Martin Scott – författare

The Voice of America (VOA) is the oldest and largest US government-funded international media organization. In 2020, Donald Trump nominated Michael Pack, a right-wing documentarian and close friend of Steve Bannon, to lead the US Agency for Global Media - the independent federal agency overseeing US-funded international media. During Pack's seven-month tenure, more than 30 whistleblowers filed complaints against him, and a judge ruled that he had infringed journalists' constitutional right to freedom of speech.How did such a major international public service media network become intensely politicized by government allies in such a short time, despite having its editorial independence protected by law?Capturing News, Capturing Democracy puts these events in historical and international context—and develops a new analytical framework for understanding government capture and its connection to broader processes of democratic backsliding. Drawing from in-depth interviews with network managers and journalists, and analysis of private correspondence and internal documents, Kate Wright, Martin Scott, and Mel Bunce analyze how political appointees, White House officials, and right-wing media influenced VOA— changing its reporting of the Black Lives Matter movement and the 2020 presidential election. The authors stress that leaving the VOA unprotected leaves it and other public media open to targeting by authoritarian leadership and poses serious risks to US democracy. Further, they offer practical recommendations for how to protect the network and other international public service media better in the future.

The Voice of America (VOA) is the oldest and largest US government-funded international media organization. In 2020, Donald Trump nominated Michael Pack, a right-wing documentarian and close friend of Steve Bannon, to lead the US Agency for Global Media - the independent federal agency overseeing US-funded international media. During Pack's seven-month tenure, more than thirty whistleblowers filed complaints against him, and a judge ruled that he had infringed journalists' constitutional right to freedom of speech.How did such a major international public service media network become intensely politicized by government allies in such a short time, despite having its editorial independence protected by law?Capturing News, Capturing Democracy puts these events in historical and international context—and develops a new analytical framework for understanding government capture and its connection to broader processes of democratic backsliding. Drawing from in-depth interviews with network managers and journalists, and analysis of private correspondence and internal documents, Kate Wright, Martin Scott, and Mel Bunce analyze how political appointees, White House officials, and right-wing media influenced VOA— changing its reporting of the Black Lives Matter movement and the 2020 presidential election. The authors stress that leaving the VOA unprotected leaves it and other public media open to targeting by authoritarian leadership and poses serious risks to US democracy. Further, they offer practical recommendations for how to protect the network and other international public service media better in the future.

The Voice of America (VOA) is the oldest and largest US government-funded international media organization. In 2020, Donald Trump nominated Michael Pack, a right-wing documentarian and close friend of Steve Bannon, to lead the US Agency for Global Media - the independent federal agency overseeing US-funded international media. During Pack's seven-month tenure, more than 30 whistleblowers filed complaints against him and a judge ruled that he had infringed journalists' constitutional right to freedom of speech. How did such a major international public service media network become intensely politicized by government allies in such a short time, despite having its editorial independence protected by law? Capturing News, Capturing Democracy puts these events in historical and international context and develops a new analytical framework for understanding government capture and its connection to broader processes of democratic backsliding. Drawing from in-depth interviews with network managers and journalists, and analysis of private correspondence and internal documents, Kate Wright, Martin Scott, and Mel Bunce analyze how political appointees, White House officials, and right-wing media influenced VOA changing its reporting of the Black Lives Matter movement and the 2020 presidential election. The authors stress that leaving the VOA unprotected leaves it and other public media open to targeting by authoritarian leadership and poses serious risks to US democracy. Further, they offer practical recommendations for how to protect the network and other international public service media better in the future.

The Voice of America (VOA) is the oldest and largest US government-funded international media organization. In 2020, Donald Trump nominated Michael Pack, a right-wing documentarian and close friend of Steve Bannon, to lead the US Agency for Global Media - the independent federal agency overseeing US-funded international media. During Pack's seven-month tenure, more than 30 whistleblowers filed complaints against him and a judge ruled that he had infringed journalists' constitutional right to freedom of speech. How did such a major international public service media network become intensely politicized by government allies in such a short time, despite having its editorial independence protected by law? Capturing News, Capturing Democracy puts these events in historical and international context and develops a new analytical framework for understanding government capture and its connection to broader processes of democratic backsliding. Drawing from in-depth interviews with network managers and journalists, and analysis of private correspondence and internal documents, Kate Wright, Martin Scott, and Mel Bunce analyze how political appointees, White House officials, and right-wing media influenced VOA changing its reporting of the Black Lives Matter movement and the 2020 presidential election. The authors stress that leaving the VOA unprotected leaves it and other public media open to targeting by authoritarian leadership and poses serious risks to US democracy. Further, they offer practical recommendations for how to protect the network and other international public service media better in the future.

