Maximillian E. Novak – författare

Daniel Defoe, best known as the author of Robinson Crusoe, lived during a period of dramatic historical, political, and social change in Britain, and was by any standard a superb observer of his times. Through his pamphlets, newspapers, books of travel, and works of fiction he commented on anything and everything, from birth control to the price of coal, from flying machines to academies for women, from security for the aged to the dangers of the plague. In his fiction he created a type of vivid realism that powerfully influenced the development of the novel. The publication of works such as Robinson Crusoe are major events because they shape the ways in which we see our world, so that ever afterwards thoughts of desolation and desert islands immediately evoke Defoe's masterpiece. From his earliest collection of brief stories, which he presented to his future wife under the sobriquet Bellmour, to his Compleat English Gentleman, left unpublished at his death, Defoe was pre-eminently a creator of fictions. This life gives us, for the first time, a full understanding of the thought and personal experience that went into Crusoe, Moll Flanders, and Roxana.

English Literature in the Age of Disguise explores the pervasive theme of disguise, deception, and masked identities in the works of writers from the Restoration through the eighteenth century. The concept of disguise was central to the social and literary fabric of the period, with figures like Fielding and Defoe lamenting the deception inherent in society. Fielding, for example, described the world as a vast masquerade, echoing a sentiment common among writers of the time, including Defoe, who critiqued the age as one of Plot and Deceit. Disguise and masks were more than just thematic elements; they were metaphors for the societal and personal facades that individuals maintained. In the literature of this period, comedies, such as Congreve's The Double Dealer, frequently centered around characters using masks and deceit for social or romantic advantage. Similarly, works like Defoe’s Robinson Crusoe and Richardson’s Clarissa employ different forms of disguise and role-playing, reflecting both the moral complexities and the personal struggles of characters.This book also delves into the role of irony and wit in literature during this time, with many authors using these tools to both entertain and critique society. Writers such as Pope and Swift masterfully employed irony to conceal their true messages, offering a layered critique of contemporary politics, religion, and morality. Irony, according to Lionel Gossman, was a form of disguise in itself, where the external narrative concealed deeper, often more subversive, meanings. Through an exploration of key works like Swift's satirical poetry and Pope's mock-epic verse, the book examines how the era’s emphasis on disguise influenced literary style and the construction of meaning. Additionally, the essays in the collection provide new interpretations of well-known texts, suggesting that the use of disguise and role-playing was not just a narrative device but also a form of social commentary, revealing the moral and political undercurrents of the time. Through these analyses, the book offers a fresh perspective on the literary techniques of the Restoration and eighteenth century, showing how disguise, in both its social and literary manifestations, shaped the era’s cultural and artistic landscape.This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1977.

English Literature in the Age of Disguise explores the pervasive theme of disguise, deception, and masked identities in the works of writers from the Restoration through the eighteenth century. The concept of disguise was central to the social and literary fabric of the period, with figures like Fielding and Defoe lamenting the deception inherent in society. Fielding, for example, described the world as a vast masquerade, echoing a sentiment common among writers of the time, including Defoe, who critiqued the age as one of Plot and Deceit. Disguise and masks were more than just thematic elements; they were metaphors for the societal and personal facades that individuals maintained. In the literature of this period, comedies, such as Congreve's The Double Dealer, frequently centered around characters using masks and deceit for social or romantic advantage. Similarly, works like Defoe’s Robinson Crusoe and Richardson’s Clarissa employ different forms of disguise and role-playing, reflecting both the moral complexities and the personal struggles of characters. This book also delves into the role of irony and wit in literature during this time, with many authors using these tools to both entertain and critique society. Writers such as Pope and Swift masterfully employed irony to conceal their true messages, offering a layered critique of contemporary politics, religion, and morality. Irony, according to Lionel Gossman, was a form of disguise in itself, where the external narrative concealed deeper, often more subversive, meanings. Through an exploration of key works like Swift's satirical poetry and Pope's mock-epic verse, the book examines how the era’s emphasis on disguise influenced literary style and the construction of meaning. Additionally, the essays in the collection provide new interpretations of well-known texts, suggesting that the use of disguise and role-playing was not just a narrative device but also a form of social commentary, revealing the moral and political undercurrents of the time. Through these analyses, the book offers a fresh perspective on the literary techniques of the Restoration and eighteenth century, showing how disguise, in both its social and literary manifestations, shaped the era’s cultural and artistic landscape. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1977.

