Michael Goldman – författare

Although Henrik Ibsen is secure in his reputation as a major dramatist and intellectual figure, little attention has been given to the connections between his dramatic practice and his plays' powerful impact on audience and culture. Michael Goldman examines "how the play attacks us in the theater" and the means by which Ibsen assaults the audience's expectations and opinions. Focusing on specific features of Ibsen's dramaturgy that have been overlooked or underappreciated, Goldman looks at the plays' unsettling dialogue and driving plots, then explores the impacts on both character and audience when Ibsen's powerful vision takes effect. How does Ibsen illustrate a character's inner turmoil, and how is this quality realized by the actor on stage? What is the "spine"-the single, definitive phrase used by actors to pinpoint the dominant motivation-in A Doll's House? How does the stage design in The Wild Duck arouse the audience's curiosity? With considerable attention to these plays as well as The Master Builder and Peer Gynt, Goldman examines the characteristic "moments of crisis" and the striking similarities of gesture and language from play to play.Goldman discusses every aspect of Ibsen's art, from language, psychological motive, and narrative construct, to approaches used by actors and directors in play productions.

A piercing, first-hand analysis of the World Bank, one of the most powerful actors in today's global economy.Why is the World Bank so successful? How has it gained power even at moments in history when it seemed likely to fall? This pathbreaking book is the first close examination of the inner workings of the Bank, the foundations of its achievements, its propensity for intensifying the problems it intends to cure, and its remarkable ability to tame criticism and extend its own reach.Michael Goldman takes us inside World Bank headquarters in Washington, D.C., and then to Bank project sites around the globe. He explains how projects funded by the Bank really work and why community activists struggle against the World Bank and its brand of development. Goldman looks at recent ventures in areas such as the environment, human rights, and good governance and reveals how—despite its poor track record—the World Bank has acquired greater authority and global power than ever before.The book sheds new light on the World Bank’s role in increasing global inequalities and considers why it has become the central target for anti-globalization movements worldwide. For anyone concerned about globalization and social justice, Imperial Nature isessential reading.

The latest book by noted critic and scholar Michael Goldman provides fresh and unexpected insights into the role played by genre in the experience of drama. Challenging the view that genre is by definition exclusion, and that its policing of boundaries is out of place in the neighborhood of art, Michael Goldman suggests that the lens of genre can provide keen insights for our understanding and appreciation of drama. For Goldman, it is important to consider drama as an exper-ience, an ongoing moment-to-moment process for audiences or readers. Everything changes, says Goldman, when we stop to think of genre as not entirely unlike rhyme or ambiguity--features whose primary interest for readers or audiences is as something that happens to us in a poem or play, as it happens. It is valuable to see that--as it operates in drama--the instability of the subject of genre has a specific and unique texture, one that can offer useful insights into our experience as viewers of and participants in drama. In this light, discussions of genre can help us to understand what drama as a special kind of social practice does for and with our lives. It is important that we work toward understanding the process of thinking about drama in this light--that we understand the power and complexity of drama--and Michael Goldman aims to do so in this book. Michael Goldman is Professor of English, Princeton University. He is author of a number of books, including Acting and Action in Shakespearean Tragedy, Shakespeare and the Energies of Drama, Ibsen: The Dramaturgy of Fear, and The Actor's Freedom: Toward a Theory of Drama.

This intensely personal book develops a new approach to the study of action in drama. Michael Goldman eloquently applies a method based on a crucial fact: our experience of a play in the theater is almost exclusively our experience of acting. Originally published in 1985. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Shakespeare's texts are seen by the poet and critic Michael Goldman as designs for theatrical experience--the complex emotional, physical, and intellectual transaction between actor and audience that brings alive Shakespeare's imagination and makes it immediate to our own. Mr. Goldman's particular concerns are these: what the audience responds to in an acted play; how Shakespeare controls and shapes this response; what the response means, and why it matters. Originally published in 1972. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

This intensely personal book develops a new approach to the study of action in drama. Michael Goldman eloquently applies a method based on a crucial fact: our experience of a play in the theater is almost exclusively our experience of acting. Originally published in 1985. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Shakespeare's texts are seen by the poet and critic Michael Goldman as designs for theatrical experience--the complex emotional, physical, and intellectual transaction between actor and audience that brings alive Shakespeare's imagination and makes it immediate to our own. Mr. Goldman's particular concerns are these: what the audience responds to in an acted play; how Shakespeare controls and shapes this response; what the response means, and why it matters. Originally published in 1972. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

