Melissa Edmundson – författare

A meeting of lost souls in the care of a headless coachman. An obsession with eugenics descends into a cruel madness. In 1911, the British writer, feminist and literary salon hostess Violet Hunt published her groundbreaking first collection of uncanny stories, Tales of the Uneasy, exploring psychological and ghostly hauntings shot through with tragedy. Seeking to promote Hunt's achievements as a writer often obscured by the famous authors of her social set literary historian Melissa Edmundson presents a new edition of her eeriest work, including material from Hunt's 1923 volume More Tales of the Uneasy.

The CW's long-running series Supernatural follows the adventures of brothers Sam and Dean Winchester as they pursue the "family business" of hunting supernatural beings. Blending monster-of-the-week storylines with the unfolding saga of the brothers' often troubled relationship, the show represents Gothic concerns of anxiety, the monstrous, family trauma and, of course, the supernatural. The lines between human and monster, good and evil, are blurred and individual identities and motivations resist easy categorization. This collection of new essays examines how the series both incorporates and complicates Gothic elements related to traditional tropes, storytelling, women and gender issues and monstrosity.

This book explores women writers’ involvement with the Gothic. The chapters show how Gothic themes told from a woman’s perspective emerge in unique ways when set in the different colonial regions that comprise the scope of this book: Canada, the Caribbean, Africa, India, Australia, and New Zealand.

Exploring the dark side of animal nature and the ‘otherness’ of animals as viewed by humans, and employing cutting-edge theory on non-human animals, eco-criticism, literary and cultural theory, this book takes the Gothic genre into new territory.

Exploring the dark side of animal nature and the ‘otherness’ of animals as viewed by humans, and employing cutting-edge theory on non-human animals, eco-criticism, literary and cultural theory, this book takes the Gothic genre into new territory.

This book explores women writers’ involvement with the Gothic. The chapters show how Gothic themes told from a woman’s perspective emerge in unique ways when set in the different colonial regions that comprise the scope of this book: Canada, the Caribbean, Africa, India, Australia, and New Zealand.