English Literature in the Age of Disguise explores the pervasive theme of disguise, deception, and masked identities in the works of writers from the Restoration through the eighteenth century. The concept of disguise was central to the social and literary fabric of the period, with figures like Fielding and Defoe lamenting the deception inherent in society. Fielding, for example, described the world as a vast masquerade, echoing a sentiment common among writers of the time, including Defoe, who critiqued the age as one of Plot and Deceit. Disguise and masks were more than just thematic elements; they were metaphors for the societal and personal facades that individuals maintained. In the literature of this period, comedies, such as Congreve's The Double Dealer, frequently centered around characters using masks and deceit for social or romantic advantage. Similarly, works like Defoe’s Robinson Crusoe and Richardson’s Clarissa employ different forms of disguise and role-playing, reflecting both the moral complexities and the personal struggles of characters.This book also delves into the role of irony and wit in literature during this time, with many authors using these tools to both entertain and critique society. Writers such as Pope and Swift masterfully employed irony to conceal their true messages, offering a layered critique of contemporary politics, religion, and morality. Irony, according to Lionel Gossman, was a form of disguise in itself, where the external narrative concealed deeper, often more subversive, meanings. Through an exploration of key works like Swift's satirical poetry and Pope's mock-epic verse, the book examines how the era’s emphasis on disguise influenced literary style and the construction of meaning. Additionally, the essays in the collection provide new interpretations of well-known texts, suggesting that the use of disguise and role-playing was not just a narrative device but also a form of social commentary, revealing the moral and political undercurrents of the time. Through these analyses, the book offers a fresh perspective on the literary techniques of the Restoration and eighteenth century, showing how disguise, in both its social and literary manifestations, shaped the era’s cultural and artistic landscape.This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1977.

Volume XIII contains three of Dryden''s Plays, along with accompanying scholarly appartus: All for Love, Oedipus, and Troilus and Cressida.

At the time of his death in 1700, John Dryden was acknowledged as England's greatest writer, his reputation even rivaling that of Shakespeare. Certainly, whether considered as a poet, a dramatist, or as a critic, Dryden far outstripped his contemporaries in the sheer scope and variety of his literary production. The amazing versatility of his pen was matched only by the transformational energy that shapes individual works, from heroic dramas to great satires.For Enchanted Ground, Jayne Lewis and Maximillian E. Novak have brought together many of the world's experts on Dryden, and their essays reflect a range of new, uniquely twenty-first-century views of him. The book is divided into two sections. The first explores Dryden's role as a public poet who had made himself the voice of the restored Stuart court. The second considers Dryden's relationship to the arts and particularly to the past and to Shakespeare.Dryden was a poet for all ages. These essays provide fresh readings of Dryden and bring scholarship on him fully up-to-date.

"The Projecting Age" was a term the English novelist Daniel Defoe used to describe the end of the seventeenth century. This term could just as easily be used, however, to describe the period known as the "Long Eighteenth Century" (1660-1789). The Age of Projects uses the notion of a project as a key to understanding the massive social, cultural, political, literary, and scientific transitions that occurred in Europe during this time.The contributors to this collection examine fraudulent, grandiose, altruistic, and idealistic projects that reveal the period's radical breaks from the past and its preoccupation with the future. Examining topics as diverse as Jonathan Swift's satire on the possibility of a computer, to Gottfried Leibniz's effort to build one, and Edmund Burke's prediction that the project of democratic governance would be taken over by greedy adventurers, this volume provides significant insight into the period's ambitions for an improved future.A well-balanced collection by leading scholars from diverse disciplines, The Age of Projects is a significant contribution to intellectual history, literary history, and the history of science.

The two plots of this tragicomedy concern a black prince sold into slavery and two white women who are husband-hunting in Surinam. Through a discussion of the status of women in the period and of attitudes towards slavery, the editors demonstrated Southerne's complex attempt to explore a parallel between the conditions of slaves and women in contemporary society. They also consider the play in terms of Southerne's high Tory politics and in its own rights as effective drama. Based on a collection of seven editions published within Southerne's life-time, this modern edition includes a section on stage history, with an account of revisions and adaptations, and a detailed comparison between the play and its source in Aphra Behn's novella of the same name.