This intensely personal book develops a new approach to the study of action in drama. Michael Goldman eloquently applies a method based on a crucial fact: our experience of a play in the theater is almost exclusively our experience of acting.Originally published in 1985.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Shakespeare's texts are seen by the poet and critic Michael Goldman as designs for theatrical experience-the complex emotional, physical, and intellectual transaction between actor and audience that brings alive Shakespeare's imagination and makes it immediate to our own. Mr. Goldman's particular concerns are these: what the audience responds to in an acted play; how Shakespeare controls and shapes this response; what the response means, and why it matters.Originally published in 1972.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Vision in the Forest tells the tale of Thorfinn Oakenshield, a young Viking who becomes stranded on the shores of the New World known as Vinland. Come along on his journey into the deep forest as he meets the native forest dwelling people and establishes a settlement in Vinland with his traveling companions. One evening, soon after his arrival in the wild but beautiful new land, he notices that an eerie silence has descended upon his village. Walking through the forest to the area where his friends live, he discovers, much to his horror, that all of his friendswomen and children includedhave died in their tracks and tents, As he buries his friends, he vows to befriend the forest dwellers and make a new life for himself in Vinland. The many tribes who dwell in the dark spruce-forested woods are constantly warring with each other. Thorfinn, a Christian, seeks to bring an end to the fighting and to establish peace among all of the warring factions.

Hidden Empire of Finance follows the rise of new global cities, tracing their roots back to the 1970s global proliferation of neoliberalism and following their fate in the wake of the 2008 financial collapse. As India, China, and other nations sought to develop urban infrastructures that could compete with western hubs like New York, Paris, and London, large-scale flows of capital intruded into national economies to speculate on the growing real estate market. A web of opaque financial products, such as collateralized debt and real estate investment trusts, became alternative vehicles for the speculators’ investments, resulting in vast networks of public goods and services that are now owned and controlled by major financial firms located oceans away. Michael Goldman shows that speculative urbanism relies on dispossession and the racialization of institutional practices to fuel finance's insatiable appetite for capital, determining the ways cities across the global South and North are governed.

Hidden Empire of Finance follows the rise of new global cities, tracing their roots back to the 1970s proliferation of neoliberalism and following their fate in the wake of the 2008 financial collapse. As India, China, and other nations sought to develop urban infrastructures that could compete with western hubs like New York, Paris, and London, large-scale flows of capital intruded into national economies as speculative investment in the growing real estate market. A web of opaque financial products, such as collateralized debt and real estate investment trusts, became alternative vehicles for these investments, resulting in vast networks of public goods and services that are now owned and controlled by major financial firms located oceans away. Michael Goldman shows that speculative urbanism relies on dispossession and the racialization of institutional practices to fuel finance's insatiable appetite for capital, determining the ways cities across the global South and North are governed.

Hidden Empire of Finance follows the rise of new global cities, tracing their roots back to the 1970s proliferation of neoliberalism and following their fate in the wake of the 2008 financial collapse. As India, China, and other nations sought to develop urban infrastructures that could compete with western hubs like New York, Paris, and London, large-scale flows of capital intruded into national economies as speculative investment in the growing real estate market. A web of opaque financial products, such as collateralized debt and real estate investment trusts, became alternative vehicles for these investments, resulting in vast networks of public goods and services that are now owned and controlled by major financial firms located oceans away. Michael Goldman shows that speculative urbanism relies on dispossession and the racialization of institutional practices to fuel finance's insatiable appetite for capital, determining the ways cities across the global South and North are governed.

From the shaping of new homelands in the Cherokee Nation to the export of sand from Cambodia to shore up urban expansion in Singapore, The Social Lives of Land reveals the dynamics of contemporary social and political change. The editors of this volume bring together contributions from across multiple disciplines and geographic locations. The contributions showcase novel theoretical and empirical insights, analyzing how people are living on, with, and from their land. From Mozambique to India, Indonesia, Ecuador, and the colonial United States, the scholars in this collection uncover histories and retell stories with a focus on the lived experiences of rural and urban land dispossession and repossession.Contributors: Kati Álvarez, Clint Carroll, Flora Lu, Richard Mbunda, Gregg Mitman, Paul Nadasdy, Robert Nichols, Andrew Ofstehage, Laura Schoenberger, Kirsteen Shields, Emmanuel Sulle, Erik Swyngedouw, Gabriela Valdivia, Katherine Verdery, Callum Ward, Ciara Wirth, Emmanuel King Urey Yarkpawolo

