Michael Carter – författare

As the Modernist dream of a world purged of archaic decor and ornamentation recedes we should remember that the diet of a raw, umediated universe has always unsettled Homo Sapiens. This books looks at some of these mediations: How do we transform the stuff of the world and impart it with familiarity? How do pets come to be invested with pleasing form? How did provocative woman? And why is oil paint the ultimate "plastic" material, capable of mimicking everything under the sun - and a few other things besides? Taking its inspiration from Gaston Bachelard's idea of a material imagination, this book looks beyond the labour that ensures physical survival to the elaboration of the world into forms that accommodate our collective desires.

First Published in 1985, the aim of this book is to define an aspect of Orwell’s literary identity which underlies and informs the sociopolitical content of his novels, and which may account for his being ‘more widely read’ than perhaps any other serious writer in the twentieth century.

It is the author’s contention that the thematic source of the Orwell novel is the problem of authentic existence, and that Orwell’s particular sociopolitical concerns were expressions of this problem. In chapter one selections of Orwell’s autobiographical writings are assessed, for in these the existential conflict between authentic and inauthentic modes of existence is traceable from childhood onwards. Orwell, it is argued, developed an inauthentic self -for- other in response to authoritarian oppressions, and he consequently pursued a double life characterized by the contradictions of ‘doublethink’. Chapter two is an account of existential authenticity, and provides both the terms and perspectives subsequently applied in the separate chapters in which each of Orwell’s five novels are analyzed. In every case, J. P. Sartre’s ‘bad faith’, Martin Heidegger’s ‘mine’ and ‘they’ and Martin Buber’s ‘I’, ‘Thou’ and ‘It’, are seen to be crucial explanatory notions within the Orwell novel. In his conclusion, therefore, Dr Carter redefines Orwell as an existential sociopolitical writer. This is a must read for students of literature, critical theory, existential philosophy, philosophy in general

First Published in 1985, the aim of this book is to define an aspect of Orwell’s literary identity which underlies and informs the sociopolitical content of his novels, and which may account for his being ‘more widely read’ than perhaps any other serious writer in the twentieth century.

It is the author’s contention that the thematic source of the Orwell novel is the problem of authentic existence, and that Orwell’s particular sociopolitical concerns were expressions of this problem. In chapter one selections of Orwell’s autobiographical writings are assessed, for in these the existential conflict between authentic and inauthentic modes of existence is traceable from childhood onwards. Orwell, it is argued, developed an inauthentic self -for- other in response to authoritarian oppressions, and he consequently pursued a double life characterized by the contradictions of ‘doublethink’. Chapter two is an account of existential authenticity, and provides both the terms and perspectives subsequently applied in the separate chapters in which each of Orwell’s five novels are analyzed. In every case, J. P. Sartre’s ‘bad faith’, Martin Heidegger’s ‘mine’ and ‘they’ and Martin Buber’s ‘I’, ‘Thou’ and ‘It’, are seen to be crucial explanatory notions within the Orwell novel. In his conclusion, therefore, Dr Carter redefines Orwell as an existential sociopolitical writer. This is a must read for students of literature, critical theory, existential philosophy, philosophy in general

The Dancer’s Handbook offers a holistic exploration of the dance industry''s challenges, authored by dancers intimately familiar with its complexities.

This comprehensive resource tackles themes like power dynamics, hierarchical structures, and the pervasive influences of capitalism, patriarchy, and white supremacy as the “status quo” in the arts. This book delves into dismantling the status quo, examining its manifestations in the body and mind of dancers, and advocates for wellbeing and self-worth in the workplace as the way of change. Psychological aspects, coping mechanisms, and the importance of rest are addressed alongside discussions on ethical engagement, consent, and the democratisation of workplace behaviour through co-authored principles of practice. The final chapters empower dancers to find their voice, offering structured communication strategies to confront transgressive behaviours and foster accountability.

With insights from years of reimagining working conditions, this book serves as a beacon for positive change, urging dancers and dance-related professionals to challenge norms, prioritise wellbeing, and speak up to power.

The Dancer’s Handbook offers a holistic exploration of the dance industry''s challenges, authored by dancers intimately familiar with its complexities.

This comprehensive resource tackles themes like power dynamics, hierarchical structures, and the pervasive influences of capitalism, patriarchy, and white supremacy as the “status quo” in the arts. This book delves into dismantling the status quo, examining its manifestations in the body and mind of dancers, and advocates for wellbeing and self-worth in the workplace as the way of change. Psychological aspects, coping mechanisms, and the importance of rest are addressed alongside discussions on ethical engagement, consent, and the democratisation of workplace behaviour through co-authored principles of practice. The final chapters empower dancers to find their voice, offering structured communication strategies to confront transgressive behaviours and foster accountability.

With insights from years of reimagining working conditions, this book serves as a beacon for positive change, urging dancers and dance-related professionals to challenge norms, prioritise wellbeing, and speak up to power.

An essential guide to improving preliminary geotechnical analysis and design from limited data

Soil Properties and their Correlations, Second Edition provides a summary of commonly-used soil engineering properties and gives a wide range of correlations between the various properties, presented in the context of how they will be used in geotechnical design.

The book is divided into 11 chapters: Commonly-measured properties; Grading and plasticity; Density; Permeability, Consolidation and settlement; Shear strength; California bearing ratio; Shrinkage and swelling characteristics; Frost susceptibility; Susceptibility to combustion; and Soil-structure interfaces. In addition, there are two appendices: Soil classification systems; and Sampling methods.

This new, more comprehensive, edition provides material that would be of practical assistance to those faced with the problem of having to estimate soil behaviour from little or no laboratory test data.

Key features:

An invaluable source of reference for experienced professionals working on geotechnical design, it  will also give students and early-career engineers an in-depth appreciation of the appropriate use of each property and the pitfalls to avoid.

An essential guide to improving preliminary geotechnical analysis and design from limited data

Soil Properties and their Correlations, Second Edition provides a summary of commonly-used soil engineering properties and gives a wide range of correlations between the various properties, presented in the context of how they will be used in geotechnical design.

The book is divided into 11 chapters: Commonly-measured properties; Grading and plasticity; Density; Permeability, Consolidation and settlement; Shear strength; California bearing ratio; Shrinkage and swelling characteristics; Frost susceptibility; Susceptibility to combustion; and Soil-structure interfaces. In addition, there are two appendices: Soil classification systems; and Sampling methods.

This new, more comprehensive, edition provides material that would be of practical assistance to those faced with the problem of having to estimate soil behaviour from little or no laboratory test data.

Key features:

An invaluable source of reference for experienced professionals working on geotechnical design, it  will also give students and early-career engineers an in-depth appreciation of the appropriate use of each property and the pitfalls to avoid.