Martin Marty – författare

Standing at the crossroads of psychology and religion, this catalyzing work applied the scientific method to a field abounding in abstract theory. William James believed that individual religious experiences, rather than the precepts of organized religions, were the backbone of the world's religious life. His discussions of conversion, repentance, mysticism and saintliness, and his observations on actual, personal religious experiences - all support this thesis. In his introduction, Martin E. Marty discusses how James's pluralistic view of religion led to his remarkable tolerance of extreme forms of religious behaviour, his challenging, highly original theories, and his welcome lack of pretension in all of his observations on the individual and the divine.

From the sex-free paradise of the Shakers to the worker''s paradise of Marx, utopian ideas seem to have two things in common--they all are wonderfully plausible at the start and they all end up as disasters. In Visions of Utopia, three leading cultural critics--Edward Rothstein, Martin Marty, and Herbert Muschamp--look at the history of utopian thinking, exploring why they fail and why they are still worth pursuing.Edward Rothstein, New York Times cultural critic, contends that every utopia is really a dystopia--a disaster in the making--one that overlooks the nature of humanity and the impossibilities of paradise. He traces the ideal in politics and technology and suggests that only in art--and especially in music--does the desire for utopia find satisfaction. Martin Marty examines several models of utopia--from Thomas More''s to a 1960s experimental city that he helped to plan--to show that, even though utopias can never be realized, we should not be too quick to condemn them. They can express dimensions of the human spirit that might otherwise be stifled and can plant ideas that may germinate in more realistic and practical soil. And Herbert Muschamp, the New York Times architectural critic, looks at Utopianism as exemplified in two different ways: the Buddhist tradition and the work of visionary Viennese architect Adolph Loos.Utopian thinking embodies humanity''s noblest impulses, yet it can lead to horrors such as Nazi Germany and the Soviet Regime. In Visions of Utopia, these leading thinkers offer an intriguing look at the paradoxes of paradise.

From the sex-free paradise of the Shakers to the worker's paradise of Marx, utopian ideas seem to have two things in common--they all are wonderfully plausible at the start and they all end up as disasters. In Visions of Utopia, three leading cultural critics--Edward Rothstein, Martin Marty, and Herbert Muschamp--look at the history of utopian thinking, exploring why they fail and why they are still worth pursuing.Edward Rothstein, New York Times cultural critic, contends that every utopia is really a dystopia--a disaster in the making--one that overlooks the nature of humanity and the impossibilities of paradise. He traces the ideal in politics and technology and suggests that only in art--and especially in music--does the desire for utopia find satisfaction. Martin Marty examines several models of utopia--from Thomas More's to a 1960s experimental city that he helped to plan--to show that, even though utopias can never be realized, we should not be too quick to condemn them. They can express dimensions of the human spirit that might otherwise be stifled and can plant ideas that may germinate in more realistic and practical soil. And Herbert Muschamp, the New York Times architectural critic, looks at Utopianism as exemplified in two different ways: the Buddhist tradition and the work of visionary Viennese architect Adolph Loos. Utopian thinking embodies humanity's noblest impulses, yet it can lead to horrors such as Nazi Germany and the Soviet Regime. In Visions of Utopia, these leading thinkers offer an intriguing look at the paradoxes of paradise.

From the sex-free paradise of the Shakers to the worker''s paradise of Marx, utopian ideas seem to have two things in common--they all are wonderfully plausible at the start and they all end up as disasters. In Visions of Utopia, three leading cultural critics--Edward Rothstein, Martin Marty, and Herbert Muschamp--look at the history of utopian thinking, exploring why they fail and why they are still worth pursuing. Edward Rothstein, New York Times cultural critic, contends that every utopia is really a dystopia--a disaster in the making--one that overlooks the nature of humanity and the impossibilities of paradise. He traces the ideal in politics and technology and suggests that only in art--and especially in music--does the desire for utopia find satisfaction. Martin Marty examines several models of utopia--from Thomas More''s to a 1960s experimental city that he helped to plan--to show that, even though utopias can never be realized, we should not be too quick to condemn them. They can express dimensions of the human spirit that might otherwise be stifled and can plant ideas that may germinate in more realistic and practical soil. And Herbert Muschamp, the New York Times architectural critic, looks at Utopianism as exemplified in two different ways: the Buddhist tradition and the work of visionary Viennese architect Adolph Loos. Utopian thinking embodies humanity''s noblest impulses, yet it can lead to horrors such as Nazi Germany and the Soviet Regime. In Visions of Utopia, these leading thinkers offer an intriguing look at the paradoxes of paradise.

In this cogent volume, renowned Christian historian Martin Marty delivers a brief yet sweeping account of Christianity and how it spread from a few believers two thousand years ago to become the world’s largest religion.Comprising nearly one third of the world’s population–more than two billion followers–Christianity is distinctive among major faiths in that it derives both its character and its authority from the divinity of its central figure, Jesus Christ. Examining this facet of Christianity from historical and sociological viewpoints, Marty lays bare the roots of this faith, in turn chronicling its success throughout the world.Writing with great style, and providing impeccable interpretations of historical, canonical, and liturgical documents, Marty gives readers of all faiths and levels of familiarity with Christian practices and history a highly useful and supremely accessible primer. He depicts the life of Christ and his teachings and explains how the apostles set out to spread the Gospel. With a special emphasis on global Christianity, he shows how the religion emerged from its ancestral homelands in Africa, the Levant, and Asia Minor, was imported to Europe, and then spread from there to the rest of the world, most often via trade and conquest. While giving a broad overview, Marty also focuses on specific issues, such as how Christianity struggles with the polar tensions inherent to many of the faith’s denominations, and how it attempts to reconcile some of its stances on armed conflict, justice, and dominion with the teachings of Christ.The Christian World is a chronicle of one of the great belief systems and its many followers. It’s a magnificent story of emperors and kings, war and geography, theology and politics, saints and sinners, and the earthly battle to save souls. Above all, it’s a remarkable testament to the teachings of Christ and how his message spreads around the globe to touch human experience everywhere.From the Hardcover edition.