Martin van Creveld – författare

Why did Napoleon succeed in 1805 but fail in 1812? Could the European half of World War II have been ended in 1944? These are only two of the many questions that form the subject-matter of this meticulously researched, lively book. Drawing on a very wide range of sources, van Creveld examines the specifics of war: namely, those formidable problems of movement and supply, transportation and administration, so often mentioned - but rarely explored - by the vast majority of books on military history. In doing so he casts his net far and wide, from Gustavus Adolphus to Rommel, from Marlborough to Patton, subjecting the operations of each to a thorough analysis from an unusual point of view. In this edition with a new introduction, van Creveld revisits his now-classic text, and comments in a new afterword on the role of logistics in high-tech, modern warfare.

'War is the most important thing in the world', writes Martin van Creveld, one of the world's best-known experts on military history and strategy.The survival of every country, government, and individual is ultimately dependent on war - or the ability to wage it in self-defence. That is why, though it may come but once in a hundred years, it must be prepared for every day. When it is too late-when the bodies lie stiff and people weep over them-those in charge have failed in their duty. Nevertheless, in spite of the centrality of war to human history and culture, there has for long been no modern attempt to provide a replacement for the classics on war and strategy, Sun Tzu's The Art of War, dating from the 5th or 6th century BC, and Carl von Clausewitz's On War, written in the aftermath of the Napoleonic Wars. What is needed is a modern, comprehensive, easy to read and understand theory of war for the 21st century that could serve as a replacement for these classic texts. The purpose of the present book is to provide just such a theory.

In this impressive work, van Creveld considers man's use of technology over the past 4,000 years and its impact on military organization, weaponary, logistics, intelligence, communications, transportation, and command. This revised paperback edition has been updated to include an account of the range of technology in the recent Gulf War.

Broadly defined as the grey area between strategy and tactics, operational art spans the theory and practice of planning and conducting campaigns and major operations aimed at accomplishing strategic and operational objectives in a given theatre of operations. An intermediate link between strategy and tactics has always existed, but a distinct concept that encompasses a systematic and deliberate plan of campaign for major operations is a mere two hundred years old. Based on country specific case-studies, this book describes how the concepts that underpin operational art originated, how they received practical expression in various campaigns, and how they developed over time. The point of departure is the campaigns of ''the God of War'', Napoleon Bonaparte. The book then proceeds with chapters on the evolution of operational art in Prussia / Germany, the Soviet Union / Russia, the United Kingdom, United States, Israel, and China. The final chapter deals with the future of operational art in irregular warfare. Theory is critical to refining and improving existing methods of applying operational warfare, and its importance cannot be overstated; however, to be useful, theory and its accompanying vocabulary must be combined with a proper examination of historical trends and practical experience. The present volume attempts to achieve that combination.This book is a project of the Oxford Leverhulme Programme on the Changing Character of War.

''War is the most important thing in the world'', writes Martin van Creveld, one of the world''s best-known experts on military history and strategy.The survival of every country, government, and individual is ultimately dependent on war - or the ability to wage it in self-defence. That is why, though it may come but once in a hundred years, it must be prepared for every day. When it is too late-when the bodies lie stiff and people weep over them-those in charge have failed in their duty. Nevertheless, in spite of the centrality of war to human history and culture, there has for long been no modern attempt to provide a replacement for the classics on war and strategy, Sun Tzu''s The Art of War, dating from the 5th or 6th century BC, and Carl von Clausewitz''s On War, written in the aftermath of the Napoleonic Wars. What is needed is a modern, comprehensive, easy to read and understand theory of war for the 21st century that could serve as a replacement for these classic texts. The purpose of the present book is to provide just such a theory.

''War is the most important thing in the world'', writes Martin van Creveld, one of the world''s best-known experts on military history and strategy.The survival of every country, government, and individual is ultimately dependent on war - or the ability to wage it in self-defence. That is why, though it may come but once in a hundred years, it must be prepared for every day. When it is too late-when the bodies lie stiff and people weep over them-those in charge have failed in their duty. Nevertheless, in spite of the centrality of war to human history and culture, there has for long been no modern attempt to provide a replacement for the classics on war and strategy, Sun Tzu''s The Art of War, dating from the 5th or 6th century BC, and Carl von Clausewitz''s On War, written in the aftermath of the Napoleonic Wars. What is needed is a modern, comprehensive, easy to read and understand theory of war for the 21st century that could serve as a replacement for these classic texts. The purpose of the present book is to provide just such a theory.

