Michael C. Frank – författare

Challenging the predominantly Euro-American approaches to the field, this volume brings together essays on a wide array of literary, filmic and journalistic responses to the decade-long wars in Afghanistan and Iraq. Shifting the focus from so-called 9/11 literature to narratives of the war on terror, and from the transatlantic world to Iraq, Syria, Afghanistan, the Afghan-Pak border region, South Waziristan, Al-Andalus and Kenya, the book captures the multiple transnational reverberations of the discourses on terrorism, counter-terrorism and insurgency. These include, but are not restricted to, the realignment of geopolitical power relations; the formation of new terrorist networks (ISIS) and regional alliances (Iraq/Syria); the growing number of terrorist incidents in the West; the changing discourses on security and technologies of warfare; and the leveraging of fundamental constitutional principles. The essays featured in this volume draw upon, and critically engage with, the conceptual trajectories within American literary debates, postcolonial discourse and transatlantic literary criticism. Collectively, they move away from the trauma-centrism and residual US-centrism of early literary responses to 9/11 and the criticism thereon, while responding to postcolonial theory’s call for a historical foregrounding of terrorism, insurgency and armed violence in the colonial-imperial power nexus.This book was originally published as a special issue of the European Journal of English Studies.

Challenging the predominantly Euro-American approaches to the field, this volume brings together essays on a wide array of literary, filmic and journalistic responses to the decade-long wars in Afghanistan and Iraq. Shifting the focus from so-called 9/11 literature to narratives of the war on terror, and from the transatlantic world to Iraq, Syria, Afghanistan, the Afghan-Pak border region, South Waziristan, Al-Andalus and Kenya, the book captures the multiple transnational reverberations of the discourses on terrorism, counter-terrorism and insurgency. These include, but are not restricted to, the realignment of geopolitical power relations; the formation of new terrorist networks (ISIS) and regional alliances (Iraq/Syria); the growing number of terrorist incidents in the West; the changing discourses on security and technologies of warfare; and the leveraging of fundamental constitutional principles. The essays featured in this volume draw upon, and critically engage with, the conceptual trajectories within American literary debates, postcolonial discourse and transatlantic literary criticism. Collectively, they move away from the trauma-centrism and residual US-centrism of early literary responses to 9/11 and the criticism thereon, while responding to postcolonial theory’s call for a historical foregrounding of terrorism, insurgency and armed violence in the colonial-imperial power nexus.This book was originally published as a special issue of the European Journal of English Studies.

Contains thirteen original essays and an expansive introduction, including contributions by some of the foremost scholars in the fieldGoes beyond the US-centrism of post-9/11 discourse and covers a broad geographical scope, including India, Sri Lanka, Burma, the UK, France, and GermanyOffers up-to-date discussions of key films and texts, as well as pioneering analyses of works that have been largely overlooked in scholarshipBrings together research from multiple disciplinary perspectives, including literary criticism, film and television studies, cultural anthropology, critical terrorism studies, postcolonial studies, and gender studiesThe contemporary preoccupation with terrorism is marked by a curious paradox: whereas the topic has been ubiquitous in public discourse since the late twentieth century, the voices of terrorists themselves are usually silenced. Is the terrorist the quintessential proscribed or tabooed figure of our times, as cultural anthropologists Joseba Zulaika and William A. Douglass have suggested? The present volume is the first to approach the tabooing of terrorists from an interdisciplinary and comparative perspective.Covering a broad geographical scope, it explores how different media forms (such as novels, fiction and non-fiction films, or comic books) frame and make sense of the figure of the terrorist: do they reinforce the terrorism taboo, or do they find ways of circumventing it? Each contribution asks how factors such as ideological agenda, religious identity, ethnicity, and gender impact the way the perpetrators of political violence are conceived in different historical moments and cultural contexts.

The contemporary preoccupation with terrorism is marked by a curious paradox: whereas the topic has been ubiquitous in public discourse since the late twentieth century, the voices of terrorists themselves are usually silenced. Is the terrorist the quintessential proscribed or tabooed figure of our times, as cultural anthropologists Joseba Zulaika and William A. Douglass have suggested? The present volume is the first to approach the tabooing of terrorists from an interdisciplinary and comparative perspective. Covering a broad geographical scope, it explores how different media forms (such as novels, fiction and non-fiction films, or comic books) frame and make sense of the figure of the terrorist: do they reinforce the terrorism taboo, or do they find ways of circumventing it? Each contribution asks how factors such as ideological agenda, religious identity, ethnicity, and gender impact the way the perpetrators of political violence are conceived in different historical moments and cultural contexts.