Matthew Campbell – författare

'An adventure to rival David Grann’s Lost City of Z, and a riveting exposé of the plunder that still fills the world’s top art museums' Zeke Faux, author or Number Go Up'Immaculately researched and beautifully written, a gripping real-life exposé of the ugly deals that underpin the trade in beautiful objects' Oliver Bullough, author of MoneylandAn unbelievable table of greed, looted treasures and stolen history in the world's biggest art heist.In the shattered aftermath of Cambodia’s civil war, temples that had stood for centuries were found ransacked - sacred sculptures hacked from pedestals, towering statues of Hindu gods and priceless relics of the Khmer Empire vanished. At the centre of this vast plunder, British expatriate Douglas Latchford, whose decades-long obsession fuelled one of the most audacious cultural thefts of modern times.From the Killing Fields of the Khmer Rouge to the marble galleries of New York and London and the private collections of the rich and famous, The Man Who Stole the Gods unravels a breathtaking story of power, greed and corruption, and asks what you take from a nation when you steal its past.Drawing on years of investigation and exclusive access to the stories’ key players – from temple looters and traffickers to the investigators and archaeologists fighting to bring masterpieces home – award-winning writer Matthew Campbell reveals how the treasures of one of the world’s greatest civilizations were stolen, sold and finally found.From the author of Dead in the Water, called 'a masterpiece' by the New York Times

Winner of the True Crime Awards Book of the YearShortlisted for the Financial Times Business Book of the Year Award***A Waterstones Best Books of 2022 pick***A Financial Times, The Times and The Economist Book of the Year 'Gripping... A startling tale of fraud and impunity. ' The Economist'I read it in one sitting, and I know it'll stay with me for a long time.' Oliver Bullough, Sunday Times bestselling author of Moneyland Inside the corrupt and secret business of global shipping, the explosive true story of a notorious international fraud and murderIn July 2011, the oil tanker Brillante Virtuoso was drifting through the treacherous Gulf of Aden when a crew of pirates attacked the vessel and set her ablaze. But when David Mockett, a maritime surveyor working for the ship's insurer Lloyd's of London, inspected the damaged vessel, he was left with more questions than answers. Soon after he started his investigation, Mockett was killed by a car bomb.Through first-hand accounts - from members of the crew who survived the hijacking to the ex-London detectives turned private investigators seeking to solve Mockett's murder - award-winning reporters Matthew Campbell and Kit Chellel piece together the explosive true story behind one of the most brazen financial frauds in history.

The forty-two chapters in this book consider Yeats''s early toil, his practical and esoteric concerns as his career developed, his friends and enemies, and how he was and is understood. This Handbook brings together critics and writers who have considered what Yeats wrote and how he wrote, moving between texts and their contexts in ways that will lead the reader through Yeats''s multiple selves as poet, playwright, public figure, and mystic.It assembles a variety of views and adds to a sense of dialogue, the antinomian or deliberately-divided way of thinking that Yeats relished and encouraged. This volume puts that sense of a living dialogue in tune both with the history of criticism on Yeats and also with contemporary critical and ethical debates, not shirking the complexities of Yeats''s more uncomfortable political positions or personal life. It provides one basis from which future Yeats scholarship can continue to participatein the fascination of all the contributors here in the satisfying difficulty of this great writer.

The forty-two chapters in this book consider Yeats''s early toil, his practical and esoteric concerns as his career developed, his friends and enemies, and how he was and is understood. This Handbook brings together critics and writers who have considered what Yeats wrote and how he wrote, moving between texts and their contexts in ways that will lead the reader through Yeats''s multiple selves as poet, playwright, public figure, and mystic.It assembles a variety of views and adds to a sense of dialogue, the antinomian or deliberately-divided way of thinking that Yeats relished and encouraged. This volume puts that sense of a living dialogue in tune both with the history of criticism on Yeats and also with contemporary critical and ethical debates, not shirking the complexities of Yeats''s more uncomfortable political positions or personal life. It provides one basis from which future Yeats scholarship can continue to participatein the fascination of all the contributors here in the satisfying difficulty of this great writer.

The forty-two chapters in this book consider Yeats's early toil, his practical and esoteric concerns as his career developed, his friends and enemies, and how he was and is understood. This Handbook brings together critics and writers who have considered what Yeats wrote and how he wrote, moving between texts and their contexts in ways that will lead the reader through Yeats's multiple selves as poet, playwright, public figure, and mystic. It assembles a variety of views and adds to a sense of dialogue, the antinomian or deliberately-divided way of thinking that Yeats relished and encouraged. This volume puts that sense of a living dialogue in tune both with the history of criticism on Yeats and also with contemporary critical and ethical debates, not shirking the complexities of Yeats's more uncomfortable political positions or personal life. It provides one basis from which future Yeats scholarship can continue to participate in the fascination of all the contributors here in the satisfying difficulty of this great writer.

