“In its entirety, Literature and Terrorism is clearly the more comprehensive and more nuanced of the two volumes, with a broader scope, a larger extent of theoretical groundwork, and a more diversified and critical approach to the phenomenon that ‘9/11’ has become over the past thirteen years.” - Birgit Däwes, Flensburg, in: Amerikastudien / American Studies 60.1 (2016)

• Michael C. Frank and Eva Gruber: Literature and Terrorism: IntroductionThe Emergence of the Terrorist in Fiction: Literary-Historical ApproachesGudrun Braunsperger: Sergey Nechaev and Dostoevsky’s Devils: The Literary Answer to Terrorism in Nineteenth-Century RussiaMichael C. Frank: Plots on London: Terrorism in Turn-of-the-Century British FictionHendrik Blumentrath: Enmity and the Archive: Aesthetics of Defiguration in Literature and Criminology, 1900/1970Pre- and Post-9/11 Representations of Terrorism in Fiction: Continuities and BreaksEva Gruber: Narrating Terrorism on the Eve of 9/11: Ann Patchett’s Bel CantoMartina Wolff: Self, Identity and Terrorism in Current American Literature: American Pastoral and TerroristRoy Scranton: The 9/11 Novel and the Politics of NarcissismMargaret Scanlan: After the Apocalypse: Novelists and Terrorists since 9/11Michael König: Literary Accounts of Terrorism in Recent German Literature: An Attempt at Marginalization?Narrativizations of Terror: Media and Modes, Plot and FormUlrich Meurer: Double-mediated Terrorism: Gerhard Richter and Don DeLillo’s “Baader-Meinhof”Kirsten Mahlke: A Fantastic Tale of Terror: Argentina’s “Disappeared” and Their Narrative Representation in Julio Cortázar’s “Second Time Round”Georgiana Banita: Middle Hours: Terrorism and Narrative Emplotment in Andre Dubus III’s The Garden of Last DaysThe Question of Genre: Drama and Narrative Literature after 9/11Marie-Luise Egbert: Narratives of Terror: A New Paradigm for the Novel?Herbert Grabes: The Impact of “September 11”: Dramatic and Narrative CreationsNotes on ContributorsIndex

“In its entirety, Literature and Terrorism is clearly the more comprehensive and more nuanced of the two volumes, with a broader scope, a larger extent of theoretical groundwork, and a more diversified and critical approach to the phenomenon that ‘9/11’ has become over the past thirteen years.” - Birgit Däwes, Flensburg, in: Amerikastudien / American Studies 60.1 (2016)

• Michael C. Frank and Eva Gruber: Literature and Terrorism: IntroductionThe Emergence of the Terrorist in Fiction: Literary-Historical ApproachesGudrun Braunsperger: Sergey Nechaev and Dostoevsky’s Devils: The Literary Answer to Terrorism in Nineteenth-Century RussiaMichael C. Frank: Plots on London: Terrorism in Turn-of-the-Century British FictionHendrik Blumentrath: Enmity and the Archive: Aesthetics of Defiguration in Literature and Criminology, 1900/1970Pre- and Post-9/11 Representations of Terrorism in Fiction: Continuities and BreaksEva Gruber: Narrating Terrorism on the Eve of 9/11: Ann Patchett’s Bel CantoMartina Wolff: Self, Identity and Terrorism in Current American Literature: American Pastoral and TerroristRoy Scranton: The 9/11 Novel and the Politics of NarcissismMargaret Scanlan: After the Apocalypse: Novelists and Terrorists since 9/11Michael König: Literary Accounts of Terrorism in Recent German Literature: An Attempt at Marginalization?Narrativizations of Terror: Media and Modes, Plot and FormUlrich Meurer: Double-mediated Terrorism: Gerhard Richter and Don DeLillo’s “Baader-Meinhof”Kirsten Mahlke: A Fantastic Tale of Terror: Argentina’s “Disappeared” and Their Narrative Representation in Julio Cortázar’s “Second Time Round”Georgiana Banita: Middle Hours: Terrorism and Narrative Emplotment in Andre Dubus III’s The Garden of Last DaysThe Question of Genre: Drama and Narrative Literature after 9/11Marie-Luise Egbert: Narratives of Terror: A New Paradigm for the Novel?Herbert Grabes: The Impact of “September 11”: Dramatic and Narrative CreationsNotes on ContributorsIndex

“In its entirety, Literature and Terrorism is clearly the more comprehensive and more nuanced of the two volumes, with a broader scope, a larger extent of theoretical groundwork, and a more diversified and critical approach to the phenomenon that ‘9/11’ has become over the past thirteen years.” - Birgit Däwes, Flensburg, in: Amerikastudien / American Studies 60.1 (2016)

• Michael C. Frank and Eva Gruber: Literature and Terrorism: IntroductionThe Emergence of the Terrorist in Fiction: Literary-Historical ApproachesGudrun Braunsperger: Sergey Nechaev and Dostoevsky’s Devils: The Literary Answer to Terrorism in Nineteenth-Century RussiaMichael C. Frank: Plots on London: Terrorism in Turn-of-the-Century British FictionHendrik Blumentrath: Enmity and the Archive: Aesthetics of Defiguration in Literature and Criminology, 1900/1970Pre- and Post-9/11 Representations of Terrorism in Fiction: Continuities and BreaksEva Gruber: Narrating Terrorism on the Eve of 9/11: Ann Patchett’s Bel CantoMartina Wolff: Self, Identity and Terrorism in Current American Literature: American Pastoral and TerroristRoy Scranton: The 9/11 Novel and the Politics of NarcissismMargaret Scanlan: After the Apocalypse: Novelists and Terrorists since 9/11Michael König: Literary Accounts of Terrorism in Recent German Literature: An Attempt at Marginalization?Narrativizations of Terror: Media and Modes, Plot and FormUlrich Meurer: Double-mediated Terrorism: Gerhard Richter and Don DeLillo’s “Baader-Meinhof”Kirsten Mahlke: A Fantastic Tale of Terror: Argentina’s “Disappeared” and Their Narrative Representation in Julio Cortázar’s “Second Time Round”Georgiana Banita: Middle Hours: Terrorism and Narrative Emplotment in Andre Dubus III’s The Garden of Last DaysThe Question of Genre: Drama and Narrative Literature after 9/11Marie-Luise Egbert: Narratives of Terror: A New Paradigm for the Novel?Herbert Grabes: The Impact of “September 11”: Dramatic and Narrative CreationsNotes on ContributorsIndex