Martine Cuypers – författare

Offering unparalleled scope, A Companion to Hellenistic Literature in 30 newly commissioned essays explores the social and intellectual contexts of literature production in the Hellenistic period, and examines the relationship between Hellenistic and earlier literature. Provides a wide ranging critical examination of Hellenistic literature, including the works of well-respected poets alongside lesser-known historical, philosophical, and scientific prose of the periodExplores how the indigenous literatures of Hellenized lands influenced Greek literature and how Greek literature influenced Jewish, Near Eastern, Egyptian, and Roman literary works

This translation is the result of a close collaboration between theatre director and playwright, Andy Hinds (author of Acting Shakespeares Language), and Classics scholar, Dr. Martine Cuypers (Trinity College Dublin).Whilst preserving a scholarly fidelity to the original Greek, the translation is written in a clear and energetic verse, designed to be as 'performable' in the theatre, as it is readable in the home or study. It will be of equal interest and use, therefore, to teachers, students and academics, to actors and directors, and to the general reader.The Oresteia is released as a companion volume to Hinds translation of Iphigenia in Aulis. Iphigenia represents Euripides version of a key episode in the great saga, The Fall of the House of Atreus, while The Oresteia relates Aeschylus version of the continuation and conclusion of the saga.

This translation is the result of a close collaboration between theatre director and playwright, Andy Hinds (author of Acting Shakespeares Language), and Classics scholar, Dr. Martine Cuypers (Trinity College Dublin). Whilst preserving a scholarly fidelity to the original Greek, the translation is written in a clear and energetic verse, designed to be as 'performable' in the theatre, as it is readable in the home or study. It will be of equal interest and use, therefore, to teachers, students and academics, to actors and directors, and to the general reader. The Oresteia is released as a companion volume to Hinds translation of Iphigenia in Aulis. Iphigenia represents Euripides version of a key episode in the great saga, The Fall of the House of Atreus, while The Oresteia relates Aeschylus version of the continuation and conclusion of the saga.

Two versions of Euripides’ masterpiece in a new verse translation by Andy Hinds, with Martine Cuypers.The first version of Iphigenia in Aulis in this volume is a translation of the complete text as it has come down to us via the only surviving manuscript – a highly corrupt text containing numerous interpolations by hands other than Euripides. The second, shorter version offers a tried and tested, more performable ‘stage’ version of the play.The translation is the result of a close collaboration between theatre director and playwright, Andy Hinds (author of Acting Shakespeare’s Language), and Classics scholar, Dr. Martine Cuypers (Trinity College, Dublin). Whilst preserving a scholarly fidelity to the original Greek, the translation is written in a clear and energetic verse, designed to be as 'performable' in the theatre, as it is ‘readable’ in the home or study. It will be of equal interest and use, therefore, to teachers, students and academics, to actors and directors, and to the general reader. Companion VolumeIphigenia in Aulis is released as a companion volume to Hinds’ translation of The Oresteia. Iphigenia represents Euripides’ version of a key episode in the great saga, The Fall of the House of Atreus, while The Oresteia relates Aeschylus’ version of the continuation and conclusion of the saga.

Two versions of Euripides' masterpiece in a new verse translation by Andy Hinds, with Martine Cuypers.The first version of Iphigenia in Aulis in this volume is a translation of the complete text as it has come down to us via the only surviving manuscript – a highly corrupt text containing numerous interpolations by hands other than Euripides. The second, shorter version offers a tried and tested, more performable 'stage' version of the play.The translation is the result of a close collaboration between theatre director and playwright, Andy Hinds (author of Acting Shakespeare's Language), and Classics scholar, Dr. Martine Cuypers (Trinity College, Dublin). Whilst preserving a scholarly fidelity to the original Greek, the translation is written in a clear and energetic verse, designed to be as 'performable' in the theatre, as it is 'readable' in the home or study. It will be of equal interest and use, therefore, to teachers, students and academics, to actors and directors, and to the general reader. Companion VolumeIphigenia in Aulis is released as a companion volume to Hinds' translation of The Oresteia. Iphigenia represents Euripides' version of a key episode in the great saga, The Fall of the House of Atreus, while The Oresteia relates Aeschylus' version of the continuation and conclusion of the saga.

This e-book explores the representation of the gods in Greek hexameter poetry in its many forms, including epic, hymnic and didactic poetry, from the archaic period to late antiquity. Its twenty-five chapters, written by an international team of experts, trace a broad historical arc, reflecting developments in religious thought and practice, and ongoing philosophical and literary-critical engagement with the nature and representation of the divine and the relationship between humans and gods. They proceed from the poems ascribed to Hesiod and Homer and the so-called Cyclic epics, via the Hellenistic poets Apollonius, Callimachus, Aratus and Moschus, to the poets and poems of the third to sixth centuries CE, including Quintus of Smyrna, Triphiodorus, the Cynegetica, Nonnus, Eudocia, Colluthus, the Argonautica of Orpheus and the Sibylline Oracles. An epilogue explores the reception of the Greek "e;epic"e; gods by the Roman poets Virgil and Ovid, and by the English poets Tennyson, Walcott and Oswald.