At the time of his death in 1700, John Dryden was acknowledged as England's greatest writer, his reputation even rivaling that of Shakespeare. Certainly, whether considered as a poet, a dramatist, or as a critic, Dryden far outstripped his contemporaries in the sheer scope and variety of his literary production. The amazing versatility of his pen was matched only by the transformational energy that shapes individual works, from heroic dramas to great satires.For Enchanted Ground, Jayne Lewis and Maximillian E. Novak have brought together many of the world's experts on Dryden, and their essays reflect a range of new, uniquely twenty-first-century views of him. The book is divided into two sections. The first explores Dryden's role as a public poet who had made himself the voice of the restored Stuart court. The second considers Dryden's relationship to the arts and particularly to the past and to Shakespeare.Dryden was a poet for all ages. These essays provide fresh readings of Dryden and bring scholarship on him fully up-to-date.

"The Projecting Age" was a term the English novelist Daniel Defoe used to describe the end of the seventeenth century. This term could just as easily be used, however, to describe the period known as the "Long Eighteenth Century" (1660-1789). The Age of Projects uses the notion of a project as a key to understanding the massive social, cultural, political, literary, and scientific transitions that occurred in Europe during this time.The contributors to this collection examine fraudulent, grandiose, altruistic, and idealistic projects that reveal the period's radical breaks from the past and its preoccupation with the future. Examining topics as diverse as Jonathan Swift's satire on the possibility of a computer, to Gottfried Leibniz's effort to build one, and Edmund Burke's prediction that the project of democratic governance would be taken over by greedy adventurers, this volume provides significant insight into the period's ambitions for an improved future.A well-balanced collection by leading scholars from diverse disciplines, The Age of Projects is a significant contribution to intellectual history, literary history, and the history of science.

"The Projecting Age" was a term the English novelist Daniel Defoe used to describe the end of the seventeenth century. This term could just as easily be used, however, to describe the period known as the "Long Eighteenth Century" (1660-1789). The Age of Projects uses the notion of a project as a key to understanding the massive social, cultural, political, literary, and scientific transitions that occurred in Europe during this time.The contributors to this collection examine fraudulent, grandiose, altruistic, and idealistic projects that reveal the period's radical breaks from the past and its preoccupation with the future. Examining topics as diverse as Jonathan Swift's satire on the possibility of a computer, to Gottfried Leibniz's effort to build one, and Edmund Burke's prediction that the project of democratic governance would be taken over by greedy adventurers, this volume provides significant insight into the period's ambitions for an improved future.A well-balanced collection by leading scholars from diverse disciplines, The Age of Projects is a significant contribution to intellectual history, literary history, and the history of science.

This book explores significant problems in the fiction of Daniel Defoe. Maximillian E. Novak investigates a number of elements in Defoe’s work by probing his interest in rendering of reality (what Defoe called “the Thing itself”). Novak examines Defoe’s interest in the relationship between prose fiction and painting, as well as the various ways in which Defoe’s woks were read by contemporaries and by those novelists who attempted to imitate and comment upon his Life and Strange Surprizing Adventures of Robinson Crusoe decades after its publication. In this book, Novak attempts to consider the uniqueness and imaginativeness of various aspects of Defoe’s writings including his way of evoking the seeming inability of language to describe a vivid scene or moments of overwhelming emotion, his attraction to the fiction of islands and utopias, his gradual development of the concepts surrounding Crusoe’s cave, his fascination with the horrors of cannibalism, and some of the ways he attempted to defend his work and serious fiction in general. Most of all, Transformations, Ideology, and the Real in Defoe’s Robinson Crusoe and Other Narratives establishes the complexity and originality of Defoe as a writer of fiction.