Broadly defined as the grey area between strategy and tactics, operational art spans the theory and practice of planning and conducting campaigns and major operations aimed at accomplishing strategic and operational objectives in a given theatre of operations. An intermediate link between strategy and tactics has always existed, but a distinct concept that encompasses a systematic and deliberate plan of campaign for major operations is a mere two hundred years old. Based on country specific case-studies, this book describes how the concepts that underpin operational art originated, how they received practical expression in various campaigns, and how they developed over time. The point of departure is the campaigns of ''the God of War'', Napoleon Bonaparte. The book then proceeds with chapters on the evolution of operational art in Prussia / Germany, the Soviet Union / Russia, the United Kingdom, United States, Israel, and China. The final chapter deals with the future of operational art in irregular warfare. Theory is critical to refining and improving existing methods of applying operational warfare, and its importance cannot be overstated; however, to be useful, theory and its accompanying vocabulary must be combined with a proper examination of historical trends and practical experience. The present volume attempts to achieve that combination.This book is a project of the Oxford Leverhulme Programme on the Changing Character of War.

Broadly defined as the grey area between strategy and tactics, operational art spans the theory and practice of planning and conducting campaigns and major operations aimed at accomplishing strategic and operational objectives in a given theatre of operations. An intermediate link between strategy and tactics has always existed, but a distinct concept that encompasses a systematic and deliberate plan of campaign for major operations is a mere two hundred years old. Based on country specific case-studies, this book describes how the concepts that underpin operational art originated, how they received practical expression in various campaigns, and how they developed over time. The point of departure is the campaigns of 'the God of War', Napoleon Bonaparte. The book then proceeds with chapters on the evolution of operational art in Prussia / Germany, the Soviet Union / Russia, the United Kingdom, United States, Israel, and China. The final chapter deals with the future of operational art in irregular warfare. Theory is critical to refining and improving existing methods of applying operational warfare, and its importance cannot be overstated; however, to be useful, theory and its accompanying vocabulary must be combined with a proper examination of historical trends and practical experience. The present volume attempts to achieve that combination.This book is a project of the Oxford Leverhulme Programme on the Changing Character of War.

One of the most influential experts on military history and strategy has now written his magnum opus, an original and provocative account of the past hundred years of global conflict. The Changing Face of War is the book that reveals the path that led to the impasse in Iraq, why powerful standing armies are now helpless against ill-equipped insurgents, and how the security of sovereign nations may be maintained in the future.While paying close attention to the unpredictable human element, Martin van Creveld takes us on a journey from the last century’s clashes of massive armies to today’s short, high-tech, lopsided skirmishes and frustrating quagmires. Here is the world as it was in 1900, controlled by a handful of “great powers,” mostly European, with the memories of eighteenth-century wars still fresh. Armies were still led by officers riding on horses, messages conveyed by hand, drum, and bugle. As the telegraph, telephone, and radio revolutionized communications, big-gun battleships like the British Dreadnought, the tank, and the airplane altered warfare.Van Creveld paints a powerful portrait of World War I, in which armies would be counted in the millions, casualties–such as those in the cataclysmic battle of the Marne–would become staggering, and deadly new weapons, such as poison gas, would be introduced. Ultimately, Germany’s plans to outmaneuver her enemies to victory came to naught as the battle lines ossified and the winners proved to be those who could produce the most weapons and provide the most soldiers.The Changing Face of War then propels us to the even greater global carnage of World War II. Innovations in armored warfare and airpower, along with technological breakthroughs from radar to the atom bomb, transformed war from simple slaughter to a complex event requiring new expertise–all in the service of savagery, from Pearl Harbor to Dachau to Hiroshima. The further development of nuclear weapons during the Cold War shifts nations from fighting wars to deterring them: The number of active troops shrinks and the influence of the military declines as civilian think tanks set policy and volunteer forces “decouple” the idea of defense from the world of everyday people. War today, van Crevald tells us, is a mix of the ancient and the advanced, as state-of-the-art armies fail to defeat small groups of crudely outfitted guerrilla and terrorists, a pattern that began with Britain’s exit from India and culminating in American misadventures in Vietnam and Iraq, examples of what the author calls a “long, almost unbroken record of failure.”How to learn from the recent past to reshape the military for this new challenge–how to still save, in a sense, the free world–is the ultimate lesson of this big, bold, and cautionary work. The Changing Face of War is sure to become the standard source on this essential subject.From the Hardcover edition.

Analyses the performance of two key parties engaged in fighting during World War II.

