Micaela di Leonardo - Böcker

Every weekday, the wildly popular Tom Joyner Morning Show reaches more than eight million radio listeners. The show offers broadly progressive political talk, adult-oriented soul music, humor, advice, and celebrity gossip for largely older, largely working-class black audience. But it's not just an old-school show: it's an activist political forum and a key site reflecting on popular aesthetics. It focuses on issues affecting African Americans today, from the denigration of hard-working single mothers, to employment discrimination and sexual abuse, to the racism and violence endemic to the U.S. criminal justice system, to international tragedies. In Black Radio/Black Resistance, author Micaela di Leonardo dives deep into the Tom Joyner Morning Show's 25 year history inside larger U.S. broadcast history. From its rise in the Clinton era and its responses to key events--9/11, Hurricane Katrina, President Obama's elections and presidency, police murders of unarmed black Americans and the rise of Black Lives Matter, and Donald Trump's ascendancy-it has broadcast the varied, defiant, and darkly comic voices of its anchors, guests, and audience members. di Leonardo also investigates the new synergistic set of cross-medium ties and political connections that have affected print, broadcast, and online reporting and commentary in antiracist directions. This new multiracial progressive public sphere has extraordinary potential for shaping America's future. Thus Black Radio/Black Resistance does far more than simply shed light on a major counterpublic institution unjustly ignored for reasons of color, class, generation, and medium. It demonstrates an alternative understanding of the shifting black public sphere in the digital age. Like the show itself, Black Radio/Black Resistance is politically progressive, music-drenched, and blisteringly funny.

Every weekday, the wildly popular Tom Joyner Morning Show reaches more than eight million radio listeners. The show offers broadly progressive political talk, adult-oriented soul music, humor, advice, and celebrity gossip for largely older, largely working-class black audience. But it's not just an old-school show: it's an activist political forum and a key site reflecting on popular aesthetics. It focuses on issues affecting African Americans today, from the denigration of hard-working single mothers, to employment discrimination and sexual abuse, to the racism and violence endemic to the U.S. criminal justice system, to international tragedies. In Black Radio/Black Resistance, author Micaela di Leonardo dives deep into the Tom Joyner Morning Show's 25 year history inside larger U.S. broadcast history. From its rise in the Clinton era and its responses to key events--9/11, Hurricane Katrina, President Obama's elections and presidency, police murders of unarmed black Americans and the rise of Black Lives Matter, and Donald Trump's ascendancy-it has broadcast the varied, defiant, and darkly comic voices of its anchors, guests, and audience members. di Leonardo also investigates the new synergistic set of cross-medium ties and political connections that have affected print, broadcast, and online reporting and commentary in antiracist directions. This new multiracial progressive public sphere has extraordinary potential for shaping America's future. Thus Black Radio/Black Resistance does far more than simply shed light on a major counterpublic institution unjustly ignored for reasons of color, class, generation, and medium. It demonstrates an alternative understanding of the shifting black public sphere in the digital age. Like the show itself, Black Radio/Black Resistance is politically progressive, music-drenched, and blisteringly funny.

Attempting to define the exotic, this text focuses on the shifting relations between popular portrayals of exotic "others" and the practice of anthropology, seeking to cast light on gender, race and the public sphere in America's history. It documents the ways in which constructions of "others", whether voiced by anthropologists, or merely attributed to them, have long been central to visions of modernity, of proper American lives and politics. The text examines the political and economic relations of inequality in cultural discourse - in advertisements, in cartoons, and in the representations of "dusky maidens"; in serious ethnography and New Age narratives; in the New Right's attack on cultural relativism and journalists' and scholars' accounts of American inner city "hearts of darkness"; and "tribal wars" in Africa and Europe.

Attempting to define the exotic, this text focuses on the shifting relations between popular portrayals of exotic "others" and the practice of anthropology, seeking to cast light on gender, race and the public sphere in America's history. It documents the ways in which constructions of "others", whether voiced by anthropologists, or merely attributed to them, have long been central to visions of modernity, of proper American lives and politics. The text examines the political and economic relations of inequality in cultural discourse - in advertisements, in cartoons, and in the representations of "dusky maidens"; in serious ethnography and New Age narratives; in the New Right's attack on cultural relativism and journalists' and scholars' accounts of American inner city "hearts of darkness"; and "tribal wars" in Africa and Europe.

