Maxine Kumin – författare

"From a marketplace in Bangkok to the fields of New Hampshire, from recollections of her own childhood to celebrations of an infant grandson, Kumin stakes her far-flung claims with authority in her tenth book of poetry."--Publishers Weekly

In these new poems, her eleventh collection, the Pulitzer Prize-winning poet focuses on the themes of family, friendship, the pleasures and rigors of rural life and the animal world that have always engaged her powerfully and fruitfully. Change and the things that never change attract Kumin's attention equally. Whether chronicling the bounty of summer, the cycle of seasons, or memories of youthful parties, her voice is clear, wise, and compelling.

Since the publication of her first book of poetry, Halfway, Maxine Kumin has been powerfully and fruitfully engaged in the "stuff of life that matters": family, friendship, the bond between the human and natural worlds, and the themes of loss and survival.

In July 1998, when Maxine Kumin's horse bolted at a carriage-driving clinic, she was not expected to live. Yet, less than a year later, her progress pronounced a miracle by her doctors, she was at work on this journal of her astonishing recovery. She tells of her time "inside the halo," the near-medieval device that kept her head immobile during weeks of intensive care and rehabilitation, of the lasting "rehab" friendships, and of the loving family who always believed she would heal. "[S]he resonates wisdom while announcing a triumph of body and soul."—Anne Roiphe, New York Times Book Review "Maxine Kumin brings the sensitivity and imagination of a poet to her extraordinary ordeal."—Richard Selzer, author of Mortal Lessons: Notes on the Art of Surgery "From a singular experience she has created a lesson that is universal, which, it seems to me, is the essence of being a poet."—Abraham Verghese, author of The Tennis Partner

Themes of loyalty, longevity, and recovery appear here, along with poems addressing the eminent dead: Wordsworth, Gorki, Rukeyser, and others. "Inescapably, many poems come up out of the earth I live on and tend to," Kumin says.

Collected here for the first time, these early poems inhabit Kumin's own "sneakstorm time," a space one step to the side, where quiet introspection examines the pain of loss, the idealism of youth, and the endurance of the natural world. Her characteristic earthy wisdom snaps with intensity, offering a refreshing perspective on everyday experiences. "New England farm life, modern American history, Jewish identity and a quietly vibrant feminist consciousness provide themes for this gathering from a long and distinguished career."—Publishers Weekly.

In her fifteenth collection, Maxine Kumin meditates on the social consequences of such events as the bicentennial of the Civil War, and looks to poets writing from circumstances vastly different from her own. With death the central theme, poems of the body and praise songs for beloved animals explore how memory consoles and haunts.

Here Maxine Kumin's signature nature poems are shaken up and invigorated by the darker, human realities. Both "delicate and powerful" (Library Journal), she faces with equanimity the disappointments and joys of sixty years of marriage—ending with the unspoken question of "Which of us will go down first."

Kumin reflects on the process of writing poetry and on life in the country

Meet Lizzie Peterlinz, age 11. Paralyzed below the waist after slipping off a diving board two years ago, Lizzie does not let her wheelchair get in the way of her curiosity. She and her single mother are starting life over in a small town in Florida, where Lizzie's hunger for knowledge and adventure lead her to some unlikely friends. When she and her friend, Josh, come across a shack full of screeching monkeys, they start to put the pieces together... But they must act before the monkey thief strikes again. And this time, it's Lizze who's in danger.

Lizzie, age eleven, does not let her wheelchair get in the way of her curiosity. After she is partially paralyzed in a diving accident, Lizzie and her single mom are starting life over in a small town in Florida, where Lizzie’s thirst for knowledge and adventure makes her some unlikely friends and gets her into some sticky situations. Resilient and precocious, Lizzie has a passion for learning new words (especially those with Latin roots) and a propensity for finding trouble, which is how she ends up stumbling upon criminal activities involving seedy characters, beautiful golden monkeys, and murder. From the Hardcover edition.

A lonely wizard moves to a new town in this charming children's story by renowned American poets Anne Sexton and Maxine Kumin, now in print again for the first time in decades.Everything is going wrong in the town of Drocknock until the new wizard arrives. He is very young, and he is lonely, and very nervous too; but he knows just where to find the right spells to stop the chicken pox epidemic and bring back the twenty cows that had disappeared. The drought is the town's most important problem, however. The new wizard needs five of his own tears to bring rain, but he is so happy in Drocknock he cannnot cry!    "Peel an onion," the old wizard advises. "But," he warns, "beware, beware...a wizard's tears are powerful. They can make strange magic.".....    The Wizard's Tears, first published in 1975, is moving and kind and funny in its intimate and modest way, yet strong and full of renewed life with stunning new illustrations from Keren Katz. Anne Sexton and Maxine Kumin had been friends for several years--having met at and carpooled to a Boston poetry workshop--when they began writing books together for younger readers. The creativity and versatility required for children's books offered the two poets the opportunity to experiment and play with language in new, unexpected ways, to connect world and words with humble, powerful, childlike imagery--"not unlike writing a poem where compression acts to intensify feelings," as Maxine reckoned.

Maxine Kumin left an unrivaled legacy as a pioneering poet and feminist. The Pawnbroker’s Daughter charts her journey from a childhood in a Jewish community in Depression-era Philadelphia, where Kumin’s father was a pawnbroker, to Radcliffe College, where she comes into her own as an intellectual and meets the soldier-turned-Los Alamos scientist who would become her husband; to her metamorphosis from a poet of “light verse” to a “poet of witness”; to her farm in rural New England, the subject and setting of much of her later work.Against all odds, Kumin channels her dissatisfaction with the life that is expected of her as a wife and a mother into her work as a feminist and one of the most renowned and remembered twentieth-century American poets.

A landmark collection celebrating the remarkable range of Maxine Kumin, one of America’s greatest living poets. Where I Live gathers poems from five previous books, together with twenty-three new poems that pay homage to Kumin’s farm life and to poets of the past.