Matthew Meyer – författare

The Routledge Guidebook to Nietzsche’s Thus Spoke Zarathustra is an engaging introduction to this rich and provocative philosophical text. Nietzsche is arguably one of the most influential and yet least understood philosophers of the nineteenth century. The same can be said of his self-proclaimed magnum opus, Thus Spoke Zarathustra. The work has influenced everything from poetry, literature, and music to philosophy, psychoanalysis, and soldiers on the battlefields of World War I. Its contents, however, are still far from being understood. On the one hand, the principal aims and even the genre of Zarathustra remain unclear. On the other hand, the work expresses, in poetic fashion, some of Nietzsche’s most important, controversial, and enigmatic doctrines: the Üebermensch, the eternal recurrence of the same, and the will to power.

The Routledge Guidebook to Nietzsche’s Thus Spoke Zarathustra is essential reading for students of nineteenth-century philosophy, German philosophy, and intellectual history and suitable for anyone studying Nietzsche’s most famous text for the first time.

The Routledge Guidebook to Nietzsche’s Thus Spoke Zarathustra is an engaging introduction to this rich and provocative philosophical text. Nietzsche is arguably one of the most influential and yet least understood philosophers of the nineteenth century. The same can be said of his self-proclaimed magnum opus, Thus Spoke Zarathustra. The work has influenced everything from poetry, literature, and music to philosophy, psychoanalysis, and soldiers on the battlefields of World War I. Its contents, however, are still far from being understood. On the one hand, the principal aims and even the genre of Zarathustra remain unclear. On the other hand, the work expresses, in poetic fashion, some of Nietzsche’s most important, controversial, and enigmatic doctrines: the Üebermensch, the eternal recurrence of the same, and the will to power.

The Routledge Guidebook to Nietzsche’s Thus Spoke Zarathustra is essential reading for students of nineteenth-century philosophy, German philosophy, and intellectual history and suitable for anyone studying Nietzsche’s most famous text for the first time.

Nietzsche’s work was shaped by his engagement with ancient Greek philosophy. Matthew Meyer analyzes Nietzsche’s concepts of becoming and perspectivism and his alleged rejection of the principle of non-contradiction, and he traces these views back to the Heraclitean-Protagorean position that Plato and Aristotle critically analyze in the Theaetetus and Metaphysica IV, respectively. At the center of this Heraclitean-Protagorean position is a relational ontology in which everything exists and is what it is only in relation to something else. Meyer argues that this relational ontology is not only theoretically foundational for Nietzsche’s philosophical project, in that it is the common element in Nietzsche’s views on becoming, perspectivism, and the principle of non-contradiction, but also textually foundational, in that Nietzsche implicitly commits himself to such an ontology in raising the question of opposites at the beginning of both Human, All Too Human and Beyond Good and Evil.

Nietzsche’s work was shaped by his engagement with ancient Greek philosophy. Matthew Meyer analyzes Nietzsche’s concepts of becoming and perspectivism and his alleged rejection of the principle of non-contradiction, and he traces these views back to the Heraclitean-Protagorean position that Plato and Aristotle critically analyze in the Theaetetus and Metaphysica IV, respectively. At the center of this Heraclitean-Protagorean position is a relational ontology in which everything exists and is what it is only in relation to something else. Meyer argues that this relational ontology is not only theoretically foundational for Nietzsche’s philosophical project, in that it is the common element in Nietzsche’s views on becoming, perspectivism, and the principle of non-contradiction, but also textually foundational, in that Nietzsche implicitly commits himself to such an ontology in raising the question of opposites at the beginning of both Human, All Too Human and Beyond Good and Evil.