Michael Hicks – författare

Unlike their rock 'n' roll predecessors, many rock musicians of the mid-sixties came to consider themselves as artists--self-consciously presenting themselves as creators of a new sonic medium.Sixties Rock offers a provocative look at these artists and their innovations in two pivotal rock genres: garage rock and psychedelic music. Delving into everything from harmony to hardware, Michael Hicks shows what makes this music tick and what made it unique in its time. Looking at bands like the Doors, the Rolling Stones, the Yardbirds, and Love, Hicks puts legends and flashes in the pan alike through a rigorous analysis that places their music within rock history while exploring its place in the oft-swirling contexts of the time.

Author of New Musical Resources and a teacher of John Cage, Lou Harrison, and Burt Bacharach, Henry Cowell is regarded as an innovator, rebel, and genius. Celebrated for the novelty of his playing, Cowell popularized a series of experimental piano-playing techniques that included pounding his fists and forearms on the keys and plucking the piano strings directly to achieve the exotic, dissonant sounds he desired. Michael Hicks shows how the maverick composer, writer, teacher, and performer built his career on the intellectual and aesthetic foundations of his parents, community, and teachers--and exemplified the essence of bohemian California. Hicks traces Cowell's radical ideas to teachers like Charles Seeger, Samuel Seward, and E. G. Stricklen, his childhood in the tightknit artistic communities in the San Francisco Bay area, and the immeasurable influence of his parents. Focusing on Cowell's formative and most prolific years, Hicks examines the philosophical fervor that fueled the artist's whirlwind compositions and the ways his irrepressible spirit helped foster an appreciation in the United States and Europe for a new brand of American music.

A first-of-its-kind history, The Mormon Tabernacle Choir tells the epic story of how an all-volunteer group founded by persecuted religious outcasts grew into a multimedia powerhouse synonymous with the mainstream and with Mormonism itself.  Drawing on decades of work observing and researching the Mormon Tabernacle Choir, Michael Hicks examines the personalities, decisions, and controversies that shaped "America's choir." Here is the miraculous story behind the Tabernacle's world-famous acoustics, the anti-Mormonism that greeted early tours, the clashes with Church leaders over repertoire and presentation, the radio-driven boom in popularity, the competing visions of rival conductors, and the Choir's aspiration to be accepted within classical music even as Mormons sought acceptance within American culture at large. Everything from Billboard hits to TV appearances to White House performances paved the way for Mormonism's crossover triumph. Yet, as Hicks shows, such success raised fundamental concerns regarding the Choir's mission, functions, and image.

Music has flourished in the Mormon church since its beginning. Michael Hicks examines the direction that music's growth has taken since 1830. He looks closely at topics including the denomination's first official hymnals; the views of Joseph Smith and Brigham Young on singing; the Mormon Tabernacle Choir; and the changing attitudes of church officialdom and laity toward popular and non-Western music styles.

In this first interpretive narrative of the life and work of Christian Wolff, Michael Hicks and Christian Asplund trace the influences and sensibilities of a contemporary composer's atypical career path and restless imagination. Written in full cooperation with Wolff, including access to his papers, this volume is a much-needed introduction to a leading avant-garde composer still living, writing music, and speaking about his own work.  Wolff has pioneered various compositional and notational idioms, including overtly political music, indeterminacy, graphic scores, and extreme virtuosity. Trained as a classicist rather than a musician, Wolff has never quite had both feet in the rarefied world of contemporary composition. Yet he's considered a "composer's composer," with a mind ensconced equally in ancient Greek tragedy and experimental music and an eccentric and impulsive compositional approach that eludes a fixed stylistic fingerprint. Hicks and Asplund cover Wolff's family life and formative years, his role as a founder of the New York School of composers, and the context of his life and work as part of the John Cage circle, as well as his departures from it. Critically assessing Wolff's place within the experimental musical field, this volume captures both his eloquence and reticence and provides insights into his broad interests and activities within music and beyond.

