Döden är människans grundvillkor, våra rädslors fixpunkt och förutsättningen för våra strävanden. Idéer om döden präglar alla kulturer och har gett upphov till såväl världsreligioner som lokala myter. I sekulära miljöer är dödens tillvaro dock mer undanskymd. Livsförlängande åtgärder har ersatt tanken om döden som meningsfull i sig eller en passage in i det okända. Denna volym täcker hela spektrumet av dödens skepnader med global spännvidd och historiskt djup; från några av de tidigast nedtecknade poetiska texterna via religiösa källskrifter och schamanistiska praktiker till rådande filosofiska och vetenskapliga perspektiv.

I tjugofyra essäer utforskar svenska och inter­nationella experter olika vägar att närma sig döden. Bidragen omfattar egyptiska och sumeriska dödsriken, de stora religionernas etik, antika och moderna teorier om själen och medvetandet samt konstnärliga och litterära gestaltningar. I centrum för denna rikligt bildsatta antologi står frågan om vad historien kan lära oss inför vårt eget umgänge med döden och de döda. Boken finns även i engelsk utgåva.

Sociology is a constantly changing scientific endeavour, adventure and practice that was born with the advent of modernity. One of the main reasons for the rise of sociology was modern society’s wish to understand itself. In this introduction to sociology, the authors emphasize the importance and centrality of the idea of the sociological imagination, as it was conceived by sociologist C. Wright Mills.

This book will enhance and further develop your sociological imagination with a ‘sensibility’ that has its breeding ground in the Scandinavian countries; this is the first comprehensive attempt to write an international/Nordic text book and introductory text to sociology.

This book is aimed primarily at first year students in sociology but will be of interest to anyone who is looking for a comprehensive guide to the exciting field of sociology.

As modern society’s routine sequestration of death and grief is increasingly replaced by late-modern society’s growing concern with existential issues and emotionality, this book explores grief as a social emotion, bringing together contributions from scholars across the social sciences and humanities to examine its social and cultural aspects. Thematically organised in order to consider the historical changes in our understanding of grief, literary treatments of grief, contemporary forms of grief and grief as a perspective from which to engage in critique of society, it provides insights into the sociality of grief and will appeal to scholars of sociology, social theory and cultural studies with interests in the emotions and social pathologies.

As modern society’s routine sequestration of death and grief is increasingly replaced by late-modern society’s growing concern with existential issues and emotionality, this book explores grief as a social emotion, bringing together contributions from scholars across the social sciences and humanities to examine its social and cultural aspects. Thematically organised in order to consider the historical changes in our understanding of grief, literary treatments of grief, contemporary forms of grief and grief as a perspective from which to engage in critique of society, it provides insights into the sociality of grief and will appeal to scholars of sociology, social theory and cultural studies with interests in the emotions and social pathologies.

With intense and violent portrayals of death becoming ever more common on television and in cinema and the growth of death-centric movies, series, texts, songs, and video clips attracting a wide and enthusiastic global reception, we might well ask whether death has ceased to be a taboo. What makes thanatic themes so desirable in popular culture? Do representations of the macabre and gore perpetuate or sublimate violent desires? Has contemporary popular culture removed our unease with death? Can social media help us cope with our mortality, or can music and art present death as an aesthetic phenomenon? This volume adopts an interdisciplinary approach to the discussion of the social, cultural, aesthetic, and theoretical aspects of the ways in which popular culture understands, represents, and manages death, bringing together contributions from around the world focused on television, cinema, popular literature, social media and the internet, art, music, and advertising.

With intense and violent portrayals of death becoming ever more common on television and in cinema and the growth of death-centric movies, series, texts, songs, and video clips attracting a wide and enthusiastic global reception, we might well ask whether death has ceased to be a taboo. What makes thanatic themes so desirable in popular culture? Do representations of the macabre and gore perpetuate or sublimate violent desires? Has contemporary popular culture removed our unease with death? Can social media help us cope with our mortality, or can music and art present death as an aesthetic phenomenon? This volume adopts an interdisciplinary approach to the discussion of the social, cultural, aesthetic, and theoretical aspects of the ways in which popular culture understands, represents, and manages death, bringing together contributions from around the world focused on television, cinema, popular literature, social media and the internet, art, music, and advertising.

