Maxim D. Shrayer – författare

From the deceptively simple narrative (Apple Cider Vinegar, Hurricane Bob) to the surrealist story (Dismemberers) and the magical tale (Jonah and Sarah and Lanskoy Road), the tempo fluctuates, but throughout, Shrayer-Petrov seamlessly preserves familiar voices. The stories have a genuine feel of the setting and epoch—the Russian stories work as narratives of everyday life, while the American stories offer an accurate sense of an émigré’s alienation.Like all good works of fiction, these stories take on a mythic quality and transcend time and place. Each carries and communicates to the reader an aura of mystery, the enigma of love, and a meeting of the Jewish past and present. Whether he invokes lyrical dialogue, gentle irony, or sharp polemical discourse, Shrayer-Petrov shows that he is a powerful presence in Russian and Jewish literature. For those interested in fiction about new immigrants to America or in the psychology of Jews in the two decades before the Soviet Union’s collapse, this collection is a must read.

Whether set in Maxim D. Shrayer’s native Russia or in North America and Western Europe, the eight stories in this collection explore emotionally intricate relationships that cross traditional boundaries of ethnicity, religion, and culture. Tracing the lives, obsessions, and aspirations of Jewish-Russian immigrants, these poignant, humorous, and tender stories create an expansive portrait of individuals struggling to come to terms with ghosts of their European pasts while simultaneously seeking to build new lives in their American present. The title story follows Jake Glaz, a young Jewish man apprehensive about marrying a Catholic woman. After realizing Erin will not convert, Jake leaves the United States to spend Yom Kippur in Amsterdam, "a beautiful place for a Jew to atone." In "Sonetchka" a literary scholar and his former girlfriend from Moscow reunite in her suburban Connecticut apartment. As they reminisce about their Soviet youth and quietly admire each other’s professional successes, both wrestle with the curious mix of prosperity, loneliness, and insecurity that defines their lives in the United States. Yom Kippur in Amsterdam takes the immigrant narrative into the twenty-first century. Emerging from the traditions of Isaac Babel, Vladimir Nabokov, and Isaac Bashevis Singer, Shrayer’s vibrant literary voice significantly contributes to the evolution of Jewish writing in America.

In 1987 a young Jewish man, the central figure in this captivating book, leaves Moscow for good with his parents. They celebrate their freedom in opulent Vienna and spend two months in Rome and the coastal resort of Ladispoli. While waiting in Europe for a U.S. refugee visa, the book’s twenty-year-old poet quenches his thirst for sexual and cultural discovery. Through his colorful Austrian and Italian misadventures, he experiences the shock, thrill, and anonymity of encountering Western democracies, running into European roadblocks while shedding Soviet social taboos. As he anticipates entering a new life in America, he movingly describes the baggage that exiles bring with them, from the inescapable family traps and ties to the sweet cargo of memory. An emigration story, Waiting for America explores the rapid expansion of identity at the cusp of a new, American life. Told in a revelatory first-person narrative, Waiting for America is also a vibrant love story in which the romantic main character is torn between Russian and Western women. Filled with poignant humor and reinforced by hope and idealism, the author’s confessional voice carries the reader in the same way one is carried through literary memoirs like Tolstoy’s Childhood, Boyhood, Youth, Hemingway’s A Moveable Feast, or Nabokov’s Speak, Memory. Babel, Sebald, and Singer—all transcultural masters of identity writing—are the coordinates that help to locate Waiting for America on the greater map of literature.

“A quietly powerful addition to the canon of émigréliterature” —The Moscow Times

No longer at home in Russia, but not quite assimilated into the American mainstream, the daily lives of Russian immigrants are fueled by a combustible mix of success and alienation. Simon Reznikov, the Boston-based immigrant protagonist of Maxim D. Shrayer’s A Russian Immigrant, is restless. Unresolved feelings about his Jewish (and American) present and his Russian (and Soviet) past prevent Reznikov from easily putting down roots in his new country. A visit to a decaying summer resort in the Catskills, now populated by Jewish ghosts of Soviet history, which include a famous émigré writer, reveals to Reznikov that he, too, is a prisoner of his past. An expedition to Prague in search of clues for an elusive Jewish writer’s biography exposes Reznikov’s own inability to move on. A chance reunion with a former Russian lover, now also an immigrant living in an affluent part of Connecticut, unearths memories of Reznikov’s last Soviet summer while reanimating many contradictors of a mixed, Jewish-Russian marriage.