The state, which since the middle of the seventeenth century has been the most important and most characteristic of all modern institutions, is in decline. From Western Europe to Africa, many existing states are either combining into larger communities or falling apart. Many of their functions are being taken over by a variety of organizations which, whatever their precise nature, are not states. In this unique volume Martin van Creveld traces the story of the state from its beginnings to the present. Starting with the simplest political organizations that ever existed, he guides the reader through the origins of the state, its development, its apotheosis during the two World Wars, and its spread from its original home in Western Europe to cover the globe. In doing so, he provides a fascinating history of government from its origins to the present day.

The state, which since the middle of the seventeenth century has been the most important and most characteristic of all modern institutions, is in decline. From Western Europe to Africa, many existing states are either combining into larger communities or falling apart. Many of their functions are being taken over by a variety of organizations which, whatever their precise nature, are not states. In this unique volume Martin van Creveld traces the story of the state from its beginnings to the present. Starting with the simplest political organizations that ever existed, he guides the reader through the origins of the state, its development, its apotheosis during the two World Wars, and its spread from its original home in Western Europe to cover the globe. In doing so, he provides a fascinating history of government from its origins to the present day.

Why did Napoleon succeed in 1805 but fail in 1812? Could the European half of World War II have been ended in 1944? These are only two of the many questions that form the subject-matter of this meticulously researched, lively book. Drawing on a very wide range of sources, van Creveld examines the specifics of war: namely, those formidable problems of movement and supply, transportation and administration, so often mentioned - but rarely explored - by the vast majority of books on military history. In doing so he casts his net far and wide, from Gustavus Adolphus to Rommel, from Marlborough to Patton, subjecting the operations of each to a thorough analysis from an unusual point of view. In this edition with a new introduction, van Creveld revisits his now-classic text, and comments in a new afterword on the role of logistics in high-tech, modern warfare.

‘War is a duel written large.’ How did we get from clubs and spears to machine guns and drone missiles? What led to the human race firing projectiles across a no-man’s-land, from straightforward warfare to spies and insurgency? Here renowned military historian Martin van Creveld has compiled a concise guide to the history of war in 100 key events, from 10,000 BCE to the present day: Stone Age ‘wars’; Vikings raids; medieval conflicts; revolutionary wars; Napoleonic wars; world wars; the Iraq war; women in war and much more. With intriguing facts and a worldwide range, War in 100 Events is an immensely entertaining volume for military buffs and laymen alike.

Where did wargames come from? Who participated in them, and why? How is their development related to changes in real-life warfare? Which aspects of war did they capture, which ones did they leave out, how, and why? What do they tell us about the conduct of war in the times and places where they were played? How useful are they in training and preparation for war? Why are some so much more popular than others, and how do men and women differ in their interest? Starting with the combat of David versus Goliath, passing through the gladiatorial games, tournaments, trials by battle, duels, and board games such as chess, all the way to the latest simulations and computer games, this unique book traces the subject in all its splendid richness. As it does so, it provides new and occasionally surprising insights into human nature.

Where did wargames come from? Who participated in them, and why? How is their development related to changes in real-life warfare? Which aspects of war did they capture, which ones did they leave out, how, and why? What do they tell us about the conduct of war in the times and places where they were played? How useful are they in training and preparation for war? Why are some so much more popular than others, and how do men and women differ in their interest? Starting with the combat of David versus Goliath, passing through the gladiatorial games, tournaments, trials by battle, duels, and board games such as chess, all the way to the latest simulations and computer games, this unique book traces the subject in all its splendid richness. As it does so, it provides new and occasionally surprising insights into human nature.

In this impressive work, van Creveld considers man''s use of technology over the past 4,000 years and its impact on military organization, weaponary, logistics, intelligence, communications, transportation, and command. This revised paperback edition has been updated to include an account of the range of technology in the recent Gulf War.

