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15 produkter
15 produkter
806 kr
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The emergence of a new theory of literature in the German Romantic period constituted a decisive turning point in the history of criticism. Prepared by new trends in critical thought during the latter half of the eighteenth century, a view of the literary work and the artistic process developed which diverged sharply from the dominant classicist understanding of aesthetics and poetics. It recognised the infinite changeability of genres, their constant mingling, and the frequent emergence of new literary forms, and asserted the rights of genius and creative imagination. It was also characterised by its intimate connection with the prevailing philosophy of its time, transcendental idealism. Professor Behler provides a new account of this crucial movement, illustrating each theoretical topic with close reference to a characteristic work by a major writer of the period.
806 kr
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This is the first general history in English of theatre in Vienna, the one German-speaking city which, in the eighteenth century and for most of the nineteenth, sustained a theatrical life comparable to that of Paris or London. The book covers this theatrical culture from the beginnings of modern theatre in 1776 to the present day, relating it to social, political and intellectual history. It focuses primarily on the most important and productive theatres: the Burgtheater of the nineteenth and early twentieth century and the commercial theatres that housed Viennese dialect comedy and operetta. Particular emphasis is placed on the dramatists and composers from whom the lasting importance of the theatres chiefly derives, and on the ideological pressures reflected in the repertory, in censorship (to which one chapter is devoted), and in press reception. The book draws on original documents including diaries, memoirs and reviews, and is accessible to general readers as well as specialists.
610 kr
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This book is a systematic attempt to examine the literary consequences of German reunification. Placing the concept of the Kulturnation at the centre of its analysis, the book explores the ways in which literature both responds to and helps to constitute notions of German national identity. Previous studies of German literature have tended to avoid the problem of nationhood: this is one of the few books in any language to treat contemporary Germany as a cultural and national unity. The book discusses German literature from the early 1980s through the late 1990s, with a primary focus on the way in which authors of the 1990s have sought to cope with and respond to reunification and emerging questions about history, politics and identity. Larger questions are addressed about the role of both the nation and a national literature in the context of economic and political globalization.
610 kr
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In this important study, Lesley Sharpe assesses Schiller's development as a dramatist, poet and thinker, and provides detailed discussions of all his major works, including his essays on aesthetics. His works are viewed against the social, political and literary background of the late eighteenth century. Spanning a period from the late 1770s to 1805 they explore the insistent themes of the age - the loss of tradition and authority, the individual's claim to self-expression and the search for stability. While the early works focus on the turbulent individual, Schiller later turns to the great public concerns of the French Revolutionary era - legitimacy and power, the exercise of freedom and the relationship between morality and politics. The aesthetic essays explore the vital role of art in integrating the aesthetic, moral and political realms.
520 kr
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Although Adalbert Stifter (1808-68) has long been recognised as a key figure in nineteenth-century German prose writing, his literary reputation has been curiously volatile. This major study, first published in 1984, was a reassessment of Stifter's work within the context of the tradition of nineteenth-century European fictional prose. The authors pay close attention to features of style, structure and narrative perspective in order to suggest that Stifter's heavily stylised prose expresses a profound and significant irresolution. On the one hand, Stifter seeks to assert that the natural world is a divinely ordained creation; on the other, he recognises that nature is a self-regulating mechanism, a totality that is scientifically explicable. Stifter emerges as a writer of European stature. This tightly organised, lucid study will prove of interest to students of German literature and serve as an introduction to Stifter for those who take an interest in European prose fiction.
520 kr
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The essays in this collection, which was originally published in 1986, address fundamental issues of literary realism that have long been given prominence by J. P. Stern, the distinguished writer on German literature and author of the seminal study On Realism. In the prevailing theoretical climate problems associated with literary realism assumed great urgency. Such problems are the notion of literary 'truth to life', the survival of the concept of 'realism' in the light of modern hermeneutical theory, the perspective adopted by the contemporaries of Barthes and inheritors of Nietzsche on the canonical prose writers of the nineteenth century, and the future for an exegetical tradition represented in the work of Erich Auerbach.
656 kr
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This anthology of German poetry prints a representative section from the work of seventeen poets writing from the mid eighteenth century to the present. There are poems by Klopstock, Goethe, Schiller, Hölderlin, Novalis, Brentano, Eichendorff, Heine, Droste-Hülshoff, Mörike, Hofmannsthal, Rilke, Trakl, Benn, Brecht, Celan, and Enzensberger. The aim of the volume is to dispel whatever fears students may have about reading German poetry by suggesting that lyric poetry offers the most economical and enjoyable way of comprehending the range and variety of German literature over the past two hundred years. In his introduction Professor Swales discusses the nature of lyric poetry in general and then presents a brief historical survey of the themes and modes of German lyric poetry in this period. Notes are provided on individual poems, not with the aim of offering definitive interpretations, but in order to highlight points of theme and style and to facilitate class discussion.
520 kr
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The tradition of the German novel, before the emergence of its 'classic' writers in the first half of the twentieth century (Thomas Mann, Kafka, Hesse, Musil), does not have an assured place in the canon of European literature. Not that it has wanted for spirited advocates; but, despite all efforts, it has remained firmly on the periphery. The one signal exception is Goethe's novel Die Leiden des jungen Werthers usually rendered as 'The Sorrows of Young Werther'. Werther was an extraordinary and immediate bestseller both in Germany and abroad.
