Klavdia Smola – författare
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14 produkter
14 produkter
Inbunden, Engelska, 2024
2 595 kr
Skickas inom 7-10 vardagar
In 1932, the Central Committee of the Communist Party issued the resolution "On the Restructuring of Literary and Arts Organizations." This resolution put an end to the coexistence of aesthetically different groups and associations of writers and artists that had been common during the 1920s, and instead, led to the establishment of the monopoly of Socialist Realism in 1934. Ironically, this resolution unwittingly created a rich literary and artistic production of underground intellectuals, known as the Soviet underground, during an era of political and aesthetic censorship in the Soviet Union. The Oxford Handbook of Soviet Underground Culture is the first comprehensive English-language volume covering a history of Soviet artistic and literary underground. In forty-four chapters, an international group of leading scholars introduce readers to a web of subcultures within the underground, highlight the culture achievements of the Soviet underground from the 1930s through the 1980s, emphasize the multimediality of this cultural phenomenon, and situate the study of underground literary texts and artworks into their broader theoretical, ideological, and political contexts. The volume presents readers with several approaches to mapping the underground that include chapters on nonconformist cultures in Ukraine, Belarus, Baltic countries, Central Asia, and provincial cities of Russian Federation. Finally, the volume also provides an analysis of groups shaped around religious and cultural identity, as well as queer and feminist underground circles.
E-bok
PDF, Engelska, 20242 627 kr
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In 1932, the Central Committee of the Communist Party issued the resolution "e;On the Restructuring of Literary and Arts Organizations."e; This resolution put an end to the coexistence of aesthetically different groups and associations of writers and artists that had been common during the 1920s, and instead, led to the establishment of the monopoly of Socialist Realism in 1934. Ironically, this resolution unwittingly created a rich literary and artistic production of underground intellectuals, known as the Soviet underground, during an era of political and aesthetic censorship in the Soviet Union. The Oxford Handbook of Soviet Underground Culture is the first comprehensive English-language volume covering a history of Soviet artistic and literary underground. In forty-four chapters, an international group of leading scholars introduce readers to a web of subcultures within the underground, highlight the culture achievements of the Soviet underground from the 1930s through the 1980s, emphasize the multimediality of this cultural phenomenon, and situate the study of underground literary texts and artworks into their broader theoretical, ideological, and political contexts. The volume presents readers with several approaches to mapping the underground that include chapters on nonconformist cultures in Ukraine, Belarus, Baltic countries, Central Asia, and provincial cities of Russian Federation. Finally, the volume also provides an analysis of groups shaped around religious and cultural identity, as well as queer and feminist underground circles.
E-bok
Engelska, 20242 627 kr
Läs direkt efter köp
In 1932, the Central Committee of the Communist Party issued the resolution "e;On the Restructuring of Literary and Arts Organizations."e; This resolution put an end to the coexistence of aesthetically different groups and associations of writers and artists that had been common during the 1920s, and instead, led to the establishment of the monopoly of Socialist Realism in 1934. Ironically, this resolution unwittingly created a rich literary and artistic production of underground intellectuals, known as the Soviet underground, during an era of political and aesthetic censorship in the Soviet Union. The Oxford Handbook of Soviet Underground Culture is the first comprehensive English-language volume covering a history of Soviet artistic and literary underground. In forty-four chapters, an international group of leading scholars introduce readers to a web of subcultures within the underground, highlight the culture achievements of the Soviet underground from the 1930s through the 1980s, emphasize the multimediality of this cultural phenomenon, and situate the study of underground literary texts and artworks into their broader theoretical, ideological, and political contexts. The volume presents readers with several approaches to mapping the underground that include chapters on nonconformist cultures in Ukraine, Belarus, Baltic countries, Central Asia, and provincial cities of Russian Federation. Finally, the volume also provides an analysis of groups shaped around religious and cultural identity, as well as queer and feminist underground circles.
Inbunden, Engelska, 2021
1 161 kr
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This volume celebrates the literary oeuvres of David Shrayer-Petrov—poet, fiction writer, memoirist, essayist and literary translator (and medical doctor and researcher in his parallel career). Author of the refusenik novel Doctor Levitin, Shrayer-Petrov is one of the most important representatives of Jewish-Russian literature. Published in the year of Shrayer-Petrov’s eighty-fifth birthday, thirty-five years after the writer’s emigration from the former USSR, this is the first volume to gather materials and investigations that examine his writings from various literary-historical and theoretical perspectives. By focusing on many different aspects of Shrayer-Petrov’s multifaceted and eventful literary career, the volume brings together some of the leading American, European, Israeli and Russian scholars of Jewish poetics, exilic literature, and Russian and Soviet culture and history. In addition to fifteen essays and an extensive interview with Shrayer-Petrov, the volume features a detailed bibliography and a pictorial biography.