A first-of-its-kind history, The Mormon Tabernacle Choir tells the epic story of how an all-volunteer group founded by persecuted religious outcasts grew into a multimedia powerhouse synonymous with the mainstream and with Mormonism itself.  Drawing on decades of work observing and researching the Mormon Tabernacle Choir, Michael Hicks examines the personalities, decisions, and controversies that shaped "America's choir." Here is the miraculous story behind the Tabernacle's world-famous acoustics, the anti-Mormonism that greeted early tours, the clashes with Church leaders over repertoire and presentation, the radio-driven boom in popularity, the competing visions of rival conductors, and the Choir's aspiration to be accepted within classical music even as Mormons sought acceptance within American culture at large. Everything from Billboard hits to TV appearances to White House performances paved the way for Mormonism's crossover triumph. Yet, as Hicks shows, such success raised fundamental concerns regarding the Choir's mission, functions, and image.

In this first interpretive narrative of the life and work of Christian Wolff, Michael Hicks and Christian Asplund trace the influences and sensibilities of a contemporary composer''s atypical career path and restless imagination. Written in full cooperation with Wolff, including access to his papers, this volume is a much-needed introduction to a leading avant-garde composer still living, writing music, and speaking about his own work.   Wolff has pioneered various compositional and notational idioms, including overtly political music, indeterminacy, graphic scores, and extreme virtuosity. Trained as a classicist rather than a musician, Wolff has never quite had both feet in the rarefied world of contemporary composition. Yet he''s considered a "composer''s composer," with a mind ensconced equally in ancient Greek tragedy and experimental music and an eccentric and impulsive compositional approach that eludes a fixed stylistic fingerprint.   Hicks and Asplund cover Wolff''s family life and formative years, his role as a founder of the New York School of composers, and the context of his life and work as part of the John Cage circle, as well as his departures from it. Critically assessing Wolff''s place within the experimental musical field, this volume captures both his eloquence and reticence and provides insights into his broad interests and activities within music and beyond.

The Wars of the Roses (1455–85) were a major turning point in English history. But the underlying causes for the successive upheavals have been hotly contested by historians ever since. In this original and stimulating new synthesis, distinguished historian Michael Hicks examines the difficult economic, military, and financial crises and explains, for the first time, the real reasons why the Wars of the Roses began, why they kept recurring, and why, eventually, they ceased. Alongside fresh assessments of key personalities, Hicks sheds new light on the significance of the involvement of the people in politics, the intervention of foreign powers in English affairs, and a fifteenth-century credit crunch. Combining a meticulous dissection of competing dynamics with a clear account of the course of events, this is a definitive and indispensable history of a compelling, complex period.

An "excellent new biography" (Keith Thomas, New York Review of Books) of the wily and formidable prince who unexpectedly became monarch—the most infamous king in British history“An intricately detailed account of Richard’s every recorded move on his journey from younger son of the powerful Duke of York to the last of England’s mediaeval monarchs.”—Mark Jones, Albion MagazineThe reign of Richard III, the last Yorkist king and the final monarch of the Plantagenet dynasty, marked a turning point in British history. But despite his lasting legacy, Richard only ruled as king for the final two years of his life. While much attention has been given to his short reign, Michael Hicks explores the whole of Richard’s fascinating life and traces the unfolding of his character and career from his early years as the son of a duke to his violent death at the battle of Bosworth.Hicks explores how Richard—villainized for his imprisonment and probable killing of the princes—applied his experience to overcome numerous setbacks and adversaries. Richard proves a complex, conflicted individual whose Machiavellian tact and strategic foresight won him a kingdom. He was a reformer who planned big changes, but lost the opportunity to fulfill them and to retain his crown.