From entertainment to citizenship reveals how the young use shows like X-factor to comment on how power ought to be used, and how they respond to those pop stars - like Bono and Bob Geldof - who claim to represent them. It explores how young people connect the pleasures of popular culture to the world at large. For them, popular culture is not simply a matter of escapism and entertainment, but of engagement too. The place of popular culture in politics, and its contribution to democratic life, has too often been misrepresented or misunderstood. This book provides the evidence and analysis that will help correct this misperception. It documents the voices of young people as they talk about popular culture (what they love as well as what they dislike), and as they reveal their thoughts about the world they inhabit. It will be of interest to those who study media and culture, and those who study politics.

This book documents the unique reporting practices of humanitarian journalists – an influential group of journalists defying conventional approaches to covering humanitarian crises.Based on a 5-year study, involving over 150 in-depth interviews, this book examines the political, economic and social forces that sustain and influence humanitarian journalists. The authors argue that – by amplifying marginalised voices and providing critical, in-depth explanations of neglected crises – these journalists show us that another kind of humanitarian journalism is possible. However, the authors also reveal the heavy price these reporters pay for deviating from conventional journalistic norms. Their peripheral position at the ‘boundary zone’ between the journalistic and humanitarian fields means that a humanitarian journalist’s job is often precarious – with direct implications for their work, especially as ‘watchdogs’ for the aid sector. As a result, they urgently need more support if they are to continue to do this work and promote more effective and accountable humanitarian action.A rigorous study of how unique professional practices can be produced at the ‘boundary zone’ between fields, this book will interest students and scholars of journalism and communication studies, sociology and humanitarian studies. It will also appeal to those interested in studies of news and media work as occupational identities.

This book documents the unique reporting practices of humanitarian journalists – an influential group of journalists defying conventional approaches to covering humanitarian crises.Based on a 5-year study, involving over 150 in-depth interviews, this book examines the political, economic and social forces that sustain and influence humanitarian journalists. The authors argue that – by amplifying marginalised voices and providing critical, in-depth explanations of neglected crises – these journalists show us that another kind of humanitarian journalism is possible. However, the authors also reveal the heavy price these reporters pay for deviating from conventional journalistic norms. Their peripheral position at the ‘boundary zone’ between the journalistic and humanitarian fields means that a humanitarian journalist’s job is often precarious – with direct implications for their work, especially as ‘watchdogs’ for the aid sector. As a result, they urgently need more support if they are to continue to do this work and promote more effective and accountable humanitarian action.A rigorous study of how unique professional practices can be produced at the ‘boundary zone’ between fields, this book will interest students and scholars of journalism and communication studies, sociology and humanitarian studies. It will also appeal to those interested in studies of news and media work as occupational identities.

This feminist approach to the Gospel of John explores the issue of the role of women in the Johannine Christian community. The author first examines in detail the relationship between the Jewish figure of Wisdom, known by the Greek name Sophia, and the Jesus of the Fourth Gospel. Secondly, he investigates what effect the use of a female figure as a basis for christological reflection have on the way in which women were portrayed in the Gospel. The deliberate choice of the feminine name Sophia caused problems for the writer of the Fourth Gospel in seeking to identify the exclusively female figure with the male Jesus.

Thraxas of Turai is the eleventh book in the series. Thraxas, perhaps the doughtiest warrior ever born within that city's walls, (as he describes himself) is almost home. The army led by Lisutaris reaches Turai, ready to retake their city. Thraxas begins the book in some trouble, having been flung in the stockade following a disreputable brawl, but will soon be back in action, investigating a politically awkward murder while making ready for battle. At his side is Makri, whose mathematical skills are called upon for some complicated sorcerous calculations designed to bring down the walls. There are dragons in the sky, hostile forces ahead, and, worst of all as far as Thraxas is concerned, a general beer shortage. When this is all over, Thraxas intends to spend the rest of his days sitting comfortably in his favourite tavern. But first, he has a city to retake.

Book twelve in the Thraxas series. - 'Sources at the Palace indicate that a very large sum of money in the form of gold bullion has disappeared from the Palace vaults. This was earmarked for the purchase of food and is a terrible loss to a city already on the brink of starvation. The whole affair smacks of corruption at the highest levels. Our revered War Leader Lisutaris, Mistress of the Sky, is of course beyond suspicion but the sad truth is she's surrounded by a coterie of very dubious characters including assassins, degenerate sorcerers, half-Orcish ruffians and several shady figures from the lower depths of Turanian society. Our readers will be amazed to learn that among these figures is Thraxas, about whom the Chronicle has had reason to warn the city before. As the food intended for our starving population disappears to the Simnian, Samsarinan and Niojan encampments, many curious glances will be cast towards the Mistress of the Sky, wondering why her most trusted companions all seem to be characters of the very lowest repute...'