This book explores significant problems in the fiction of Daniel Defoe. Maximillian E. Novak investigates a number of elements in Defoe’s work by probing his interest in rendering of reality (what Defoe called “the Thing itself”). Novak examines Defoe’s interest in the relationship between prose fiction and painting, as well as the various ways in which Defoe’s woks were read by contemporaries and by those novelists who attempted to imitate and comment upon his Life and Strange Surprizing Adventures of Robinson Crusoe decades after its publication. In this book, Novak attempts to consider the uniqueness and imaginativeness of various aspects of Defoe’s writings including his way of evoking the seeming inability of language to describe a vivid scene or moments of overwhelming emotion, his attraction to the fiction of islands and utopias, his gradual development of the concepts surrounding Crusoe’s cave, his fascination with the horrors of cannibalism, and some of the ways he attempted to defend his work and serious fiction in general. Most of all, Transformations, Ideology, and the Real in Defoe’s Robinson Crusoe and Other Narratives establishes the complexity and originality of Defoe as a writer of fiction.

This book explores significant problems in the fiction of Daniel Defoe. Maximillian E. Novak investigates a number of elements in Defoe’s work by probing his interest in rendering of reality (what Defoe called “the Thing itself”). Novak examines Defoe’s interest in the relationship between prose fiction and painting, as well as the various ways in which Defoe’s woks were read by contemporaries and by those novelists who attempted to imitate and comment upon his Life and Strange Surprizing Adventures of Robinson Crusoe decades after its publication. In this book, Novak attempts to consider the uniqueness and imaginativeness of various aspects of Defoe’s writings including his way of evoking the seeming inability of language to describe a vivid scene or moments of overwhelming emotion, his attraction to the fiction of islands and utopias, his gradual development of the concepts surrounding Crusoe’s cave, his fascination with the horrors of cannibalism, and some of the ways he attempted to defend his work and serious fiction in general. Most of all, Transformations, Ideology, and the Real in Defoe’s Robinson Crusoe and Other Narratives establishes the complexity and originality of Defoe as a writer of fiction.

Robinson Crusoe, an adventure tale that fascinated such thinkers as Jean-Jacques Rousseau, Karl Marx, Virginia Woolf, and J. M. Coetzee, has been an international best-seller for three hundred years. An adventure tale involving cannibals, pirates, and shipwrecks, it embodies economic, social, political, and philosophical themes that continue to be relevant today. Moreover, the notion of isolation on a deserted island and a fascination with survival continue to be central to countless popular cinema and television programs. This edition of the novel with its introduction, line notes, and full bibliographical notes provides a uniquely scholarly presentation of the novel. There has been no other edition like it.Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

Robinson Crusoe, an adventure tale that fascinated such thinkers as Jean-Jacques Rousseau, Karl Marx, Virginia Woolf, and J. M. Coetzee, has been an international best-seller for three hundred years. An adventure tale involving cannibals, pirates, and shipwrecks, it embodies economic, social, political, and philosophical themes that continue to be relevant today. Moreover, the notion of isolation on a deserted island and a fascination with survival continue to be central to countless popular cinema and television programs. This edition of the novel with its introduction, line notes, and full bibliographical notes provides a uniquely scholarly presentation of the novel. There has been no other edition like it. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

Defoe's The Farther Adventures of Robinson Crusoe was almost always published together with The Life and Strange Surprizing Adventures of Robinson Crusoe. Only after 1950 was the first volume printed alone—a shorter work for some classes. But in addition to fulfilling the promise of the first volume, The Farther Adventures is an exciting adventure novel by itself. Crusoe returns to his island to learn about his colony, and then travels to Madagascar, India, and China before returning to England after some exciting encounters. Complete with an introduction, line notes, and full bibliographical notes, this is an edition like no other. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

Defoe’s The Farther Adventures of Robinson Crusoe was almost always published together with The Life and Strange Surprizing Adventures of Robinson Crusoe. Only after 1950 was the first volume printed alone-a shorter work for some classes. But in addition to fulfilling the promise of the first volume, The Farther Adventures is an exciting adventure novel by itself. Crusoe returns to his island to learn about his colony, and then travels to Madagascar, India, and China before returning to England after some exciting encounters. Complete with an introduction, line notes, and full bibliographical notes, this is an edition like no other.Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

Serious Reflections During the Life and Surprising Adventures of Robinson Crusoe with his Vision of the Angelick World, first published in 1720 and considered a sequel to The Farther Adventures of Robinson Crusoe, is a collection of essays written in the voice of the Crusoe character. Expressing Defoe's thoughts about many moral questions of the day, the narrator takes up isolation, poverty, religious liberty, and epistemology. Defoe also used this volume to revive his interest in poetry, not the satiric poetry of the early eighteenth century, but the more inspirational verse that appeared in some of his later works. Serious Reflections also includes an imaginative flight in which Crusoe wanders among the planets, a return to the moon voyage impulse of Defoe's 1705 work The Consolidator. Illuminating the ideas and philosophy of this most influential of English novelists, it is invaluable for any student of the period.

