Michael Frayn – författare

Three political parties, in and out of bed with each other like drunken intellectuals, fifteen warring cabinet ministers, and sixty million separate egos. All making deals with each other and breaking them. All looking round at every moment to see the expression on everyone else's face. All trying to guess which way everyone else will jump. All out for themselves and all totally dependent on everyone else. Not one Germany. Sixty million separate Germanies. The tower of Babel!Set in West Germany in 1969, DEMOCRACY follows Willy Brandt as he begins his brief but remarkable career as the first left-of-centre Chancellor for nearly forty years. Always present but rarely noticed is Gunter Guillaume, Brandt's devoted personal assistant - and no less devoted in his other role, spying on Brandt for the Stasi. Published to tie in with major new production at the Royal National Theatre directed by Michael Blakemore starring Roger Allam, Conleth Hill, Nicholas Blane, Jonathan Coy, Christopher Ettridge, Paul Gregory, Glyn Grain, Steven Pacey and David Ryall.

'The funniest book in the English language .' Richard Osman'It made me laugh so much I fell out of bed.' Sebastian FaulksMichael Frayn's classic novel is set in the crossword and nature notes department of an obscure national newspaper during the declining years of Fleet Street, where John Dyson dreams wistfully of fame and the gentlemanly life - until one day his great chance of glory at last arrives.Michael Frayn is the celebrated author of fifteen plays including Noises Off, Copenhagen and Afterlife. His bestselling novels include Headlong, which was shortlisted for the Man Booker Prize, Spies, which won the Whitbread Best Novel Award and Skios, which was longlisted for the Man Booker Prize. 'Still ranks with Evelyn Waugh's Scoop as one of the funniest novels about journalists ever written.' Sunday Times'A sublimely funny comedy about the ways newspapers try to put lives into words.' Spectator

In mid-career, Michael Frayn took up his old trade of journalism, and wrote a series of occasional articles for the Observer about some of the places in the world that interested him. He wanted to describe 'not the extraordinary but the ordinary, the typical, the everyday', and his accounts became the starting point for some of the novels and plays he wrote later. From a kibbutz in Israel to summer rains in Japan, bicycles in Cambridge to Notting Hill at the end of the 1950s, they are glimpses of a world that sometimes seems tantalisingly familiar, sometimes vanished forever. Michael Frayn is the celebrated author of fifteen plays including Noises Off, Copenhagen and Afterlife. His bestselling novels include Headlong, which was shortlisted for the Man Booker Prize, Spies, which won the Whitbread Best Novel Award and Skios, which was longlisted for the Man Booker Prize."All writers of fiction should be required by law to go out and do a bit of reporting from time to time, just to remind them how different the real world in front of their eyes is from the invented world behind them." Michael Frayn 'Whether he's on a kibbutz or a bicycle, Frayn makes acute observations and the writing is enchanting.' Conde Nast Traveller

"One of theatre's subtlest, most sophisticated minds" (The Times) One spring morning a quiet, shy man in his sixties sets out from Land's End to walk the length of his native land. He has never walked more than a dozen miles in his life before, his health is uncertain, his boots are new, and he is too diffident to talk to anyone he meets along the way. His slow, solitary progress up the spine of Britain is watched by an unseen audience - his family and friends at home. How far will he get before he is forced to give up? Is he being heroic or merely selfish? As the days of his absence go by the old alliances and quarrels inside the family shift and alter. What emerges is a story about the arbitrariness of human endeavour and about the tenacious complexity of human relationships; about one man's glimpse of the country he lives in; about courage and about love.First and Last was directed by Alan Dossor in a production for BBC television, with Joss Ackland as the walker.

"Frayn's translation, which strikes me as splendidly lucid and alive...will be acted again and again" (New Statesman) In Chekhov's tragi-comedy - perhaps his most popular play - the Gayev family is torn by powerful forces deeply rooted in history and the society in which they live. Their estate is hopelessly in debt and when urged to cut down their beautiful cherry orchard and sell the land for holiday cottages, they are confronted by an impossible decision. "At the time when The Cherry Orchard was written, the years before the revolution of 1905, Chekhov considered revolution in Russia irreversible and desirable." (Melchinger: Anton Chekhov)

