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This anthology collects developing scholarship that outlines a new decentred history of global modernism in architecture using postcolonial and other related theoretical frameworks.
By both revisiting the canons of modernism and seeking to decolonize and globalize those canons, the volume explores what a genuinely "global" history of architectural modernism might begin to look like. Its chapters explore the historiography and weaknesses of modernism''s normative interpretations and propose alternatives to them. The collection offers essays that interrogate transnationalism in new ways, reconsiders the agency of the subaltern and the roles played by infrastructures, materials, and global institutions in propagating a diversity of modernisms internationally. Issues such as colonial modernism, architectural pedagogy, cultural imperialism, and spirituality are engaged.
With essays from both established scholars and up-and-coming researchers, this is an important reference for a new understanding of this crucial and developing topic.
810 kr
Läs direkt efter köp
This anthology collects developing scholarship that outlines a new decentred history of global modernism in architecture using postcolonial and other related theoretical frameworks.
By both revisiting the canons of modernism and seeking to decolonize and globalize those canons, the volume explores what a genuinely "global" history of architectural modernism might begin to look like. Its chapters explore the historiography and weaknesses of modernism''s normative interpretations and propose alternatives to them. The collection offers essays that interrogate transnationalism in new ways, reconsiders the agency of the subaltern and the roles played by infrastructures, materials, and global institutions in propagating a diversity of modernisms internationally. Issues such as colonial modernism, architectural pedagogy, cultural imperialism, and spirituality are engaged.
With essays from both established scholars and up-and-coming researchers, this is an important reference for a new understanding of this crucial and developing topic.
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Gio Ponti - architect, designer, art director, writer, poet, professor, and critic - was one of the most renowned protagonists of Italian architecture and design in the 20th century. Forty years after his death, the Museo nazionale delle arti del XXI secolo (MAXXI) in Rome is dedicating a major retrospective to this exceptional figure. Beginning with his architecture, which can be charaterised as a unique and original synthesis of tradition and modernity, history and design, elite culture and everyday life, the show explores his many-faceted talent, selecting projects that concretely illustrate the key concepts found throughout his architecture and design work. Included here are archival materials, models, photographs, books, magazines and objects which illustrate the many achievements of his six decade career.
Contents:1 - Introductions by: Paolo Rosselli, Giovanna Melandri, Margherita Guccione; 2 - Essays by: Anna Chiara Cimoli, Salvatore Licitra, Massimiliano Savorra, Maria Teresa Feraboli, Luigi Spinelli, Francesca Zanella, Stefania Mornati, Paolo Campiglio, Silvia Bignami, Alessandra Muntoni, Elena Tinacci, Fabio Mangone, Alberto Gavazzi, Filippo De Pieri, Jorge Rivas, Anat Falbel, Angelica Ponzio, Hannia Gòmez, Fulvio Irace, Manolo De Giorgi, Valentina Marchetti, Bernard Colenbrander, Farhan Karim, Sergio Pace, Manfredo Nicolis di Robilant, Rèjean Legault, Domitilla Dardi, Fabio Colonnese, Elena Dellapiana, Barry Bergdoll, Lucia Miodini, Giorgio Ciucci, Daria Ricchi, Giovanni Marzari, Manuela Leoni, Cecilia Rostagni, Roberto Dulio; 3 - Biography; 4 - Bibliography.
Published to accompany an exhibition at the Museo nazionale delle arti del XXI secolo (MAXXI) in Rome from 7 November 2019 - 26 April 2020.