Marle Hammond – författare
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7 produkter
7 produkter
283 kr
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1 129 kr
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This volume tackles complex theoretical questions about sex and gender and the way that they inform classical Arabic poetics.Arabic literature has a rich tradition of women's poetry, and of lamentation for the dead in particular. Dr Hammond argues that these elegies - marthiya - were received into the literary canon because they echoed the familiar male paradigm of the qas?da, or the heroic ode, while at the same time recasting its spatial and temporal axes from a feminine authorial stance. The volume then moves on to consider women's compositions in non-elegiac genres, such as invective and erotic verse. Dr Hammond also addresses the questions of authenticity that arise when a woman's poem is preserved anecdotally, embedded as dialogue in a story that is narrated, transmitted, and redacted by men. Spanning diverse genres, historical epochs, and geographic locations, this volume will acquaint its readers with all manner of women's verse compositions from the pre-Islamic Arabian lament to the medieval Andalusian love lyric.
The Tale of al-Barrāq Son of Rawḥān and Laylā the Chaste
A bilingual edition and study
Inbunden, Engelska, 2020
1 316 kr
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This book presents a bilingual edition and study of an anonymous work of early Arabic fiction set in pre-Islamic times: an Arab maiden called 'Laylā the Chaste' is kidnapped and threatened with forced marriage to a Persian king. Ultimately, she is saved by her handsome and beloved cousin al-Barrāq, and they marry and live happily ever after. This knight-in-shining-armour-rescues-damsel-in-distress narrative, which combines elements of the Arabic popular epic (sīra) with others from the Udhrī; love story and the western fairy tale, was misinterpreted as history by scholars in the 19th century. In the two substantive chapters that frame her translation of the tale, Hammond discusses the text's evolution in the Arab Renaissance and its metamorphoses in 20th-century popular culture. She also analyses the structure of the tale to look for clues as to its real origins, shedding new light on theories of the development of the Arabic novel.
1 826 kr
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From the exaggerated emotions of 1930s Egyptian melodrama to the cryptic allegories of late 20th-century Palestinian cinema, Arab World Cinemas guides you through 28 Arabic-language feature films released between 1933 and 2021, including Muhammad Khan's 'Dreams of Hind and Camilia' (1989), Moufida Tlatli's 'Silences of the Palace' (1994) and Elia Suleiman's 'Divine Intervention' (2002). Written specially for students, the book is split into 3 parts: Egypt, North Africa and the eastern Arab world. Each part begins with an introductory essay that highlights the aesthetic and socio-historical trends and currents in the cinematic traditions particular to that region. Marle Hammond then dedicates individual chapters to a group of films from the highlighted region, interpreting their form and content through the lenses of cinematic technique and concepts drawn from various disciplines in the arts, humanities and social sciences.
245 kr
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From the exaggerated emotions of 1930s Egyptian melodrama to the cryptic allegories of late 20th-century Palestinian cinema, Arab World Cinemas guides you through 28 Arabic-language feature films released between 1933 and 2021, including Muhammad Khan's 'Dreams of Hind and Camilia' (1989), Moufida Tlatli's 'Silences of the Palace' (1994) and Elia Suleiman's 'Divine Intervention' (2002). Written specially for students, the book is split into 3 parts: Egypt, North Africa and the eastern Arab world. Each part begins with an introductory essay that highlights the aesthetic and socio-historical trends and currents in the cinematic traditions particular to that region. Marle Hammond then dedicates individual chapters to a group of films from the highlighted region, interpreting their form and content through the lenses of cinematic technique and concepts drawn from various disciplines in the arts, humanities and social sciences.
159 kr
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The Arabic poetic legacy is as vast as it is deep, spanning a period of fifteen centuries in regions from Morocco to Iraq. As a unifying principle, editor Marlé Hammond has selected eighty poems reflecting desire and longing of various kinds: for the beloved, for the divine, for the homeland, and for change and renewal. Poets include the legendary pre-Islamic warrior 'Antara Ibn Shaddad, medieval Andalusian poet Ibn Zaydun, the wandering poet Al-A’sha, and the influential Egyptian Romantic Ahmad Zaki Abu Shadi. Here too are literary giants of the past century: Khalil Jibran, author of the bestselling The Prophet; popular Syrian poet Nizar Qabbani; Palestinian feminist Fadwa Tuqan; Mahmoud Darwish, bard of occupation and exile; acclaimed iconoclast Adonis, and more. In their evocations of heroism, nostalgia, mysticism, grief, and passion, the poems gathered here transcend the limitations of time and place.
2 272 kr
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Throughout his distinguished career devoted to the study of Arabic language and literature, Geert Jan van Gelder sustained a particular interest in humour and irreverence: in mujūn, broadly understood as literary expressions of indecency, encompassing the obscene, the profane, the impudent, and the taboo. Contributors to this honorific compilation tackle this subject from a wide variety of perspectives beyond the merely prurient in studies detailing the ways in which indecency has been signified, signalled, evaluated, and preserved , and including translations and commentaries of exemplarily audacious texts. Together these chapters cover a range of interrelated and complex issues on sexuality, gender, language, and poetics from an array of perspectives and with a variety of approaches, reflecting the interests and methodologies of several generations of scholars across numerous specialisations within the field of Middle Eastern and Islamic literary studies. One intriguing area of investigation that has emerged is the question of what becomes of mujūn in the modern era and how it transforms and mutates across space, time, and genre. Many other questions arise to from the ways in which the chapters complement each other in their interrogation of boundaries, broadly construed—be they historic turning points or gradual evolutions, cultural dichotomies and fusions, the so-called gender gap, or the dividing line between the erotic and the pornographic.