"One of theatre's subtlest, most sophisticated minds" (The Times) Alphabetical Order: "A comic essay about two types of woman...a very intelligent comedy because of its classic simplicity, and unusual in the way that the two types of women do not become stereotypes" (Daily Telegraph); Donkeys' Years, a satire on the establishment and British Institutions "Gorgeous farce, all the funnier for emerging from credible aspirations and natural anxieties...the play is richer and cannier than we expect farces to be." (New Statesman); Clouds, is a satire on government sponsored trips and a portrait of sexual jealousy,"it is poignantly and unerringly funny" (Guardian); Make and Break is a satirical commentary on British corporate interests abroad "Full of pain, ruthless observation, and a sense of humour which is sardonic, lunatic and warm" (Sunday Times); Noises Off - the West End hit play about a company of actors stepping from a sex farce into their own nightmarish lives backstage "A very intelligent joke about the fragility of all forms of drama...a pulverisingly funny play."(Guardian)"All of these plays are attempts to show something of the world, not to change it or to promote any particular idea of it. That's not to say there are no ideas in them. In fact what they are all about in one way or another is the way in which we impose our ideas upon the world around us...it might be objected that one single theme is a somewhat sparse provision to sustain five separate and dissimilar plays. I can only say that it is a theme which has occupied philosophers for over two thousand years and one which is likely to occupy them for at least two thousand more..."(Michael Frayn)

"One of theatre's subtlest, most sophisticated minds" (The Times) Benefactors conjures the world of the suburbs observed through the lens of post-imperialism; "dazzling. This prismatic work circumscribes the disillusionment of an era" (New York Times); Balmoral dares to imagine what Britain would be like if it had gone through the Russian revolution in 1917; "a sophisticated drollery, an educated amusement" (New Statesman); Wild Honey is a reworking of Checkov's first play (also known as Platonov) and is shot through with farce, feminism and eroticism.

"One of theatre's subtlest, most sophisticated minds" (The Times) Now You Know: "Frayn's light but serious, marvellous play, about official and unofficial secrets, about idle curiosity and investigative purpose" (Observer)

"Michael Frayn has the rare ability to construct farcical comedy around philosophical principles and the laughs and the ideas effortlessly intermesh" (Guardian)Four old friends sit down for a quiet evening together. But they are harassed by various bells, sirens, buzzers, warblers, beepers and cheepers, all trying to warn them of something. What are these electronic voices trying to tell them? Can they understand the mysterious disasters before disaster strikes? It's a race against time - because there are seven more plays and twenty more characters still to come before the evening is through, plus a lot more strange noises - and increasingly desperate calls from eleven separate pay phones...

The new collection from the author of the Booker-shortlisted novel Headlong and the internationally acclaimed play Copenhagen Here: "about time, space and life...A touching, brilliant construction. It's both deeply thought and deeply felt' (Sunday Times); Now You Know: "Frayn's light but serious, marvellous new play, about official and unofficial secrets, about idle curiosity and investigative purpose" (Observer); La Belle Vivette: "Frayn's elegant libretto...Michael Frayn has made an Offenbach opera a farce to be reckoned with...a razor-sharp reworking" (Mail on Sunday)Michael Frayn was born in 1933 in the suburbs of London and began his career as a reporter on the Guardian, before becoming a columnist. His novels include The Tin Men, The Russian Interpreter, Towards the End of Morning and The Trick of It. He has written a number of plays for television and the stage, including translations of Chekhov and smash hits such as his screenplay Clockwise and his plays Donkeys' Years, Noises Off, Alarms and Excursions and Copenhagen.Deborah Levy "does not deal with realism, she does not deal with magic realism, rather she draws out a new territory, and if we follow we will find ourselves suspended over views we have not seen before" Jeanette Winterson, Observer

'Michael Frayn's tremendous play is a piece of history, an intellectual thriller, a psychological investigation and a moral tribunal in full session' Sunday Times 'A profound and haunting meditation on the mysteries of human motivation' Independent 'Frayn has seized on a ral-life historical and scientific mystery. In 1941 the physicist Werner Heisenberg, who formulated the famous Uncertainty Principle about the movement of particles, and was at that time leading the Nazi's nuclear programme, went to visit his old boss and mentor, Niels Bohr, in Copenhagen. What was the purpose of his visit to Nazi-occupied Denmark? What did the two old friends say to each other, particularly bearing in mind that Bohr was both half-Jewish and a Danish patriot?...Frayn argues that just as it is impossible to be certain of the precise location of an electron, so it is impossible to be certain about the workings of the human mind...What is certain is that Frayn makes ideas zing and sing in this play' Daily Telegraph