'An adventure to rival David Grann’s Lost City of Z, and a riveting exposé of the plunder that still fills the world’s top art museums' Zeke Faux, author or Number Go Up'Immaculately researched and beautifully written, a gripping real-life exposé of the ugly deals that underpin the trade in beautiful objects' Oliver Bullough, author of MoneylandAn unbelievable table of greed, looted treasures and stolen history in the world's biggest art heist.In the shattered aftermath of Cambodia’s civil war, temples that had stood for centuries were found ransacked - sacred sculptures hacked from pedestals, towering statues of Hindu gods and priceless relics of the Khmer Empire vanished. At the centre of this vast plunder, British expatriate Douglas Latchford, whose decades-long obsession fuelled one of the most audacious cultural thefts of modern times.From the Killing Fields of the Khmer Rouge to the marble galleries of New York and London and the private collections of the rich and famous, The Man Who Stole the Gods unravels a breathtaking story of power, greed and corruption, and asks what you take from a nation when you steal its past.Drawing on years of investigation and exclusive access to the stories’ key players – from temple looters and traffickers to the investigators and archaeologists fighting to bring masterpieces home – award-winning writer Matthew Campbell reveals how the treasures of one of the world’s greatest civilizations were stolen, sold and finally found.From the author of Dead in the Water, called 'a masterpiece' by the New York Times

Ranging historically from the French Revolution to the beginnings of Modernism, this book examines the significance of memory in an era of furious social change. Through an examination of literature, history and science the authors explore the theme of memory as a tool of social progression. This book offers a fresh theoretical understanding of the period and a wealth of empirical material of use to the historian, literature student or social psychologist.

Ranging historically from the French Revolution to the beginnings of Modernism, this book examines the significance of memory in an era of furious social change. Through an examination of literature, history and science the authors explore the theme of memory as a tool of social progression. This book offers a fresh theoretical understanding of the period and a wealth of empirical material of use to the historian, literature student or social psychologist.

In the last fifty years Irish poets have produced some of the most exciting poetry in contemporary literature, writing about love and sexuality, violence and history, country and city. This book, first published in 2003, provides an introduction to major figures such as Seamus Heaney, and also introduces the reader to significant precursors like Louis MacNeice or Patrick Kavanagh, and vital contemporaries and successors: among others, Thomas Kinsella, Nuala Ní Dhomhnaill and Paul Muldoon. Readers will find discussions of Irish poetry from the traditional to the modernist, written in Irish as well as English, from both North and South. This Companion provides cultural and historical background to contemporary Irish poetry in the contexts of modern Ireland but also in the broad currents of modern world literature. It includes a chronology and guide to further reading and will prove invaluable to students and teachers alike.

In the last fifty years Irish poets have produced some of the most exciting poetry in contemporary literature, writing about love and sexuality, violence and history, country and city. This book, first published in 2003, provides an introduction to major figures such as Seamus Heaney, and also introduces the reader to significant precursors like Louis MacNeice or Patrick Kavanagh, and vital contemporaries and successors: among others, Thomas Kinsella, Nuala Ní Dhomhnaill and Paul Muldoon. Readers will find discussions of Irish poetry from the traditional to the modernist, written in Irish as well as English, from both North and South. This Companion provides cultural and historical background to contemporary Irish poetry in the contexts of modern Ireland but also in the broad currents of modern world literature. It includes a chronology and guide to further reading and will prove invaluable to students and teachers alike.

In Rhythm and Will in Victorian Poetry, first published in 1999, Matthew Campbell explores the work of four Victorian poets - Tennyson, Browning, Hopkins and Hardy - as they show a consistent and innovative concern with questions of human agency and will. The Victorians saw the virtues attendant upon a strong will as central to themselves and to their culture, and Victorian poetry strove to find an aesthetic form to represent this sense of the human will. Through close study of the metre, rhyme and rhythm of a wide range of poems - including monologue, lyric and elegy - Campbell reveals how closely technical questions of poetics are related, in the work of these poets, to issues of psychology, ethics and social change. He goes on to discuss more general questions of poetics, and the implications of the achievement of the Victorian poets in a wider context, from Milton through Romanticism and into contemporary critical debate.

In Rhythm and Will in Victorian Poetry, first published in 1999, Matthew Campbell explores the work of four Victorian poets - Tennyson, Browning, Hopkins and Hardy - as they show a consistent and innovative concern with questions of human agency and will. The Victorians saw the virtues attendant upon a strong will as central to themselves and to their culture, and Victorian poetry strove to find an aesthetic form to represent this sense of the human will. Through close study of the metre, rhyme and rhythm of a wide range of poems - including monologue, lyric and elegy - Campbell reveals how closely technical questions of poetics are related, in the work of these poets, to issues of psychology, ethics and social change. He goes on to discuss more general questions of poetics, and the implications of the achievement of the Victorian poets in a wider context, from Milton through Romanticism and into contemporary critical debate.