Döden är människans grundvillkor, våra rädslors fixpunkt och förutsättningen för våra strävanden. Idéer om döden präglar alla kulturer och har gett upphov till såväl världsreligioner som lokala myter. I sekulära miljöer är dödens tillvaro dock mer undanskymd. Livsförlängande åtgärder har ersatt tanken om döden som meningsfull i sig eller en passage in i det okända. Denna volym täcker hela spektrumet av dödens skepnader med global spännvidd och historiskt djup; från några av de tidigast nedtecknade poetiska texterna via religiösa källskrifter och schamanistiska praktiker till rådande filosofiska och vetenskapliga perspektiv.

I tjugofyra essäer utforskar svenska och inter­nationella experter olika vägar att närma sig döden. Bidragen omfattar egyptiska och sumeriska dödsriken, de stora religionernas etik, antika och moderna teorier om själen och medvetandet samt konstnärliga och litterära gestaltningar. I centrum för denna rikligt bildsatta antologi står frågan om vad historien kan lära oss inför vårt eget umgänge med döden och de döda. Boken finns även i engelsk utgåva.

Sociology is a constantly changing scientific endeavour, adventure and practice that was born with the advent of modernity. One of the main reasons for the rise of sociology was modern society’s wish to understand itself. In this introduction to sociology, the authors emphasize the importance and centrality of the idea of the sociological imagination, as it was conceived by sociologist C. Wright Mills.

This book will enhance and further develop your sociological imagination with a ‘sensibility’ that has its breeding ground in the Scandinavian countries; this is the first comprehensive attempt to write an international/Nordic text book and introductory text to sociology.

This book is aimed primarily at first year students in sociology but will be of interest to anyone who is looking for a comprehensive guide to the exciting field of sociology.

As modern society’s routine sequestration of death and grief is increasingly replaced by late-modern society’s growing concern with existential issues and emotionality, this book explores grief as a social emotion, bringing together contributions from scholars across the social sciences and humanities to examine its social and cultural aspects. Thematically organised in order to consider the historical changes in our understanding of grief, literary treatments of grief, contemporary forms of grief and grief as a perspective from which to engage in critique of society, it provides insights into the sociality of grief and will appeal to scholars of sociology, social theory and cultural studies with interests in the emotions and social pathologies.

As modern society’s routine sequestration of death and grief is increasingly replaced by late-modern society’s growing concern with existential issues and emotionality, this book explores grief as a social emotion, bringing together contributions from scholars across the social sciences and humanities to examine its social and cultural aspects. Thematically organised in order to consider the historical changes in our understanding of grief, literary treatments of grief, contemporary forms of grief and grief as a perspective from which to engage in critique of society, it provides insights into the sociality of grief and will appeal to scholars of sociology, social theory and cultural studies with interests in the emotions and social pathologies.

With intense and violent portrayals of death becoming ever more common on television and in cinema and the growth of death-centric movies, series, texts, songs, and video clips attracting a wide and enthusiastic global reception, we might well ask whether death has ceased to be a taboo. What makes thanatic themes so desirable in popular culture? Do representations of the macabre and gore perpetuate or sublimate violent desires? Has contemporary popular culture removed our unease with death? Can social media help us cope with our mortality, or can music and art present death as an aesthetic phenomenon? This volume adopts an interdisciplinary approach to the discussion of the social, cultural, aesthetic, and theoretical aspects of the ways in which popular culture understands, represents, and manages death, bringing together contributions from around the world focused on television, cinema, popular literature, social media and the internet, art, music, and advertising.

With intense and violent portrayals of death becoming ever more common on television and in cinema and the growth of death-centric movies, series, texts, songs, and video clips attracting a wide and enthusiastic global reception, we might well ask whether death has ceased to be a taboo. What makes thanatic themes so desirable in popular culture? Do representations of the macabre and gore perpetuate or sublimate violent desires? Has contemporary popular culture removed our unease with death? Can social media help us cope with our mortality, or can music and art present death as an aesthetic phenomenon? This volume adopts an interdisciplinary approach to the discussion of the social, cultural, aesthetic, and theoretical aspects of the ways in which popular culture understands, represents, and manages death, bringing together contributions from around the world focused on television, cinema, popular literature, social media and the internet, art, music, and advertising.