Michael J. Pettid – författare

This anthology presents new translations of Korean prose works from the tenth to the nineteenth century. It offers insight into past Korean societies by highlighting genres that have largely not been translated, such as diaries, short fictional biographies, erotic tales, oral narratives, and novellas, all of which illustrate the depth and variety of premodern Korean writings. The selections are intended to show what literate people of the premodern period enjoyed reading and demonstrate the cultural diversity of the creation of literature, including a range of writings by women and nonelites such as commoners. The volume also includes critical essays and short introductions to contextualize the materials and explain the ideological backdrop behind the creation of the works.

This anthology presents new translations of Korean prose works from the tenth to the nineteenth century. It offers insight into past Korean societies by highlighting genres that have largely not been translated, such as diaries, short fictional biographies, erotic tales, oral narratives, and novellas, all of which illustrate the depth and variety of premodern Korean writings. The selections are intended to show what literate people of the premodern period enjoyed reading and demonstrate the cultural diversity of the creation of literature, including a range of writings by women and nonelites such as commoners. The volume also includes critical essays and short introductions to contextualize the materials and explain the ideological backdrop behind the creation of the works.

Death and the activities and beliefs surrounding it can teach us much about the ideals and cultures of the living. While biologically death is an end to physical life, this break is not quite so apparent in its mental and spiritual aspects. Indeed, the influence of the dead over the living is sometimes much greater than before death. This volume takes a multidisciplinary approach in an effort to provide a fuller understanding of both historic and contemporary practices linked with death in Korea. Contributors from Korea and the West incorporate the approaches of archaeology, history, literature, religion, and anthropology in addressing a number of topics organized around issues of the body, disposal of remains, ancestor worship and rites, and the afterlife. The first two chapters explore the ways in which bodies of the dying and the dead were dealt with from the Greater Silla Kingdom (668–935) to the mid-twentieth century. Grave construction and goods, cemeteries, and memorial monuments in the Koryo (918–1392) and the twentieth century are then discussed, followed by a consideration of ancestral rites and worship, which have formed an inseparable part of Korean mortuary customs since premodern times. Chapters address the need to appease the dead both in shamanic and Confucians contexts. The final section of the book examines the treatment of the dead and how the state of death has been perceived. Ghost stories provide important insight into how death was interpreted by common people in the Koryo and Choson (1392–1910) while nonconformist narratives of death such as the seventeenth-century romantic novel Kuunmong point to a clear conflict between Buddhist thought and practice and official Neo-Confucian doctrine. Keeping with unendorsed views on death, the final chapter explores how death and the afterlife were understood by early Korean Catholics of the eighteenth and nineteenth centuries.Death, Mourning, and the Afterlife in Korea fills a significant gap in studies on Korean society and culture as well as on East Asian mortuary practices. By approaching its topic from a variety of disciplines and extending its historical reach to cover both premodern and modern Korea, it is an important resource for scholars and students in a variety of fields.

A new, multifaceted look at Korean women during a period of strong Confucian ideology.This volume offers a fresh, multifaceted exploration of women and Confucianism in mid- to late-Chosoán Korea (mid-sixteenth to early twentieth century). Using primary sources and perspectives from social history, intellectual history, literature, and political thought, contributors challenge unitary views of Confucianism as a system of thought, of women as a group, and of the relationship between the two.Much earlier scholarship has focused on how women were oppressed under the strict patriarchal systems that emerged as Confucianism became the dominant social ideology during the Chosoán dynasty (1392–1910). Contributors to this volume bring to light the varied ways that diverse women actually lived during this era, from elite yangban women to women who were enslaved. Women are shown to have used various strategies to seek status, economic rights, and more comfortable spaces, with some women even emerging as Confucian intellectuals and exemplars.

This anthology is an exciting new collection of Korean fiction in translation from the early years of the twentieth century that demonstrate the political and ideological divides that Koreans experienced during this time.

This anthology is an exciting new collection of Korean fiction in translation from the early years of the twentieth century that demonstrate the political and ideological divides that Koreans experienced during this time.