In the last fifty years Irish poets have produced some of the most exciting poetry in contemporary literature, writing about love and sexuality, violence and history, country and city. This book, first published in 2003, provides an introduction to major figures such as Seamus Heaney, and also introduces the reader to significant precursors like Louis MacNeice or Patrick Kavanagh, and vital contemporaries and successors: among others, Thomas Kinsella, Nuala Ní Dhomhnaill and Paul Muldoon. Readers will find discussions of Irish poetry from the traditional to the modernist, written in Irish as well as English, from both North and South. This Companion provides cultural and historical background to contemporary Irish poetry in the contexts of modern Ireland but also in the broad currents of modern world literature. It includes a chronology and guide to further reading and will prove invaluable to students and teachers alike.

This book retells the story of Irish poetry written in English between the union of Britain and Ireland in 1801 and the early years of the Irish Free State. Through careful poetic and historical analysis, Matthew Campbell offers ways to read that poetry as ruptured, musical, translated and new. The book starts with the Romantic songs and parodies of nationalist and unionist writers - Moore, Mahony, Ferguson and Mangan - in times of defeat, resurgence and famine. It continues through a discussion of English Victorian poets such as Tennyson, Arnold and Hopkins, who wrote Irish poems as the British Empire unraveled. Campbell's treatment ends with Yeats, seeking a new poetry emerging from under union in times of violence and civil war. The book offers both a literary history of nineteenth-century Irish poetry and a way of reading it for scholars of Irish studies as well as Romantic and Victorian literature.

This book retells the story of Irish poetry written in English between the union of Britain and Ireland in 1801 and the early years of the Irish Free State. Through careful poetic and historical analysis, Matthew Campbell offers ways to read that poetry as ruptured, musical, translated and new. The book starts with the Romantic songs and parodies of nationalist and unionist writers - Moore, Mahony, Ferguson and Mangan - in times of defeat, resurgence and famine. It continues through a discussion of English Victorian poets such as Tennyson, Arnold and Hopkins, who wrote Irish poems as the British Empire unraveled. Campbell's treatment ends with Yeats, seeking a new poetry emerging from under union in times of violence and civil war. The book offers both a literary history of nineteenth-century Irish poetry and a way of reading it for scholars of Irish studies as well as Romantic and Victorian literature.

Ireland's experience in the nineteenth century was quite different from that of Victorian Britain. Its fictions were written in differing forms - like the gothic or historical novel - and its poetry and drama were populated with ballad and song. Its writers were by turns nationalist or unionist, anglophile or de-anglicising. If the effects of famine and emigration were catastrophic for mid-nineteenth-century Irish culture, they initiated a literary story that spread across the diaspora. Despite the decline of spoken Irish, literature continued to be published, while scholarly endeavours such as translation or the Ordnance Survey preserved much from the Gaelic past. This rich volume examines the many forms of new writing that thrived throughout this period. Utilizing a thematic and historical approach, it addresses a broad anglophone readership in Victorian literature. Essays consider the Irish authors in America and India, women's writing, and the resilience of Irish literature before the revival.

Ireland''s experience in the nineteenth century was quite different from that of Victorian Britain. Its fictions were written in differing forms – like the gothic or historical novel – and its poetry and drama were populated with ballad and song. Its writers were by turns nationalist or unionist, anglophile or de-anglicising. If the effects of famine and emigration were catastrophic for mid-nineteenth-century Irish culture, they initiated a literary story that spread across the diaspora. Despite the decline of spoken Irish, literature continued to be published, while scholarly endeavours such as translation or the Ordnance Survey preserved much from the Gaelic past. This rich volume examines the many forms of new writing that thrived throughout this period. Utilizing a thematic and historical approach, it addresses a broad anglophone readership in Victorian literature. Essays consider the Irish authors in America and India, women''s writing, and the resilience of Irish literature before the revival.

Ireland''s experience in the nineteenth century was quite different from that of Victorian Britain. Its fictions were written in differing forms – like the gothic or historical novel – and its poetry and drama were populated with ballad and song. Its writers were by turns nationalist or unionist, anglophile or de-anglicising. If the effects of famine and emigration were catastrophic for mid-nineteenth-century Irish culture, they initiated a literary story that spread across the diaspora. Despite the decline of spoken Irish, literature continued to be published, while scholarly endeavours such as translation or the Ordnance Survey preserved much from the Gaelic past. This rich volume examines the many forms of new writing that thrived throughout this period. Utilizing a thematic and historical approach, it addresses a broad anglophone readership in Victorian literature. Essays consider the Irish authors in America and India, women''s writing, and the resilience of Irish literature before the revival.