1 694 kr
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If the rise of modernism is the story of a struggle between the burden of tradition and a desire to break free of it, then Rilke's poetic development is a key example of this tension at work. Taking a sceptical view of Rilke's own myth of himself as a solitary genius, Judith Ryan reveals how deeply his writing is embedded in the culture of its day. She traces his often desperate attempts to grapple with problems of fashion, influence and originality as he shaped his career during the crucial decades in which modernism was born. This 1999 book was the first systematic study of Rilke's trajectory from aestheticism to modernism as seen through the lens of his engagement with poetic tradition and the visual arts. It is full of surprising discoveries about individual poems. Above all, it shifts the terms of the debate about Rilke's place in modern literary history.
1 423 kr
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This original study investigates the role played by literature in Sigmund Freud's creation and development of psychoanalysis. Graham Frankland analyses the whole range of Freud's own texts from a literary-critical perspective, providing a comprehensive reappraisal of his life's work. Freud was steeped in classical European literature but seems initially to have repressed all literary influences on his scientific work. Frankland traces their re-emergence, examining in detail Freud's many literary allusions and quotations as well as the rhetoric and imagery of his writing. He explores Freud's own attempts at analysing literature, the influence of literary criticism on his approach to analysing patients and his creation of psychoanalytical 'novels', quasi-literary fictions fraught with profoundly personal subtexts. Freud's Literary Culture sheds new light on a multi-faceted, contradictory writer who continues to have an unparalleled impact on our postmodern culture precisely because he was so deeply rooted in European literary tradition.
365 kr
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Although some of the most distinguished German novels written since about 1770 are generally considered to be Bildungsromane, the term Bildungsroman is all too frequently used in English without an awareness of the tradition from which it arose. Professor Swales concentrates on the roles of plot, characterization, and narrative commentary in novels by Wieland, Goethe, Stifter, Keller, Mann, and Hesse. By pointing out that the goal in each work is both elusive and problematic, he suggests a previously unsuspected ironic intent. His analysis adds to our awareness of the potentialities inherent in the novel. Originally published in 1978. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
466 kr
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Martin Swales explores the interrelation in the novelle of aesthetic theory and textual practice, suggesting that the characteristic mode of the novelle is a specific kind of narrative constellation advocated by theoreticians and practiced by writers. The author’s theory not only serves to illuminate our understanding of the novelle but also advances our knowledge of genre theory.Swales analyzes theoretical writings as if they themselves are literary texts that reflect the age in which they were written. By considering them in relation to seven principal topics, he shows how they share a central concern with cases that are exceptions to the normal social order. The response of each author implies the reluctance of society to have its premises called into question and to adjust in such a way as to accommodate these cases. Swales applies this theory to seven nineteenth-century novellen.Originally published in 1977.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
1 626 kr
Skickas inom 3-6 vardagar
Although some of the most distinguished German novels written since about 1770 are generally considered to be Bildungsromane, the term Bildungsroman is all too frequently used in English without an awareness of the tradition from which it arose. Professor Swales concentrates on the roles of plot, characterization, and narrative commentary in novels by Wieland, Goethe, Stifter, Keller, Mann, and Hesse. By pointing out that the goal in each work is both elusive and problematic, he suggests a previously unsuspected ironic intent. His analysis adds to our awareness of the potentialities inherent in the novel. Originally published in 1978. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
1 106 kr
Skickas inom 5-8 vardagar
Martin Swales explores the interrelation in the novelle of aesthetic theory and textual practice, suggesting that the characteristic mode of the novelle is a specific kind of narrative constellation advocated by theoreticians and practiced by writers. The author’s theory not only serves to illuminate our understanding of the novelle but also advances our knowledge of genre theory.Swales analyzes theoretical writings as if they themselves are literary texts that reflect the age in which they were written. By considering them in relation to seven principal topics, he shows how they share a central concern with cases that are exceptions to the normal social order. The response of each author implies the reluctance of society to have its premises called into question and to adjust in such a way as to accommodate these cases. Swales applies this theory to seven nineteenth-century novellen.Originally published in 1977.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Del 8 - Studies in German Literature Linguistics and Culture
Reading Goethe
A Critical Introduction to the Literary Work
Häftad, Engelska, 2007
322 kr
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At last an engaging and highly readable guide to the works and significance of Goethe.The year 1999 saw the 250th anniversary of the birth of Johann Wolfgang von Goethe, Germany's greatest writer. Appropriately, literary scholars within Germany and beyond paid tribute to this remarkable talent. But a number of commentators also noted that Goethe is often revered rather than read, known of rather than known. This study remedies this state of affairs by offering an introduction to Goethe and his works for the English-speaking reader -- now inpaperback and with all quotations. The authors concentrate on the literary work and offer analyses that represent an impassioned, but by no means uncritical, advocacy -- one that seeks to persuade both academic critics and general readers alike that Goethe is one of the key figures of European modernity. To an extent that is virtually unique in modern literature, Goethe was active in a whole number of literary genres. He was a superb poet, unrivaled in the variety of his expressive modes, and in his ability to combine intellectual sophistication withexperiential immediacy. He also wrote short stories and novels throughout his life, ranging from the The Sorrows of Young Werther, to The Elective Affinities. He was also a highly skilled dramatist, both in the historical mode and in the classical verse-drama. Above all else, Goethe is the author of Faust: a work that attempts -- and achieves -- more than any other modern European drama.Martin Swales is Professor of German at University College London. Erika Swales is College Lecturer and Fellow of King's College, Cambridge.