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In the Middle Ages, the life story of Alexander the Great was a well-traveled tale. Known in numerous versions, many of them derived from the ancient Greek Alexander Romance, it was told and re-told throughout Europe, India, the Middle East, and Central Asia. The essays collected in Alexander the Great in the Middle Ages examine these remarkable legends not merely as stories of conquest and discovery, but also as representations of otherness, migration, translation, cosmopolitanism, and diaspora.Alongside studies of the Alexander legend in medieval and early modern Latin, English, French, German, and Persian, Alexander the Great in the Middle Ages breaks new ground by examining rarer topics such as Hebrew Alexander romances, Coptic and Arabic Alexander materials, and early modern Malay versions of the Alexander legend. Brought together in this wide-ranging collection, these essays testify to the enduring fascination and transcultural adaptability of medieval stories about the extraordinary Macedonian leader.

Konrad von Würzburg was the most significant and versatile German author of the thirteenth century, possibly even the Middle Ages. His works stand out due to their stylistic quality, the diversity of their themes and genres, and the lasting impact they have made. This handbook is the first of its kind, bringing together texts written by a group of experts, and addresses a specialist German studies audience as well as students of German studies and neighboring medieval studies fields. It documents the rich, enduring international research that has been conducted on Konrad as well as new methodological approaches to his oeuvre. Alongside an introduction to the author’s biographical traces, this handbook comprises overarching chapters on aesthetics, and the reception and transmission of Konrad’s works, as well as individual chapters on Konrad’s verse, his shorter stories (Das Herzmaere,　Heinrich von Kempten,　Die halbe Birne,　Der Schwanritter) and legends (Silvester,　Alexius,　Pantaleon), his heraldic poem (Das Turnier von Nantheiz), and Konrad's innovative allegorical poems (Die Klage der Kunst, Die goldene Schmiede,　Der Welt Lohn). It also contains chapters on Konrad’s two romances (Engelhard,　Partonopier und Meliur) and his great　Trojanerkrieg fragment.