The Wars of the Roses (1455–85) were a major turning point in English history. But the underlying causes for the successive upheavals have been hotly contested by historians ever since. In this original and stimulating new synthesis, distinguished historian Michael Hicks examines the difficult economic, military, and financial crises and explains, for the first time, the real reasons why the Wars of the Roses began, why they kept recurring, and why, eventually, they ceased. Alongside fresh assessments of key personalities, Hicks sheds new light on the significance of the involvement of the people in politics, the intervention of foreign powers in English affairs, and a fifteenth-century credit crunch. Combining a meticulous dissection of competing dynamics with a clear account of the course of events, this is a definitive and indispensable history of a compelling, complex period.

Edward IV was the first Yorkist king. He ruled (with only a brief hiatus) for 22 years, ended the Wars of the Roses triumphantly in 1471, and died in his bed not invariably the place of death for a medieval monarch. The best general of his day, he destroyed the House of Lancaster. At a very difficult time, he redeemed royal prestige at home and abroad, restored order and public finances, and crushed all his opponents, including his brother Clarence. His son Edward V, still a minor, succeeded him peacefully. Yet within months Edward was deposed in favour of Richard III, his uncle. The Wars of the Roses resumed, Edward IV's sons met violent deaths, and so at Bosworth Field did the usurping Richard III. Assessment of Edward IV is inextricably bound up not only in the record of his reign, itself much disputed, but also with what turned out to be his baleful legacy. This book explores how his reputation has changed and analyses the major issues in light of contemporary and later perceptions of this controversial king

This was the story for Karen, a devout mother to her daughter, and a driven woman who sought some comfort in her love and family life without having the slightest clue on how fast the world could or would turn on her. All had come across as smooth and easy until the first-ever murder, a murder that would make her leave home, abandon her past and share a dreaded secret with one other person and an unknown figure. Follow the tale of betrayal, theft, secrets, and most importantly, the cunning and manipulating works of a being constantly lurking in the shadows. Double Dare tells the story as it unfolds for Karen, and ultimately stretches toward her daughter and college kids all around them. Having moved to a town named Ivy Waters, a city intended to become a fresh start, and the right place to root her family anew as she hoped to cast away the secret she held dangerously close in worry and fear to her heart, she had no idea just how many secrets the city of Ivy Waters held in its own past.

English Political Culture in the Fifteenth Century is a new and original study of how politics worked in late medieval England, throwing new light on a much-discussed period in English history. Michael Hicks explores the standards, values and principles that motivated contemporary politicians, and the aspirations and interests of both dukes and peasants alike.Hicks argues that the Wars of the Roses did not result from fundamental weaknesses in the political system but from the collision of exceptional circumstances that quickly passed away. Overall, he shows that the era was one of stability and harmony, and that there were effective mechanisms for keeping the peace. Structure and continuities, Hicks argues, were more prominent than change.

English Political Culture in the Fifteenth Century is a new and original study of how politics worked in late medieval England, throwing new light on a much-discussed period in English history. Michael Hicks explores the standards, values and principles that motivated contemporary politicians, and the aspirations and interests of both dukes and peasants alike.Hicks argues that the Wars of the Roses did not result from fundamental weaknesses in the political system but from the collision of exceptional circumstances that quickly passed away. Overall, he shows that the era was one of stability and harmony, and that there were effective mechanisms for keeping the peace. Structure and continuities, Hicks argues, were more prominent than change.

This book illuminates Warwick''s character and motivation, showing that he was an emotional, charming, and popular man with a strong sense of family loyalty. It is the first full study of this compelling figure within the context of political life in late medieval England.

This book illuminates Warwick's character and motivation, showing that he was an emotional, charming, and popular man with a strong sense of family loyalty. It is the first full study of this compelling figure within the context of political life in late medieval England.

This book illuminates Warwick's character and motivation, showing that he was an emotional, charming, and popular man with a strong sense of family loyalty. It is the first full study of this compelling figure within the context of political life in late medieval England.

Richard III has been written off in history as one of England’s evil kings. His usurpation of the throne from his nephew Edward V and then subsequent generations of pro-Tudor historians ensured his fame as the disfigured murderer portrayed by Shakespeare. In the twentieth century, Richard found his apologists, those who saw him as more sinned against than sinning.This biography – by the leading expert on Richard – strips away the propaganda of the centuries to rescue Richard from his critics and supporters alike, providing a balanced and compelling portrait of this most infamous of kings.