The Gender/Sexuality Reader is a sophisticated survey which contextualizes gender and sexuality in a matrix of varied racial formations, nationalisms, colonialisms, imperialisms and movements for social change. Contributors include: Lila Abu-Lughod, Janice Boddy, Susan Bordo, Judith Butler, Jane Collier, Jane L. Collins, Teresa de Lauretis, Janadas Devan, Micaela di Leonardo, John D'Emilio, Ann Fausto-Sterling, Susan Gal, David F. Greenberg, Matthew Gutman, Jacalyn D. Harden, Lori L. Heise, Geraldine Heng, Darlene Clark Hine, Evelyn Fox Keller, Roger Lancaster, Thomas Laqueur, Catherine A. Lutz, Emily Martin, Richard Parker, Cindy Patton, Rosalind Petchesky, Elizabeth A. Povinelli, Rayna Rapp, Michelle Rosaldo, Ellen Ross, Lousia Schein, Nancy Scheper-Hughes, Amartya Sen, Elizabeth Sheehan, Siobhan Somerville, Susan Sperling, Judith Stacey, Arlene Stein, Ann Stoler, Carole S. Vance, Sylvia Yanagisako, and Patricia Zavella.

"Gender at the Crossroads of Knowledge" brings feminist anthropology up to date, highlighting the theoretical sophistication that characterizes recent research. Twelve essays by outstanding scholars, written with the volume's concerns specifically in mind, range across the broadest anthropological terrain, assessing and contributing to feminist work on biological anthropology, primate studies, global economy, new reproductive technologies, ethno-linguistics, race and gender, and more. The editor's introduction not only sets two decades of feminist anthropological work in the multiple contexts of changes in anthropological theory and practice, political and economic developments, and larger intellectual shifts, but also lays out the central insights feminist anthropology has to offer us in the postmodern era. The profound issues raised by the authors resonate with the basic interests of any discipline concerned with gender, that is, all of the social sciences and humanities.

Taking a novel anthropological approach to the issue of white ethnicity in the United States, this book challenges the model of uniform ethnic family and community culture, and argues for a reconsideration of the meaning of class, kinship, and gender in America's past and present. Micaela di Leonardo focuses on a group of Italian-American families who live in Northern California and who range widely in economic status. Combining the methods of participant-observation, oral history, and economic-historical research, she breaks decisively with the tradition of viewing white ethnicity solely as Eastern, urban, and working class.The author integrates lively narrative accounts with analysis to give a fresh interpretation of ethnic identity as both materially grounded and individually negotiated. She examines the ways in which different occupational experiences influence individual choice of family or community as the unit of collective ethnic identity, and she considers the boundaries at which individuals, particularly women, work out their personal ethnic identities. Her analysis illuminates the political meanings that the images of ethnic woman and family have taken on in popular discourse.A provocative study that sets the reflections of a broad range of Italian-Americans in the context of their varied life histories, this book provides an informed commentary on family, class, culture, and gender in American life.

Taking a novel anthropological approach to the issue of white ethnicity in the United States, this book challenges the model of uniform ethnic family and community culture, and argues for a reconsideration of the meaning of class, kinship, and gender in America's past and present. Micaela di Leonardo focuses on a group of Italian-American families who live in Northern California and who range widely in economic status. Combining the methods of participant-observation, oral history, and economic-historical research, she breaks decisively with the tradition of viewing white ethnicity solely as Eastern, urban, and working class.The author integrates lively narrative accounts with analysis to give a fresh interpretation of ethnic identity as both materially grounded and individually negotiated. She examines the ways in which different occupational experiences influence individual choice of family or community as the unit of collective ethnic identity, and she considers the boundaries at which individuals, particularly women, work out their personal ethnic identities. Her analysis illuminates the political meanings that the images of ethnic woman and family have taken on in popular discourse.A provocative study that sets the reflections of a broad range of Italian-Americans in the context of their varied life histories, this book provides an informed commentary on family, class, culture, and gender in American life.