Michael Frayn's 'gorgeous farce' about a university reunion premiered thirty years ago at the Globe Theatre, London. Returning to the West End in a sparkling new production, it remains a classic comedy. Twenty years after graduation, six former students return to their university college for a reunion dinner. Whilst their lives may have had varying degrees of success, all are connected by a common past. Once locked in college for the night, the graduates begin to relive their youth, and old friendships, feuds - and the much-desired but absurdly proper Master's wife - come tumbling back into the present ...'The show reaches that plateau of comic bliss when it becomes physically impossible to stop laughing' Daily Telegraph 'The West End's summer gets off to an exhilarating start with the hilarious return of Michael Frayn's comedy Donkeys' Years' Sunday Express 'All the confidence of a serious comic masterpiece. Masterclass performances. This is one of the best revivals in the West End for years. Unmissable!' Sunday Times

One day during the run of Michael Fryan's play Copenhagen, a curious letter arrived from a housewife in Chiswick. She enclosed a few faded pages of barely legible German which she thought might have some relevance to the mystery at the play's heart. They turned out to mark the start of a long and winding trail.The subject of Copenhagen is the strange visit that the German physicist, Werner Heisenberg, made to his former Danish colleague, Niels Bohr in 1941. The two old friends now found themselves on opposite sides in a world war, and Heisenberg could not explain to Bohr that he was running the Nazis' secret atomic programme. His intentions have intrigued and baffled historians, and the hitherto unpublished German documents which Celia Rhys-Evans now began to send Michael Frayn cast a remarkable new light on certain aspects of the story. The gradual emergence of these papers was followed with particularly close interest by the actor, David Burke, who was playing Niels Bohr, and who had happened to have a wide experience of documents of this sort. When it was all over David Burke and Michael Frayn sat down together, rather as Bohr and Heisenberg do in the play, to try to unravel the mystery, and, like Bohr and Heisenberg, to confront once again the eternal difficulty of knowing why we do what we do.

Stage Directions covers half a lifetime and the whole range of Frayn's theatrical writing, right up to a new piece about his latest play, Afterlife. It is also a reflection on his path into theatre: the 'doubtful beginnings' of his childhood, his subsequent scorn as a young man and, surprisingly late in life, his reluctant conversion. Whatever subjects he tackles, from the exploration of the atomic nucleus to the mechanics of farce, Michael Frayn is never less than fascinating, delightfully funny and charming. This book encapsulates a lifetime's work and is guaranteed to be a firm favourite with his legions of fans around the world.

A SUNDAY TIMES TOP 100 NOVEL OF THE TWENTY-FIRST CENTURYIn the quiet cul-de-sac where Keith and Stephen live the only immediate signs of the Second World War are the blackout at night and a single random bombsite. But the two boys start to suspect all is not as it seems when one day Keith announces a disconcerting discovery: the Germans have infiltrated his own family. And when the secret underground world they have dreamed up emerges from the shadows they find themselves engulfed in mysteries far deeper and more painful than they had bargained for.Winner of the Whitbread Novel of the Year Award.

Longlisted for the Man Booker Prize'Good God, thought Oliver, as he saw the smile. She thinks I'm him! And all at once he knew it was so. He was Dr Norman Wilfred.'On the sunlit Greek island of Skios, the Fred Toppler Foundation's annual lecture is to be given by Dr Norman Wilfred, the world-famous authority on the scientific organisation of science. He turns out to be surprisingly young and charming - not at all the intimidating figure they had been expecting. The Foundation's guests are soon eating out of his hand. So, even sooner, is Nikki, the attractive and efficient organiser.Meanwhile, in a remote villa at the other end of the island, Nikki's old school-friend Georgie waits for the notorious chancer she has rashly agreed to go on holiday with, and who has only too characteristically failed to turn up. Trapped in the villa with her, by an unfortunate chain of misadventure, is a balding old gent called Dr Norman Wilfred, who has lost his whereabouts, his luggage, his temper and increasingly all normal sense of reality - everything he possesses apart from the flyblown text of a well-travelled lecture on the scientific organisation of science... And as the time draws ever nearer for one or other Dr Wilfred - or possibly both - to give the eagerly awaited lecture, so Skios - Greece - Europe - career off their appointed track. Longlisted for the Man Booker Prize, Skios is a story of mislaid identity, misdirected passion and miscalculated consequences. Michael Frayn is also the celebrated author of fifteen plays including Noises Off, Copenhagen and Afterlife. His other bestselling novels include Headlong, which was shortlisted for the Man Booker Prize and Spies, which won the Whitbread Best Novel Award.