From the shaping of new homelands in the Cherokee Nation to the export of sand from Cambodia to shore up urban expansion in Singapore, The Social Lives of Land reveals the dynamics of contemporary social and political change. The editors of this volume bring together contributions from across multiple disciplines and geographic locations. The contributions showcase novel theoretical and empirical insights, analyzing how people are living on, with, and from their land. From Mozambique to India, Indonesia, Ecuador, and the colonial United States, the scholars in this collection uncover histories and retell stories with a focus on the lived experiences of rural and urban land dispossession and repossession.Contributors: Kati Álvarez, Clint Carroll, Flora Lu, Richard Mbunda, Gregg Mitman, Paul Nadasdy, Robert Nichols, Andrew Ofstehage, Laura Schoenberger, Kirsteen Shields, Emmanuel Sulle, Erik Swyngedouw, Gabriela Valdivia, Katherine Verdery, Callum Ward, Ciara Wirth, Emmanuel King Urey Yarkpawolo

Tracking Bengaluru’s dramatic urban transformation through the entanglements of finance, land frenzy, real estate volatility, and livelihood upheavalsOver the past two decades, Bengaluru’s exploding real estate sector and massive infrastructure investments have led to land speculation targeting working-class neighborhoods and agricultural land for development. Chronicles of a Global City turns Bengaluru inside out to examine its “world-city” transformation that stimulated rapid urbanization and unbounded growth. Moving the spotlight away from the urban elites and “new middle class,” this book explores how people caught up in the whirlwinds of change in Bengaluru-from construction laborers, street vendors, domestic workers, and platform delivery workers to small-time property brokers, petty landlords, and local politicians-experience, struggle, aspire, invent, strive, and speculate to make a livable city for themselves. Grounded in long-term ethnographic research and activist experiences, Chronicles of a Global City vividly illuminates the multifaceted entanglements of finance capital, real estate markets, livelihood struggles, and fraying ecologies in urban and peri-urban Bengaluru. Its anchoring concept, “speculative urbanism,” provides a powerful, innovative lens for understanding the risk-laden practices of leveraging land, labor, and resources for the promise of future profit. Contributors: Hemangini Gupta, Pierre Hauser, Priyanka Krishna, Eesha Kunduri, Kaveri Medappa, Usha Rao, Shaheen Shasa, Swathi Shivanand, Vinay K. Sreenivasa.

Tracking Bengaluru’s dramatic urban transformation through the entanglements of finance, land frenzy, real estate volatility, and livelihood upheavalsOver the past two decades, Bengaluru’s exploding real estate sector and massive infrastructure investments have led to land speculation targeting working-class neighborhoods and agricultural land for development. Chronicles of a Global City turns Bengaluru inside out to examine its “world-city” transformation that stimulated rapid urbanization and unbounded growth. Moving the spotlight away from the urban elites and “new middle class,” this book explores how people caught up in the whirlwinds of change in Bengaluru-from construction laborers, street vendors, domestic workers, and platform delivery workers to small-time property brokers, petty landlords, and local politicians-experience, struggle, aspire, invent, strive, and speculate to make a livable city for themselves. Grounded in long-term ethnographic research and activist experiences, Chronicles of a Global City vividly illuminates the multifaceted entanglements of finance capital, real estate markets, livelihood struggles, and fraying ecologies in urban and peri-urban Bengaluru. Its anchoring concept, “speculative urbanism,” provides a powerful, innovative lens for understanding the risk-laden practices of leveraging land, labor, and resources for the promise of future profit. Contributors: Hemangini Gupta, Pierre Hauser, Priyanka Krishna, Eesha Kunduri, Kaveri Medappa, Usha Rao, Shaheen Shasa, Swathi Shivanand, Vinay K. Sreenivasa.

Play Better Scrabble is written by National Scrabble Championship winner and the first victor on Channel 4's Countdown, Michael Goldman. The book contains strategies, hints and techniques for all stages of the game as well as instructional game examples, how to best use the S and the blank, anagrams and useful word lists.Play Better Scrabble will allow anyone to learn the Open Board Method, used by the elite players today to win games. The Open Board Method, pioneered by Michael Goldman, encourages an expansive style that leads to high scores. This second edition has a completely new design, including 28 colour diagrams, while retaining the same indispensable advice as the original.Published on National Scrabble Day in 2019, Play Better Scrabble is an educational, entertaining and accessible book is full of expert advice and celebrates one of the world's most iconic board games. It's the perfect present for those who are keen to play in a more fulfilling way as well as win more games.