Memorable not for his life but his death, Edward V is probably better known as one of the Princes in the Tower, the supposed victim of his uncle, Richard III. This work presents to us the backdrop to this tragically short life - and reveals how he was both the hope of a dynasty and an integral cause of that dynasty's collapse.

Richard III is undoubtedly the dominant personality in this collection of essays, but not in his capacity as king of England. Richard was Duke of Gloucester far longer than he was king. For most of his career, he was a subject, not a monarch, the equal of the great nobility. He is seen here in the company of his fellows: Warwick the Kingmaker, Clarence, Northumberland, Somerset, Hastings a the Wydevilles. His relations with these rivals, all of whom submitted to him or were crushed, show him in different moods and from various vantage points.

Conspicuous consumption in the 15th century both offers causes for revolt and allows reconstruction of regional supply and trading networks.The essays in this volume focus on the sources and resources of political power, on consumption (royal and lay, conspicuous and everyday) on political revolution and on economic regulation in the later middle ages. Topics range from the diet of the nobility in the fifteenth century to the knightly household of Richard II and the peace commissions, while particular case studies, of Middlesex, Cambridge, Durham Cathedral and Winchester, shed new light on regional economies through an examination of the patterns of consumption, retailing, and marketing.Professor MICHAEL HICKS teaches at King Alfred's College at Winchester.Contributors: CHRISTOPHER WOOLGAR, ALASTAIR DUNN, SHELAGH MITCHELL, ALISON GUNDY, T.B. PUGH, JESSICA FREEMAN, JOHN HARE, JOHN LEE, MIRANDA THRELFALL-HOLMES, WINIFRED HARWOOD, PETER FLEMING.

The Southampton brokage books are the best source for English inland trade before modern times. Internal trade always matched overseas trade. Between 1430 and 1540 the brokage series records all departures through Southampton’s Bargate, the owner, carter, commodity, quantity, destination and date, and many deliveries too. Twelve such years make up the database that illuminates Southampton’s trade with its extensive region at the time when the city was at its most important as the principal point of access to England for the exotic spices and dyestuffs imported by the Genoese. If Southampton’s international traffic was particularly important, the town’s commerce was representative also of the commonplace trade that occurred throughout England. Seventeen papers investigate Southampton’s interaction with Salisbury, London, Winchester, and many other places, long-term trends and short-term fluctuations. The rise and decline of the Italian trade, the dominance of Salisbury and emergence of Jack of Newbury, the recycling of wealth and metals from the dissolved monasteries all feature here. Underpinning the book are 32 computer-generated maps and numerous tables, charts, and graphs, with guidance provided as to how best to exploit and extend this remarkable resource.An accompanying web-mounted database (http://www.overlandtrade.org) enables the changing commerce to be mapped and visualised through maps and trade to be tracked week by week and over a century. Together the book and database provide a unique resource for Southampton, its trading partners, traders and carters, freight traffic and the genealogies of the middling sort.

Essays exploring the potential of the Inquisitions post mortem to shed important new light on the medieval world.The Inquisitions post mortem (IPMs) are a truly wonderful source for many different aspects of late medieval countryside and rural life. They have recently been made digitally accessible and interrogatable by the Mappingthe Medieval Countryside project, and the first fruits of these developments are presented here. The chapters examine IPMs in connection with the landscape and topography of England, in particular markets and fairs and mills;and consider the utility of proofs of age for everyday life on such topics as the Church, retaining, and the wine trade.MICHAEL HICKS is Emeritus Professor of Medieval History at the University of Winchester.Contributors: Katie A. Clarke, William S. Deller, Paul Dryburgh, Christopher Dyer, Janette Garrett, Michael Hicks, Matthew Holford, Gordon McKelvie, Stephen Mileson, Simon Payling, Matthew Tompkins, Jennifer Ward.