Martin Caiger-Smith – författare

For more than thirty-five years, since his first solo exhibition at the Whitechapel Gallery, Antony Gormley has sought to explore the relationship of the human body to space and to reinvigorate and test the potential of sculpture.   This beautiful and definitive monograph examines the entirety of Gormley's career, from his earliest sketches to his best-known public installations. With unprecedented access not only to the archives but to the working studio and to the artist himself, Martin Caiger-Smith examines the relationship between Gormley's life and art, and identifies the singular and obsessional vision that ties together a vast canon of work in an extraordinary range of media and materials.  Best known for the major public works that most visibly represent his rigorous and innovative approach to sculpture, Gormley is a prolific and intellectual artist who has renegotiated the tension between the individual and the universal. Drawing on images that range from childhood snapshots to photographs of his most recent gallery installations, this book traces the evolution of Gormley's work, from the drawings he makes every day in the studio, through the constantly evolving process of casting his own body in various forms, to the ultimate expression of his ideas in such masterpieces as the colossal Angel of the North or the scattered figures of Another Place.    Illustrated with hundreds of images that explore the true scale and impact of Gormley's work—many never published before—complemented with Caiger-Smith's critical narrative, this book is a comprehensive survey of a truly monumental career.

Beginning his career in the 1970s after studying architecture, Bryant quickly became one of the most sought-after photographers by the architectural press. This book reveals how, following the general shift from black-and-white to colour, his work went on to define the image of 1990s architecture. Drawing from the art of the 17th century Dutch painters he admires, Bryant brings to his images a unique sensitivity, especially in the use of natural light. At the same time, his lifelong interest in Modernism can be traced in the emphasis on geometry and engagement with abstraction featured in many of his compositions. As well as discussing his iconic photographs of Scarpa’s architecture, London, and the Sir John Soane's Museum, the book highlights Bryant’s collaborations with some of the giants of 20th-century architecture, including Tadao Ando, Geoffrey Bawa, Frank Gehry, Zaha Hadid, Hans Hollein, Richard Meier, James Stirling, Norman Foster and Richard Rogers. The authors examine his career and interests, set his work within a broader context, and provide insights into his methods and approaches. The book also shows the changes which have occurred in both the architectural profession and the medium of photography over the past five decades.