Häftad, Engelska, 2021
144 kr
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This volume celebrates the literary oeuvres of David Shrayer-Petrov—poet, fiction writer, memoirist, essayist and literary translator (and medical doctor and researcher in his parallel career). Author of the refusenik novel Doctor Levitin, Shrayer-Petrov is one of the most important representatives of Jewish-Russian literature. Published in the year of Shrayer-Petrov’s eighty-fifth birthday, thirty-five years after the writer’s emigration from the former USSR, this is the first volume to gather materials and investigations that examine his writings from various literary-historical and theoretical perspectives. By focusing on many different aspects of Shrayer-Petrov’s multifaceted and eventful literary career, the volume brings together some of the leading American, European, Israeli and Russian scholars of Jewish poetics, exilic literature, and Russian and Soviet culture and history. In addition to fifteen essays and an extensive interview with Shrayer-Petrov, the volume features a detailed bibliography and a pictorial biography.
E-bok
PDF, Engelska, 20212 900 kr
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This volume celebrates the literary oeuvres of David Shrayer-Petrov—poet, fiction writer, memoirist, essayist and literary translator (and medical doctor and researcher in his parallel career). Author of the refusenik novel Doctor Levitin, Shrayer-Petrov is one of the most important representatives of Jewish-Russian literature. Published in the year of Shrayer-Petrov’s eighty-fifth birthday, thirty-five years after the writer’s emigration from the former USSR, this is the first volume to gather materials and investigations that examine his writings from various literary-historical and theoretical perspectives. By focusing on many different aspects of Shrayer-Petrov’s multifaceted and eventful literary career, the volume brings together some of the leading American, European, Israeli and Russian scholars of Jewish poetics, exilic literature, and Russian and Soviet culture and history. In addition to fifteen essays and an extensive interview with Shrayer-Petrov, the volume features a detailed bibliography and a pictorial biography.
E-bok
Engelska, 2021580 kr
Läs direkt efter köp
This volume celebrates the literary oeuvres of David Shrayer-Petrov—poet, fiction writer, memoirist, essayist and literary translator (and medical doctor and researcher in his parallel career). Author of the refusenik novel Doctor Levitin, Shrayer-Petrov is one of the most important representatives of Jewish-Russian literature. Published in the year of Shrayer-Petrov’s eighty-fifth birthday, thirty-five years after the writer’s emigration from the former USSR, this is the first volume to gather materials and investigations that examine his writings from various literary-historical and theoretical perspectives. By focusing on many different aspects of Shrayer-Petrov’s multifaceted and eventful literary career, the volume brings together some of the leading American, European, Israeli and Russian scholars of Jewish poetics, exilic literature, and Russian and Soviet culture and history. In addition to fifteen essays and an extensive interview with Shrayer-Petrov, the volume features a detailed bibliography and a pictorial biography.
Inbunden, Engelska, 2024
1 666 kr
Skickas inom 10-15 vardagar
This book is the first major study exploring archival and memorial practices of the Soviet unofficial culture. The creation of counter-archives was one of the most important forms of cultural resistance in the Soviet Union. Unofficial artists and poets had to reinvent the possibilities of maintaining art and literature that “did not exist”. Against the background of archival theories and memory studies, the volume explores how the culture of the Soviet underground has become one of the most striking cases of scholarly and artistic (self-)archiving, which – although being half-isolated from the outer world – reflected intellectual and artistic trends characteristic of its time. The guiding question of the volume is how Soviet unofficial culture (de)constructed social memory by collecting, archiving and memorizing tabooed culture of the past and present.
E-bok
Engelska, 20241 955 kr
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This book is the first major study exploring archival and memorial practices of the Soviet unofficial culture. The creation of counter-archives was one of the most important forms of cultural resistance in the Soviet Union. Unofficial artists and poets had to reinvent the possibilities of maintaining art and literature that “did not exist”. Against the background of archival theories and memory studies, the volume explores how the culture of the Soviet underground has become one of the most striking cases of scholarly and artistic (self-)archiving, which – although being half-isolated from the outer world – reflected intellectual and artistic trends characteristic of its time. The guiding question of the volume is how Soviet unofficial culture (de)constructed social memory by collecting, archiving and memorizing tabooed culture of the past and present.
