporal and socio-political contexts that enable inquiry to emerge and submerge as responsive processes. The contributors represent a wide representation from mother-artists, to psychoanalytic practitioners, to community dance artists, to performers, to somatic therapists to arts psychotherapists. Their research and performance includes non-stylised movement, improvisational dance and dance as participation in the world.This book democratises the idea that creative moving bodies are a practice research resource that can enable each of us to become part of the wider world. It is a useful resource for students, researchers and professionals in art therapies, somatic practice and arts performance.

This anthology brings a focus to practice research in which moving bodies and creative processes are imperatives. It brings together a diverse range of researchers and performers who present innovative research through single authored and co-authored projects that trouble the notion that there are limited ways of researching and performing.As the anthology unfolds, readers are invited to consider the many different ways in which (em)bodied research and performance generates new knowledge; that is new ways of seeing the world. The approaches include phenomenology, new materialism, posthumanism, arts-based research, autoethnography, case study and ecofeminist methodologies. The wide range of methodologies performed in the book illustrate the multiple (infinite) possibilities of practice research, each of which are uniquely situated within personal, professional, spacio-temporal and socio-political contexts that enable inquiry to emerge and submerge as responsive processes. The contributors represent a wide representation from mother-artists, to psychoanalytic practitioners, to community dance artists, to performers, to somatic therapists to arts psychotherapists. Their research and performance includes non-stylised movement, improvisational dance and dance as participation in the world.This book democratises the idea that creative moving bodies are a practice research resource that can enable each of us to become part of the wider world. It is a useful resource for students, researchers and professionals in art therapies, somatic practice and arts performance.