Melvin Jules Bukiet – författare

Set before the Holocaust in the tiny Polish shtetl of Proszowice, each interconnected story follows the young protagonist through the pleasures and humiliations of childhood and rites of manhood, as he fights against historical, social and psychological forces that threaten to pull him down.

Blind, homosexual, Russian émigré speechwriter Nathan Kazakov has enough problems even before his left ear is obliterated by a bullet presumably meant for the Israeli prime minister. Determined to solve the mystery, Nathan begins exploring a web of conspiracies involving messianic orthodox settlers, Arab terrorists, and the Israeli secret service. Was the bullet intended for Nathan after all? or perhaps for the prime minister's son Gabriel, an archaeologist who shuns his father's politics? One trail leads to Leviticus, another beneath the Temple Mount. Strange Fire is "a stunning literary achievement" (Miami Herald) fueled by Bukiet's singular imagination. A Washington Post Book World 2001 Rave, a Chicago Tribune Favorite Book of the Year, and a Booklist Editors' Choice. "Corrupt, violent, zigzagging atmosphere...a raucous vituperative attack on every kind of political hypocrisy."—Los Angeles Times Book Review

History is preserved in the memories of the survivors of the Holocaust and the imaginations of their children, the so-called Second Generation. Nothing Makes You Free considers the heritage of the descendants of those who faced the horrific lie that adorned the gates of many German concentration camps: "Arbeit Macht Frei" ("Work Makes You Free"). In the words of this groundbreaking anthology's introduction: "Other kids' parents didn't have numbers on their arms. Other kids' parents didn't talk about massacres as easily as baseball. Other kids' parents loved them, but never gazed at their offspring as miracles in the flesh....How do you deal with this responsibility? Well, if you were a writer, you wrote." Gathered here are writings of both fiction and nonfiction, ranging from farce to fantasy to brutal realism, from an international selection of writers, including Art Spiegelman, Eva Hoffman, Peter Singer, and Carl Friedman. Contributors: Lea Aini, David Albahari, Tammie Bob, Lilly Brett, Melvin Jules Bukiet, Leon De Winter, Esther Dischereit, Barbara Finkelstein, Alain Finkielkraut, Carl Friedman, Eva Hoffman, Helena Janaczek, Anne Karpf, Alan Kaufman, Ruth Knafo Setton, Mihaly Kornis, Savyon Liebrecht, Alcina Lubitch Domecq, Gila Lustiger, Sonia Pilcer, Doron Rabinovici, Henri Raczymov, Victoria Redel, Thane Rosenbaum, Goran Rosenberg, Peter Singer, Joseph Skibell, Art Spiegelman, J. J. Steinfeld, Val Vinokurov "Nothing Makes You Free is a wide-ranging, exuberant, and altogether powerful collection. A necessary reminder of the lingering effects of the Holocaust and of all the embers—in each generation—saved from the fire."—Aryeh Lev Stollman, author of The Far Euphrates and The Illuminated Soul "What happens to a generation of writers born after but indelibly shaped by the Holocaust? From the bitterly sardonic title of Bukiet's clear-eyed and refreshingly unsentimental collection to its last words, this volume will cause all to see this past in startlingly new and unexpected ways. This is certainly not their parent's Holocaust. But in all their immense variety, dexterity, oppressed imaginativeness, pain, and wonder, these writings show how even as a 'vicarious past,' the Holocaust continues to shape both inner and outer worlds of the survivors' offspring and now, by extension, our own as well."—James E. Young, author of At Memory's Edge and The Texture of Memory "A superb anthology...tenderness mixes with rage, sorrow with bitterness, in this first-rate gathering of pieces by those who refuse to forget."—Kirkus Reviews, starred review "A trenchant array...convincingly demonstrate[s] that the Second-Generation experience and the artistic vision growing from it is not merely a diluted version of the survivors' experience, but a distinct phenomenon and ethos of its own."—Miami Herald "An important book."—Booklist

The title of Melvin Jules Bukiet's latest collection hints at the deceitful nature of its multiple protagonists. An aspiring writer stalks Vladmir Nabokov across midtown Manhattan one afternoon in the summer of Watergate. A young co-ed's seduction of her elderly philosophy professor delivers her an A and him lasting happiness. Max, "a liar and a voyeur, like any true artist," wanders the East Village taking photographs of murder victims. A famous Holocaust survivor "with the big eyes and the big prize" conducts an impromptu circumcision.Ranging from 1895 Prague to the site of a Central American rebellion to the home of a certain Seattle software magnate to the roof of an urban skyscraper, each of these outrageous (though occasionally tender) stories offers keen insight into human nature.

Who killed Eric Davenport? A senior mathematics professor at Underhill College has been found dead in his office, the victim of murder. At Underhill, a small liberal arts college with a pricy tuition and a pampered student body, all of the students are close to their professors. But at least one loved Eric Davenport in a deeply inappropriate fashion. Some hated him. And then there is the faculty at war with itself. And the idiotic administration. And the twin boys who live next to campus. And what’s with all those praying mantises?The collective work of Sarah Lawrence writing class 3303 - R, taught by novelist Melvin Jules Bukiet, here is a send-up of contemporary campus life that is also the latest installment in an inglorious literary tradition of wacky fun. And the mayhem hasn’t stopped. Soon, a student is found dead in the library, and, from the quad to the dorms, crime scenes and crises begin to multiply. A wealthy alumni donor becomes alarmed. Enter a libidinous medical examiner. Depicting rampant insecurities and raging egos, and with a cast of characters from conflicted faculty to student cliques, from hemp kids to Ugg girls and the J Crew crew, Naked Came the Post-Postmodernist takes us on a journey some may find eerily familiar. . . .Already featured in the New York Times (“A Whodunit Committed by a Whole Classroom”), this first example of collegiate episodic experimental fiction is certain to draw wide attention on publication.