Told both linearly and non-linearly, with elements of suspense, mystery and crime, these three interconnected novellas gradually reveal many layers of the characters’ Russian, Jewish, and Soviet identities. Vectors of love and desire, nostalgia and amnesia, violence and forgiveness, politics and aesthetics guide Shrayer’s immigrant characters while also disorienting them in their new American lives. Set in Providence, New Haven and Boston, but also in places of the main character’s pilgrimages such as Estonia and Bohemia, Shrayer’s book weaves together a literary manifesto of Russian Jews in America.

“A quietly powerful addition to the canon of émigréliterature” —The Moscow Times

No longer at home in Russia, but not quite assimilated into the American mainstream, the daily lives of Russian immigrants are fueled by a combustible mix of success and alienation. Simon Reznikov, the Boston-based immigrant protagonist of Maxim D. Shrayer’s A Russian Immigrant, is restless. Unresolved feelings about his Jewish (and American) present and his Russian (and Soviet) past prevent Reznikov from easily putting down roots in his new country.

A visit to a decaying summer resort in the Catskills, now populated by Jewish ghosts of Soviet history, which include a famous émigré writer, reveals to Reznikov that he, too, is a prisoner of his past. An expedition to Prague in search of clues for an elusive Jewish writer’s biography exposes Reznikov’s own inability to move on. A chance reunion with a former Russian lover, now also an immigrant living in an affluent part of Connecticut, unearths memories of Reznikov’s last Soviet summer while reanimating many contradictors of a mixed, Jewish-Russian marriage.

Told both linearly and non-linearly, with elements of suspense, mystery and crime, these three interconnected novellas gradually reveal many layers of the characters’ Russian, Jewish, and Soviet identities. Vectors of love and desire, nostalgia and amnesia, violence and forgiveness, politics and aesthetics guide Shrayer’s immigrant characters while also disorienting them in their new American lives. Set in Providence, New Haven and Boston, but also in places of the main character’s pilgrimages such as Estonia and Bohemia, Shrayer’s book weaves together a literary manifesto of Russian Jews in America.

Named one of 12 of the Best Jewish Books of the Year by the Jewish Telegraph Agency, New York Jewish Week, & Jerusalem Post

2023 International Book Awards Finalist in the Humor/Comedy/Satire Category

From a bilingual master of the literary memoir comes this moving and humorous story of losing immigrant baggage and trying to reclaim it for his American future.

 In this poignant literary memoir, internationally acclaimed author and Boston College professor Maxim D. Shrayer (Waiting for America) explores both material and immaterial aspects of immigrant baggage. Through a combination of dispassionate reportage, gentle irony, and confessional remembrance, Shrayer writes about traversing the borders and boundaries of the three cultures that have nourished him—Russian, Jewish, and American. The spirit of nonconformism and the power of laughter come to the rescue of Shrayer’s autobiographical protagonist when he faces existential calamities and life’s misadventures.

 The aftermath of a dangerous ski accident in Italy reminds the memoirist of history’s black holes. A haunting, Soviet-era theatrical affair pushes the émigré protagonist to the brink of a disaster in a provincial Russian town. Attempting to collect overdue royalties from a Moscow publisher, the expatriate writer tips his hat to Kafka. The book’s six interconnected tales are held together by the memorist’s imperative to make the ordinary absurd and the absurd—ordinary. Shrayer parses a translingual literary life filled with travel, politics, and discovery—and sustained by family love and faith in art’s transcendence.

Named one of 12 of the Best Jewish Books of the Year by the Jewish Telegraph Agency, New York Jewish Week, & Jerusalem Post

2023 International Book Awards Finalist in the Humor/Comedy/Satire Category

From a bilingual master of the literary memoir comes this moving and humorous story of losing immigrant baggage and trying to reclaim it for his American future.

 In this poignant literary memoir, internationally acclaimed author and Boston College professor Maxim D. Shrayer (Waiting for America) explores both material and immaterial aspects of immigrant baggage. Through a combination of dispassionate reportage, gentle irony, and confessional remembrance, Shrayer writes about traversing the borders and boundaries of the three cultures that have nourished him—Russian, Jewish, and American. The spirit of nonconformism and the power of laughter come to the rescue of Shrayer’s autobiographical protagonist when he faces existential calamities and life’s misadventures.

 The aftermath of a dangerous ski accident in Italy reminds the memoirist of history’s black holes. A haunting, Soviet-era theatrical affair pushes the émigré protagonist to the brink of a disaster in a provincial Russian town. Attempting to collect overdue royalties from a Moscow publisher, the expatriate writer tips his hat to Kafka. The book’s six interconnected tales are held together by the memorist’s imperative to make the ordinary absurd and the absurd—ordinary. Shrayer parses a translingual literary life filled with travel, politics, and discovery—and sustained by family love and faith in art’s transcendence.