Mark Philip Bradley – författare

The Vietnam War tends to conjure up images of American soldiers battling an elusive enemy in thick jungle, the thudding of helicopters overhead. But there were in fact many Vietnam wars - an anticolonial war with France, a cold war turned hot with the United States, a civil war between North and South Vietnam and among the southern Vietnamese, a revolutionary war of ideas over what should guide Vietnamese society into its postcolonial future, and finally a war of memories after the official end of hostilities with the fall of Saigon in 1975. This book looks at how the Vietnamese themselves experienced all of these conflicts, showing how the wars for Vietnam were rooted in fundamentally conflicting visions of what an independent Vietnam should mean that in many ways remain unresolved to this day. Drawing upon twenty years of research, Mark Philip Bradley examines the thinking and the behaviour of the key wartime decision-makers in Hanoi and Saigon, while at the same time exploring how ordinary Vietnamese, northerners and southerners, men and women, soldiers and civilians, urban elites and rural peasants, radicals and conservatives, came to understand the thirty years of bloody warfare that unfolded around them - and how they made sense of its aftermath.

Making sense of the wars for Vietnam has had a long history. The question why Vietnam? dominated American and Vietnamese political life for much of length of the Vietnam wars and has continued to be asked in the three decades since they ended. The essays in this inaugural volume of the National History Centres book series Reinterpreting History examine the conceptual and methodological shifts that mark the contested terrain of Vietnam war scholarship. They range from top-down reconsiderations of critical decision-making moments in Washington, Hanoi, and Saigon to microhistories of the war that explore its meanings from the bottom up. Some draw on recently available Vietnamese-language archival materials. Others mine new primary sources in the United States or from France, Great Britain, the former Soviet Union, China, and Eastern Europe. Collectively, these essays map the interpretative histories of the Vietnam wars: past, present, and future. They also raise questions about larger meanings and the ongoing relevance of the wars for Vietnam in American, Vietnamese, and international histories of the twentieth and twenty-first centuries.

Making sense of the wars for Vietnam has had a long history. The question why Vietnam? dominated American and Vietnamese political life for much of length of the Vietnam wars and has continued to be asked in the three decades since they ended. The essays in this inaugural volume of the National History Centres book series Reinterpreting History examine the conceptual and methodological shifts that mark the contested terrain of Vietnam war scholarship. They range from top-down reconsiderations of critical decision-making moments in Washington, Hanoi, and Saigon to microhistories of the war that explore its meanings from the bottom up. Some draw on recently available Vietnamese-language archival materials. Others mine new primary sources in the United States or from France, Great Britain, the former Soviet Union, China, and Eastern Europe. Collectively, these essays map the interpretative histories of the Vietnam wars: past, present, and future. They also raise questions about larger meanings and the ongoing relevance of the wars for Vietnam in American, Vietnamese, and international histories of the twentieth and twenty-first centuries.

Concerns about rights in the United States have a long history, but the articulation of global human rights in the twentieth century was something altogether different. Global human rights offered individuals unprecedented guarantees beyond the nation for the protection of political, economic, social and cultural freedoms. The World Reimagined explores how these revolutionary developments first became believable to Americans in the 1940s and the 1970s through everyday vernaculars as they emerged in political and legal thought, photography, film, novels, memoirs and soundscapes. Together, they offered fundamentally novel ways for Americans to understand what it means to feel free, culminating in today's ubiquitous moral language of human rights. Set against a sweeping transnational canvas, the book presents a new history of how Americans thought and acted in the twentieth-century world.

In The Familiar Made Strange, twelve distinguished historians offer original and playful readings of American icons and artifacts that cut across rather than stop at the nation's borders to model new interpretive approaches to studying United States history. These leading practitioners of the "transnational turn" pause to consider such famous icons as John Singleton Copley's painting Watson and the Shark, Alfred Eisenstaedt's photograph V-J Day, 1945, Times Square, and Alfred Kinsey's reports on sexual behavior, as well as more surprising but revealing artifacts like Josephine Baker's banana skirt and William Howard Taft's underpants. Together, they present a road map to the varying scales, angles and methods of transnational analysis that shed light on American politics, empire, gender, and the operation of power in everyday life.

In The Familiar Made Strange, twelve distinguished historians offer original and playful readings of American icons and artifacts that cut across rather than stop at the nation's borders to model new interpretive approaches to studying United States history. These leading practitioners of the "transnational turn" pause to consider such famous icons as John Singleton Copley's painting Watson and the Shark, Alfred Eisenstaedt's photograph V-J Day, 1945, Times Square, and Alfred Kinsey's reports on sexual behavior, as well as more surprising but revealing artifacts like Josephine Baker's banana skirt and William Howard Taft's underpants. Together, they present a road map to the varying scales, angles and methods of transnational analysis that shed light on American politics, empire, gender, and the operation of power in everyday life.

This study of the encounter between Vietnam and the United States from 1919 to 1950 reconceptualizes the origins of the Cold War in Vietnam and the place of postcolonial Vietnam in the history of the 20th century. Among the first Americans granted a visa to undertake research in Vietnam since the war, Bradley draws on newly available Vietnamese-language primary sources and interviews as well as archival materials from France, Great Britain and the United States. Bradley uses these sources to reveal an imagined America that occupied a central place in Vietnamese political discourse, symbolizing the qualities that revolutionaries believed were critical for reshaping their society. American policymakers, he argues, articulated their own imagined Vietnam, a deprecating vision informed by the conviction that the country should be remade in America's image. Contrary to other historians who focus on the Soviet-American rivalry and ignore the policies and perceptions of Vietnamese actors, Bradley contends that the global discourse and practices of colonialism, race, modernism and postcolonial state-making were profoundly implicated in - and ultimately transcended - the dynamics of the Cold War in shaping Vietnamese-American relations.

Concerns about rights in the United States have a long history, but the articulation of global human rights in the twentieth century was something altogether different. Global human rights offered individuals unprecedented guarantees beyond the nation for the protection of political, economic, social and cultural freedoms. The World Reimagined explores how these revolutionary developments first became believable to Americans in the 1940s and the 1970s through everyday vernaculars as they emerged in political and legal thought, photography, film, novels, memoirs and soundscapes. Together, they offered fundamentally novel ways for Americans to understand what it means to feel free, culminating in today's ubiquitous moral language of human rights. Set against a sweeping transnational canvas, the book presents a new history of how Americans thought and acted in the twentieth-century world.

The late historian Marilyn B. Young, a preeminent voice on the history of U.S. military conflict, spent her career reassessing the nature of American global power, its influence on domestic culture and politics, and the consequences felt by those on the receiving end of U.S. military force. At the center of her inquiries was a seeming paradox: How can the United States stay continually at war, yet Americans pay so little attention to this militarism?Making the Forever War brings Young's articles and essays on American war together for the first time, including never before published works. Moving from the first years of the Cold War to Korea, Vietnam, and more recent 'forever' wars in Iraq and Afghanistan, Young reveals the ways in which war became ever-present, yet more covert and abstract, particularly as aerial bombings and faceless drone strikes have attained greater strategic value. For Young, U.S. empire persisted because of, not despite, the inattention of most Americans. The collection concludes with an afterword by prominent military historian Andrew Bacevich.