Shortlisted for the Man Booker Prize Headlong begins when Martin Clay, a young would-be art historian, believes he has discovered a missing masterpiece. The owner of the painting is oblivious to its potential and asks Martin to help him sell it, leaving Martin with the chance of a lifetime: if he could only separate the painter from its owner, he would be able to perform a great public service, to make his professional reputation, perhaps even rather a lot of money as well. But is the painting really what Martin believes it to be? As Martin is drawn further into this moral and intellectual labyrinth, events start to spiral out of control . . . Shortlisted for the Man Booker Prize, Whitbread Novel Award and the James Tait Black Memorial Prize for fiction, Headlong is an ingeniously comic thriller that follows a young philosophy lectuerer's obsessive race through the art world in search of an elusive masterpiece. Michael Frayn's other novels include Spies, which won the Whitbread Best Novel award, and Skios, which was longlisted for the Booker Prize.

Bit of a wide boy, Terry. Got a spot of form, eye for the ladies, a real rough diamond some might say. Not without his virtues, though, as his campaign for open government shows. No secrets, that's Terry's secret. Allied to charm, that is, of course. Only one person finds it easy to resist his charm and counter his arguments and that's Hilary - one of the serious and dedicated young Civil Servants working in the Home Office in Westminster, who just happens to know the truth about the case in which Terry is currently interested. She despises him and everything he stands for. But then why is she to be found one evening walking through the back streets behind the Strand, to the run-down block where Terry's pressure group has its headquarters? Now You Know takes on government campaigns, ambitious civil servants and determined pressure groups with Frayn's trade-mark wit. Michael Frayn's other novels include Headlong, which was shortlisted for the Booker Prize, and Spies, which won the Whitbread Best Novel Award.

The Russian Interpreter is a story about Raya, a mercurial Moscow blonde who speaks no English, and the affair she is embarking upon with Gordon Proctor-Gould, a visiting British businessman who speaks no Russian. They need an interpreter; which is how Paul Manning is diverted from writing his thesis at Moscow University to become involved in all the deceptions of love and East-West relations. After the death of Stalin in 1952, the Soviet Union opened its doors to the rest of the world and Michael Frayn was one of the first foreign students to enter the country. Drawing on his experience at Moscow University in the late 1950s, he brilliantly captures a country still recovering from the Second World War, racked with suspicion and intrigue, at once harsh and easy-going, lethargic and labour-intensive. Michael Frayn is the celebrated author of fifteen plays including Noises Off, Copenhagen and Afterlife. His bestselling novels include Headlong, which was shortlisted for the Man Booker Prize, Spies, which won the Whitbread Best Novel Award and Skios, which was longlisted for the Man Booker Prize.

Why not program computers to take over the really dull jobs that human beings have to do - such as praying and behaving morally? At the William Morris Institute of Automation Research they are doing just that to free mankind for the really stimulating and demanding tasks of living today - first and foremost the impending visit of Her Majesty the Queen to open its new wing. . .Michael Frayn is the celebrated author of fifteen plays including Noises Off, Copenhagen and Afterlife. His bestselling novels include Headlong, which was shortlisted for the Man Booker Prize, Spies, which won the Whitbread Best Novel Award and Skios, which was longlisted for the Man Booker Prize. Tin Men, his first novel, is now a modern classic. Winner of the Somerset Maugham Award it explores computers, technology and automation with customary humour and wit.

For fifteen years, ever since the taciturn civil servant Stephen Summerchild fell to his death from a window, there have been rumours. So Brian Jessel, a young member of the Cabinet Office, is diverted from his routine work and asked to prepare an internal report. Slowly, from the archives in the registry, Jessel begins to reconstruct Summerchild's last months. It emerges that, at a time when America had just put men on the moon, the British were involved in an even bolder project, and that Summerchild was investigating a phenomenon as common as sunlight, but as powerful and dangerous as any of the forces that modern science has known. The secret world into which Brian Jessel stumbles turns out to be even more extraordinary than his department had feared.