Martin Ryle – författare

Once seen as a relatively marginal figure, George Gissing (1857-1903) persists in sparking interest among new generations of radical critics who continue to be inspired by his work and to develop fresh approaches to it. This essay collection, bringing together British, European, and North American literary critics and cultural historians with diverse specialities and interests, demonstrates the range of contemporary perspectives through which his fiction can be viewed. Offering both closely contextualized historical readings and broader cultural and philosophical assessments, the contributions will engage not only the specialist but those interested in the diverse themes that absorbed Gissing: the cultural and social formation of class and gender, social mobility and its unsettling effects on individual and collective identities, the place of writing in emerging mass culture, and the possibilities and limits of fiction as critical intervention.

Once seen as a relatively marginal figure, George Gissing (1857-1903) persists in sparking interest among new generations of radical critics who continue to be inspired by his work and to develop fresh approaches to it. This essay collection, bringing together British, European, and North American literary critics and cultural historians with diverse specialities and interests, demonstrates the range of contemporary perspectives through which his fiction can be viewed. Offering both closely contextualized historical readings and broader cultural and philosophical assessments, the contributions will engage not only the specialist but those interested in the diverse themes that absorbed Gissing: the cultural and social formation of class and gender, social mobility and its unsettling effects on individual and collective identities, the place of writing in emerging mass culture, and the possibilities and limits of fiction as critical intervention.

First published in 2005, this collection of essays brings together British, European and North American literary critics and cultural historians with diverse specialities and interests to demonstrate the range of contemporary perspectives through which George Gissing’s fiction can be viewed. It offers both closely contextualised historical readings and broader cultural and philosophical assessments and engages with a number of themes including: the cultural and social formation of class and gender, social mobility and its unsettling effects on individual and collective identities, the place of writing in emerging mass culture, and the possibility and limits of fiction as critical intervention. This book will be of interest to those studying the works of George Gissing, and 19th century literature more broadly.

First published in 2005, this collection of essays brings together British, European and North American literary critics and cultural historians with diverse specialities and interests to demonstrate the range of contemporary perspectives through which George Gissing’s fiction can be viewed. It offers both closely contextualised historical readings and broader cultural and philosophical assessments and engages with a number of themes including: the cultural and social formation of class and gender, social mobility and its unsettling effects on individual and collective identities, the place of writing in emerging mass culture, and the possibility and limits of fiction as critical intervention. This book will be of interest to those studying the works of George Gissing, and 19th century literature more broadly.

This volume offers a reasoned critical account of a wide range of travel writing about rural Ireland. The focus is on work by English travellers who visited Ireland for pleasure, from the ’scenic tourists’ of the post-Romantic period to Eric Newby in the 1980s. Ryle also discusses accounts by American and English anthropologists, as well as writing by Irish authors including J.M. Synge, George Moore, Sean O’Faolain and Colm Tóibín. The materials reviewed and discussed here, including many books which are now difficult to find, offer illuminating and sometimes entertaining evidence about the development of tourism. Ryle also shows how the discourses and practices of pleasurable travel have intersected with and been marked by the dimensions of power and proprietorship, hegemony, and resistance, which have characterised Anglo-Irish and Hiberno-English cultural relations over the last two centuries. Journeys in Ireland will interest all those concerned with the literature and history of those relations, and will be an invaluable resource for scholars, teachers and students concerned with travel writing and tourism with and beyond these islands.