Mathias Ussing Seeberg – författare

Chronicling the truncated career of a pioneering 20th-century Danish painter and sculptorJens Adolf Jerichau (1890–1916), best known for his large figurative compositions inspired by the Bible and art history, left a distinct imprint on Danish art with his brief but influential career. This catalog is the biggest presentation of Jerichau’s work to date.

A meditation on the current state of creativity, featuring missives from Anne Boyer, Olga Ravn and Audre LordeThis volume delves into that ineluctable, daunting question: what does creativity mean today? The development of artificial intelligence is once again causing us to consider what it is precisely that renders humanity unique. Historically, one of the answers has been creativity, but many argue that the contemporary age does not provide optimal conditions for human creativity to flourish. The Irreplaceable Human sifts through those thorny conditions, calling upon curators, academics and writers to sound off on the evolving role of creativity through their specific topics of interest, from creativity and childhood to the newest research on different types of creativity to creativity in regards to AI. Following the related exhibition at the Louisiana Museum of Modern Art, this catalog compiles a commanding list of contributors, including American Pulitzer Prize–winner Anne Boyer and Danish novelist Olga Ravn, and features additional texts by Audre Lorde and Thomas Mann.

“A great and unlikely success story, Da Corte creates funny and therapeutic works in the hope of easing the ‘exquisite pain’ of modern life.” –New York TimesThis comprehensive monograph celebrates the acclaimed Philadelphia-based installation artist Alex Da Corte (born 1980), famed for his show-stopping 2021 Roof Garden Commission for the Met, As Long as the Sun Lasts. Da Corte’s Day-Glo works are distinctly rooted in traditional American arts and culture—tellingly, as a teenager he planned to become an animator for Disney—and the artist himself often appears in his films, impersonating iconic figures such as Popeye, the Statue of Liberty, Fred Rogers or Eminem. Throughout, the pop flavor of Da Corte’s aesthetics is mixed with a satirical existentialism: his works often combine sadness and effortless play, connecting our sense of self with consumer culture—from the films we watch to the objects we buy, give and throw away.Published for a major retrospective at the Louisiana Museum of Modern Art in Denmark, and documenting all of his major works to date, Alex Da Corte: Mr. Remember matches the artist’s high-production, ultra-chromatic sensibility in its gorgeous production, with a three-color cloth binding, silver foil on the cover, a paperback volume sewn into the book and an abundance of riotous color throughout, with more than 100 pages of installation views from previous exhibitions.