Media matters. From encouraging charitable donations and delivering public health messages to promoting democratic participation and state accountability, the media can play a crucial role in development. Yet the influence of the media is not always welcome. It can also be used as a mechanism of surveillance and control or to disseminate hate speech and propaganda.How then should we respond to the growing importance of the media - including journalism, radio, television, community media and social media - for poverty and inequality? The first step is to acquire an informed and critical understanding of the multiple roles that the media can have in development. To help achieve this, this book provides concise and original introductions to the study and practice of communication for development (C4D), media development and media representations of development. In doing so it highlights the increasing importance of the media, whilst at the same time emphasising the varieties, complexities and contingencies of its role in social change.The broad and interdisciplinary focus of this book will make it attractive to anyone with an interest in media, communication, development, politics and social change.

Media matters. From encouraging charitable donations and delivering public health messages to promoting democratic participation and state accountability, the media can play a crucial role in development. Yet the influence of the media is not always welcome. It can also be used as a mechanism of surveillance and control or to disseminate hate speech and propaganda.How then should we respond to the growing importance of the media - including journalism, radio, television, community media and social media - for poverty and inequality? The first step is to acquire an informed and critical understanding of the multiple roles that the media can have in development. To help achieve this, this book provides concise and original introductions to the study and practice of communication for development (C4D), media development and media representations of development. In doing so it highlights the increasing importance of the media, whilst at the same time emphasising the varieties, complexities and contingencies of its role in social change.The broad and interdisciplinary focus of this book will make it attractive to anyone with an interest in media, communication, development, politics and social change.

Media matters. From encouraging charitable donations and delivering public health messages to promoting democratic participation and state accountability, the media can play a crucial role in development. Yet the influence of the media is not always welcome. It can also be used as a mechanism of surveillance and control or to disseminate hate speech and propaganda.How then should we respond to the growing importance of the media - including journalism, radio, television, community media and social media - for poverty and inequality? The first step is to acquire an informed and critical understanding of the multiple roles that the media can have in development. To help achieve this, this book provides concise and original introductions to the study and practice of communication for development (C4D), media development and media representations of development. In doing so it highlights the increasing importance of the media, whilst at the same time emphasising the varieties, complexities and contingencies of its role in social change.The broad and interdisciplinary focus of this book will make it attractive to anyone with an interest in media, communication, development, politics and social change.

Discover how the healing power of crystals can be used to enhance the wellbeing and happiness of the animals in your care. Crystal healing is as effective and potent a healing art today as it was in the time of the ancient Egyptians. It is even more effective with animals than for humans, and any pet owner or animal caregiver can easily learn to master the basic techniques of choosing and cleansing crystals, dowsing and crystal massage, making crystal essences, and the use of crystal layouts in healing. Crystal Healing for Animals explains these methods in plain and simple language and will be useful for beginners and experienced crystal users alike. Crystal healing allows us to take an active role in the health of our animal companions, in the sure knowledge that we can do no wrong. Crystals have a healing energy that is powerful and profound, but is completely safe and gentle. Take a guided tour of thirty of the most commonly used and effective healing crystal and gemstones, showing how you can easily and inexpensively build up a collection that will last a life time and go on providing healing support to your animal friends as the years go by. Animal problems covered include: abuse and trauma, allergies, bereavement and grief, hyperactivity, constipation, inflammation, low immunity, muscle strains and pains, post-surgical recovery, stress, training problems and animal/human relationships, and much more. This book also contains special sections on training and animal rescue, showing the role that crystals can play in this context. Martin Scott and Gael Mariani are the founders and directors of the Society for Animal Flower Essence Research (S.A.F.E.R). They are the authors and tutors of many courses on natural animal healthcare including the Animal Care College’s Complementary Therapies for Pets. They have lectured internationally on the subject. S.A.F.E.R provides training and education to UK animal welfare charities such as the Cinnamon Trust and RSPCA. Scott and Mariani are Tutors and course writers, Animal Care College; Associates of and advisors to the Canine and Feline Behaviour Association; and Former Fellows of the British Institute of Homeopathy. They are the authors of Bach Flower Remedies for Dogs and Bach Flower Remedies for Cats.

This feminist approach to the Gospel of John explores the issue of the role of women in the Johannine Christian community. The author first examines in detail the relationship between the Jewish figure of Wisdom, known by the Greek name Sophia, and the Jesus of the Fourth Gospel. Secondly, he investigates what effect the use of a female figure as a basis for christological reflection have on the way in which women were portrayed in the Gospel. The deliberate choice of the feminine name Sophia caused problems for the writer of the Fourth Gospel in seeking to identify the exclusively female figure with the male Jesus.

Martin Scott har studerat teologi vid Londons Bible Collage och Brunel University. Sedan 1986 har han varit verksam som pastor och resande evangelist. Han har under åren varit ledare för otagliga böneresor och bönekampanjer där hans starka profetiska tjänst varit vägledande. Framför allt har han uppmuntrat och inspirerat enskilda grupper och kyrkor att gemensamt samlas kring en bönestrategi som inriktar sig på städer och platser. Tillsammans med olika böneteam har han rest i Storbritannien, USA, Tyskland, Frankrike, Sverige och Brasilien.