Martin Holbraad – författare

In the current world disorder, security is on everyone’s lips. But what is security from a cross-cultural perspective? How is it imagined and experienced by people on the ground? Crucially, what visions of the future are at stake in people’s potentially divergent concerns with security: what, and when, is the time of security? Exploring diverse notions and experiences of time involved in security practices across the globe, this volume brings together a selection of international scholars who conduct ethnographic research in a broad ambit of securitized contexts – from the experience of Palestinian detainees in Israel or forms of popular violence in Bolivia, to efforts to normalize social relations in post-conflict Yugoslavia and ways of imagining threat in left-radical protest movements in Northern Europe. Interrogating recent debates about the role of "securitization" in contemporary politics, the book paves the way for novel forms of security analysis at the crossroads between anthropology and political science, focusing on the comparative study of the temporalities of securitization in a multi-polar world. Offering a pioneering synthesis, the book will be of interest not only to anthropologists, but also to students and scholars in political science and the growing field of Security Studies in International Relations.

In the current world disorder, security is on everyone’s lips. But what is security from a cross-cultural perspective? How is it imagined and experienced by people on the ground? Crucially, what visions of the future are at stake in people’s potentially divergent concerns with security: what, and when, is the time of security? Exploring diverse notions and experiences of time involved in security practices across the globe, this volume brings together a selection of international scholars who conduct ethnographic research in a broad ambit of securitized contexts – from the experience of Palestinian detainees in Israel or forms of popular violence in Bolivia, to efforts to normalize social relations in post-conflict Yugoslavia and ways of imagining threat in left-radical protest movements in Northern Europe. Interrogating recent debates about the role of "securitization" in contemporary politics, the book paves the way for novel forms of security analysis at the crossroads between anthropology and political science, focusing on the comparative study of the temporalities of securitization in a multi-polar world. Offering a pioneering synthesis, the book will be of interest not only to anthropologists, but also to students and scholars in political science and the growing field of Security Studies in International Relations.

Drawing upon the work of some of the most influential theorists in the field, Thinking Through Things demonstrates the quiet revolution growing in anthropology and its related disciplines, shifting its philosophical foundations. The first text to offer a direct and provocative challenge to disciplinary fragmentation - arguing for the futility of segregating the study of artefacts and society - this collection expands on the concerns about the place of objects and materiality in analytical strategies, and the obligation of ethnographers to question their assumptions and approaches.

The team of leading contributors put forward a positive programme for future research in this highly original and invaluable guide to recent developments in mainstream anthropological theory.

Drawing upon the work of some of the most influential theorists in the field, Thinking Through Things demonstrates the quiet revolution growing in anthropology and its related disciplines, shifting its philosophical foundations. The first text to offer a direct and provocative challenge to disciplinary fragmentation - arguing for the futility of segregating the study of artefacts and society - this collection expands on the concerns about the place of objects and materiality in analytical strategies, and the obligation of ethnographers to question their assumptions and approaches.

The team of leading contributors put forward a positive programme for future research in this highly original and invaluable guide to recent developments in mainstream anthropological theory.

How might the organic link between theatre-making and political action be revitalised? And how might a spontaneous vision of a theatre of and for ordinary people be reignited? Since his political exile from Argentina in 1977, theatre director and producer Horacio Czertok has devoted his life to re-imagining the art of the theatre, taking it out of its comfort zone into places of social conflict such as deprived suburban areas, prisons and mental hospitals, as well as open, public spaces, engaging directly with audiences in a spirit of abiding, carnivalesque, and deeply political theatrical experimentation. Adapting a rigorous Stanislavskian theatrical training to the exigencies of raw, immediate encounters with audiences in marginal and open spaces, Czertok’s theatre-making is unique, not only in the kinds of capacities and skills it allows actors to develop, but also in the way it renders the question of political efficacy immanent to the very process of making theatre.

Providing Czertok’s own, highly personal account of his trajectory in the global scene of theatre-making over the past half-century, this is a book about the theatre of exile – a theatre of streets, prisons, hospitals, open to direct and unexpected encounters with audiences and their life-experiences.

Photos by Luca Gavagna

How might the organic link between theatre-making and political action be revitalised? And how might a spontaneous vision of a theatre of and for ordinary people be reignited? Since his political exile from Argentina in 1977, theatre director and producer Horacio Czertok has devoted his life to re-imagining the art of the theatre, taking it out of its comfort zone into places of social conflict such as deprived suburban areas, prisons and mental hospitals, as well as open, public spaces, engaging directly with audiences in a spirit of abiding, carnivalesque, and deeply political theatrical experimentation. Adapting a rigorous Stanislavskian theatrical training to the exigencies of raw, immediate encounters with audiences in marginal and open spaces, Czertok’s theatre-making is unique, not only in the kinds of capacities and skills it allows actors to develop, but also in the way it renders the question of political efficacy immanent to the very process of making theatre.

Providing Czertok’s own, highly personal account of his trajectory in the global scene of theatre-making over the past half-century, this is a book about the theatre of exile – a theatre of streets, prisons, hospitals, open to direct and unexpected encounters with audiences and their life-experiences.

Photos by Luca Gavagna