Ranging historically from the French Revolution to the beginnings of Modernism, this book examines the significance of memory in an era of furious social change. Through an examination of literature, history and science the authors explore the theme of memory as a tool of social progression. This book offers a fresh theoretical understanding of the period and a wealth of empirical material of use to the historian, literature student or social psychologist.

Ranging historically from the French Revolution to the beginnings of Modernism, this book examines the significance of memory in an era of furious social change. Through an examination of literature, history and science the authors explore the theme of memory as a tool of social progression. This book offers a fresh theoretical understanding of the period and a wealth of empirical material of use to the historian, literature student or social psychologist.

In the last fifty years Irish poets have produced some of the most exciting poetry in contemporary literature, writing about love and sexuality, violence and history, country and city. This book, first published in 2003, provides an introduction to major figures such as Seamus Heaney, and also introduces the reader to significant precursors like Louis MacNeice or Patrick Kavanagh, and vital contemporaries and successors: among others, Thomas Kinsella, Nuala Ní Dhomhnaill and Paul Muldoon. Readers will find discussions of Irish poetry from the traditional to the modernist, written in Irish as well as English, from both North and South. This Companion provides cultural and historical background to contemporary Irish poetry in the contexts of modern Ireland but also in the broad currents of modern world literature. It includes a chronology and guide to further reading and will prove invaluable to students and teachers alike.

Objective-C Recipes provides a problem solution approach for dealing with key aspects of Objective-C programming, ensuring you have the indispensable reference you need to successfully execute common programming tasks. You will see how to use the unique features of the Objective-C programming language, the helpful features of the Foundation framework, and the benefits of using Objective-J as an alternative. Solutions are available for a range of problems, including: Application development with Xcode Working with strings, numbers and object collections Using foundation classes like NSArray, NSString, NSData and more Dealing with threads, multi-core processing and asynchronous processing Building applications that take advantage of dates and timers and memory management How to use Objective-C on other platforms  Objective-C Recipes is an essential reference for every Objective-C programmer, and offers solutions in a concise and easy-to-follow manner. Matthew Campbell has trained over 800 new iOS developers at the Mobile App Mastery Institute and iOS Code Camp, and here brings his expertise to offer you the ability to use and exploit Objective-C to get the most out of all of your projects.

Objective-C Recipes provides a problem solution approach for dealing with key aspects of Objective-C programming, ensuring you have the indispensable reference you need to successfully execute common programming tasks. You will see how to use the unique features of the Objective-C programming language, the helpful features of the Foundation framework, and the benefits of using Objective-J as an alternative. Solutions are available for a range of problems, including:

Application development with Xcode Working with strings, numbers and object collections Using foundation classes like NSArray, NSString, NSData and more Dealing with threads, multi-core processing and asynchronous processing Building applications that take advantage of dates and timers and memory management How to use Objective-C on other platforms

 

Objective-C Recipes is an essential reference for every Objective-C programmer, and offers solutions in a concise and easy-to-follow manner. Matthew Campbell has trained over 800 new iOS developers at the Mobile App Mastery Institute and iOS Code Camp, and here brings his expertise to offer you the ability to use and exploit Objective-C to get the most out of all of your projects. 

 

The Objective-C Quick Syntax Reference is a condensed code and syntax reference to the popular Objective-C programming language, which is the core language behind the APIs found in the Apple iOS and Mac OS SDKs.  It presents the essential Objective-C syntax in a well-organized format that can be used as a handy reference.You won’t find any technical jargon, bloated samples, drawn out history lessons, or witty stories in this book. What you will find is a language reference that is concise, to the point and highly accessible.  The book is packed with useful information and is a must-have for any Objective-C programmer.In the Objective-C Quick Syntax Reference, you will find: A concise reference to the Objective-C language syntax. Short, simple, and focused code examples. A well laid out table of contents and a comprehensive index allowing easy review.

The Objective-C Quick Syntax Reference is a condensed code and syntax reference to the popular Objective-C programming language, which is the core language behind the APIs found in the Apple iOS and Mac OS SDKs.  It presents the essential Objective-C syntax in a well-organized format that can be used as a handy reference.

You won’t find any technical jargon, bloated samples, drawn out history lessons, or witty stories in this book. What you will find is a language reference that is concise, to the point and highly accessible.  The book is packed with useful information and is a must-have for any Objective-C programmer.

In the Objective-C Quick Syntax Reference, you will find:

A concise reference to the Objective-C language syntax. Short, simple, and focused code examples. A well laid out table of contents and a comprehensive index allowing easy review.