Serious Reflections During the Life and Surprising Adventures of Robinson Crusoe with his Vision of the Angelick World, first published in 1720 and considered a sequel to The Farther Adventures of Robinson Crusoe, is a collection of essays written in the voice of the Crusoe character. Expressing Defoe’s thoughts about many moral questions of the day, the narrator takes up isolation, poverty, religious liberty, and epistemology. Defoe also used this volume to revive his interest in poetry, not the satiric poetry of the early eighteenth century, but the more inspirational verse that appeared in some of his later works. Serious Reflections also includes an imaginative flight in which Crusoe wanders among the planets, a return to the moon voyage impulse of Defoe’s 1705 work The Consolidator. Illuminating the ideas and philosophy of this most influential of English novelists, it is invaluable for any student of the period.

A three-volume set of the definitive Stoke Newington Editions of Robinson Crusoe. The novels and essays with introductions, line notes, and full bibliographical notes. Includes: The Life and Strange Surprizing Adventures of Robinson Crusoe,The Farther Adventures of Robinson Crusoe, and Serious Reflections During the Life and Surprising Adventures of Robinson Crusoe with his Vision of the Angelick World. Robinson Crusoe, an adventure tale that fascinated such thinkers as Jean-Jacques Rousseau, Karl Marx, Virginia Woolf, and J. M. Coetzee, has been an international best-seller for three hundred years. An adventure tale involving cannibals, pirates, and shipwrecks, it embodies economic, social, political, and philosophical themes that continue to be relevant today. Moreover, the notion of isolation on a deserted island and a fascination with survival continue to be central to countless popular cinema and television programs. This edition of the novel with its introduction, line notes, and full bibliographical notes provides a uniquely scholarly presentation of the novel. There has been no other edition like it.Defoe’s The Farther Adventures of Robinson Crusoe was almost always published together with The Life and Strange Surprizing Adventures of Robinson Crusoe. Only after 1950 was the first volume printed alone-a shorter work for some classes. But in addition to fulfilling the promise of the first volume, The Farther Adventures is an exciting adventure novel by itself. Crusoe returns to his island to learn about his colony, and then travels to Madagascar, India, and China before returning to England after some exciting encounters. Complete with an introduction, line notes, and full bibliographical notes, this is an edition like no other.Serious Reflections During the Life and Surprising Adventures of Robinson Crusoe with his Vision of the Angelick World, first published in 1720 and considered a sequel to The Farther Adventures of Robinson Crusoe, is a collection of essays written in the voice of the Crusoe character. Expressing Defoe’s thoughts about many moral questions of the day, the narrator takes up isolation, poverty, religious liberty, and epistemology. Defoe also used this volume to revive his interest in poetry, not the satiric poetry of the early eighteenth century, but the more inspirational verse that appeared in some of his later works. Serious Reflections also includes an imaginative flight in which Crusoe wanders among the planets, a return to the moon voyage impulse of Defoe’s 1705 work The Consolidator. Illuminating the ideas and philosophy of this most influential of English novelists, it is invaluable for any student of the period.

William Congreve was deeply involved in the events of his turbulent times. That involvement reveals itself in works which have sometimes been regarded as entirely unengaged with the realities of his society. This book attempts to read Congreve’s plays and his novella, Incognita, against the political and social upheaval of the period initiated by the rebellion of 1688. A strong supporter of the new world ushered in by William III and Mary, Congreve fought against the reactionary politics of the Jacobite opposition.

William Congreve was deeply involved in the events of his turbulent times. That involvement reveals itself in works which have sometimes been regarded as entirely unengaged with the realities of his society. This book attempts to read Congreve’s plays and his novella, Incognita, against the political and social upheaval of the period initiated by the rebellion of 1688. A strong supporter of the new world ushered in by William III and Mary, Congreve fought against the reactionary politics of the Jacobite opposition.