At a time when unprecedented change in international affairs is forcing governments, citizens, and armed forces everywhere to re-assess the question of whether military solutions to political problems are possible any longer, Martin van Creveld has written an audacious searching examination of the nature of war and of its radical transformation in our own time. For 200 years, military theory and strategy have been guided by the Clausewitzian assumption that war is rational - a reflection of national interest and an extension of politics by other means. However, van Creveld argues, the overwhelming pattern of conflict in the post-1945 world no longer yields fully to rational analysis. In fact, strategic planning based on such calculations is, and will continue to be, unrelated to current realities. Small-scale military eruptions around the globe have demonstrated new forms of warfare with a different cast of characters - guerilla armies, terrorists, and bandits - pursuing diverse goals by violent means with the most primitive to the most sophisticated weapons. Although these warriors and their tactics testify to the end of conventional war as we''ve known it, the public and the military in the developed world continue to contemplate organized violence as conflict between the super powers. At this moment, armed conflicts of the type van Creveld describes are occurring throughout the world. From Lebanon to Cambodia, from Sri Lanka and the Philippines to El Salvador, the Persian Gulf, and the strife-torn nations of Eastern Europe, violent confrontations confirm a new model of warfare in which tribal, ethnic, and religious factions do battle without high-tech weapons or state-supported armies and resources. This low-intensity conflict challenges existing distinctions between civilian and solder, individual crime and organized violence, terrorism and war. In the present global atmosphere, practices that for three centuries have been considered uncivilized, such as capturing civilians or even entire communities for ransom, have begun to reappear. Pursuing bold and provocative paths of inquiry, van Creveld posits the inadequacies of our most basic ideas as to who fights wars and why and broaches the inevitability of man''s need to "play" at war. In turn brilliant and infuriating, this challenge to our thinking and planning current and future military encounters is one of the most important books on war we are likely to read in our lifetime.

Combining razor-sharp analysis with dramatic narrative, vivid portraits of soldiers and commanders with illuminating discussions of battle tactics and covert actions, The Sword and the Olive traces the history of the IDF from its beginnings in Palestine to today. The book also goes beyond chronology to wrestle with the political and ethical struggles that have shaped the IDF and the country it serves,struggles that are manifesting themselves in the recent tragic escalation of the Palestinian-Israeli conflict. Often revisionist in attitude, surprising in many of its conclusions, this book casts new light on the struggle for peace in the Middle East.

In this fascinating narrative history, internationally recognized military expert Martin van Creveld narrates the rise and fall of the most glamorous offensive and defensive instrument of war in military history,airpower. From the scenes of its greatest exploits during World War I and II, to present day where the advent of ballistic missiles, drones, and other computer-controlled weaponry threaten to eclipse its use all together, van Creveld recounts the successes and failures of airpower to date and shows how its triumphs are fast becoming a thing of the past.

If there is anything that distinguishes us from animals, it is our ability to understand that such a thing as the future exists and our willingness to try and look into it.But how have people through the ages gone about making predictions? What were their underlying assumptions, and what methods did they use? Have increased computer power and the newest algorithms improved our success in anticipating the future, or are we still only as good (or as bad) at it as our ancestors?From the ancients watching the flight of birds to the murky activities of Google and Facebook today, Seeing into the Future gives us an insight into the past, present and future of prediction.

Vom Wesen des KriegesDer Krieg hat seine eigene kulturelle Welt hervorgebracht: Trotz aller technischen Entwicklungen im Lauf der Geschichte ist sein Wesen gleich geblieben. Der bekannte israelische Militärhistoriker Martin van Creveld sieht im Krieg eine Konstante menschlichen Verhaltens. Kriegslose Zeiten, so seine Überzeugung, werde es niemals geben. Seit der europäischen Aufklärung wurde der Krieg als bloße Weiterführung der Politik mit anderen Mitteln, also als Verfolgung von im Wesentlichen rationalen politischen Zielen angesehen. Genau dieser Ansicht stellt sich van Creveld entgegen. Die Wurzeln des Krieges sind allgemeinmenschliche – vor allem psychologische – und daher bleiben die anthropologischen Konstanten des Krieges im Wesentlichen immer gleich – trotz aller Veränderungen der Waffen, Taktik, Ausrüstung und des zivilisatorischen Standes. Er hat eine ganz eigene kulturelle Welt hervorgebracht, mit besonderen Regeln, Bräuchen, Uniformen, Paraden, Ehrenkodices, die heute weitgehend als irrational und archaisch abgelehnt werden. Wenn sie aber aus allgemeinmenschlichen Konstanten herrühren, werden sie auch in Zukunft Gültigkeit behalten.Von der Kriegsbemalung zu den Tarnanzügen, von Bumerangs zu Bastionen: Menschliches Verhalten im Krieg bleibt gleich – vom Kriegsgeschrei am Beginn bis zu den Möglichkeiten und Optionen zur Beendigung eines Krieges.In weiteren Kapiteln widmet sich der Autor dem Verhältnis von Geschichte und Krieg, der Spiegelung des Krieges in Literatur, Kunst und Denkmälern und schließlich der Frage, wie der Krieg – und der Friede – der Zukunft aussehen könnte.