E-bok
PDF, Tyska, 2019813 kr
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Der Kampf sowjetischer Juden um das Recht der Emigration nach Israel führte seit der zweiten Hälfte der 1960er Jahre zu einer jüdischen Kulturrenaissance im Raum des Inoffiziellen. Literatur, die aus der Feder nonkonformer jüdischer Intellektueller in Russland, Israel, Amerika und Deutschland entstand, schöpfte nun erneut aus den jüdischen und judaistischen Kulturquellen und nahm so den jüdischen "cultural revival" der postsowjetischen Periode bis in die Gegenwart vorweg. Diese Rückkehr förderte jedoch nicht nur Poetiken der Erinnerung und Rekonstruktion, sondern auch der imaginativen Subversion und des performativen Bruchs. Diese Studie erschließt das Phänomen der wiedererfundenen Tradition in der russisch-jüdischen Literatur seit den 1960er Jahren im Dialog mit aktuellen Kultur- und Literaturtheorien.
Del 4 - Postcolonial Perspectives on Eastern Europe
Postcolonial Slavic Literatures After Communism
Inbunden, Engelska, 2017
1 152 kr
Skickas inom 5-8 vardagar
How postcolonial are the literatures of postcommunist countries such as Poland, Russia, and Ukraine? Are they postcolonial on the level of sociopolitical conditions, postcolonial modes of representation, or of a (post-)colonial mind? The contributors consider and respond to the heuristic questions and to the claim for accuracy which purports that Slavic literatures after communism are indeed postcolonial – in a no more metaphorical way than the «classic» cases of postcolonial literatures, whose postcoloniality can be traced to the colonialism of overseas empires. The contributions to this volume deal with the exploration of literary representation and hence of postcolonial textuality.
Inbunden, Engelska, 2023
1 280 kr
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How was the Jewish tradition reinvented in Russian-Jewish literature after a long period of assimilation, the Holocaust, and decades of Communism? The process of reinventing the tradition began in the counter-culture of Jewish dissidents, in the midst of the late-Soviet underground of the 1960-1970s, and it continues to the present day. In this period, Jewish literature addresses the reader of the ‘post-human’ epoch, when the knowledge about traditional Jewry and Judaism is received not from the family members or the collective environment, but rather from books, paintings, museums and popular culture.Klavdia Smola explores how contemporary Russian-Jewish literature turns to the traditions of Jewish writing, from biblical Judaism to early-Soviet (anti-)Zionist novels, and how it ‘re-writes’ Haskalah satire, Hassidic Midrash or Yiddish travelogues.
E-bok
PDF, Engelska, 20233 222 kr
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How was the Jewish tradition reinvented in Russian-Jewish literature after a long period of assimilation, the Holocaust, and decades of Communism? The process of reinventing the tradition began in the counter-culture of Jewish dissidents, in the midst of the late-Soviet underground of the 1960-1970s, and it continues to the present day. In this period, Jewish literature addresses the reader of the ‘post-human’ epoch, when the knowledge about traditional Jewry and Judaism is received not from the family members or the collective environment, but rather from books, paintings, museums and popular culture.
Klavdia Smola explores how contemporary Russian-Jewish literature turns to the traditions of Jewish writing, from biblical Judaism to early-Soviet (anti-)Zionist novels, and how it ‘re-writes’ Haskalah satire, Hassidic Midrash or Yiddish travelogues.
E-bok
Engelska, 20242 560 kr
Läs direkt efter köp
How was the Jewish tradition reinvented in Russian-Jewish literature after a long period of assimilation, the Holocaust, and decades of Communism? The process of reinventing the tradition began in the counter-culture of Jewish dissidents, in the midst of the late-Soviet underground of the 1960-1970s, and it continues to the present day. In this period, Jewish literature addresses the reader of the ‘post-human’ epoch, when the knowledge about traditional Jewry and Judaism is received not from the family members or the collective environment, but rather from books, paintings, museums and popular culture.
Klavdia Smola explores how contemporary Russian-Jewish literature turns to the traditions of Jewish writing, from biblical Judaism to early-Soviet (anti-)Zionist novels, and how it ‘re-writes’ Haskalah satire, Hassidic Midrash or Yiddish travelogues.