Michael Lackner – författare

Like artists, important writers defy unequivocal interpretations. Gao Xingjian, winner of the Nobel Prize in literature, is a cosmopolitan writer, deeply rooted in the Chinese past while influenced by paragons of Western Modernity. The present volume is less interested in a general discussion on the multitude of aspects in Gao's works and even less in controversies concerning their aesthetic value than in obtaining a response to the crucial issues of freedom and fate from a clearly defined angle. The very nature of the answer to the question of freedom and fate within Gao Xingjian's works can be called a polyphonic one: there are affirmative as well as skeptical voices. But polyphony, as embodied by Gao, is an even more multifaceted phenomenon. Most important for our contention is the fact that Gao Xingjian's aesthetic experience embodies prose, theater, painting, and film. Taken together, they form a Gesamtkunstwerk whose diversity of voices characterizes every single one of them.

Like artists, important writers defy unequivocal interpretations. Gao Xingjian, winner of the Nobel Prize in literature, is a cosmopolitan writer, deeply rooted in the Chinese past while influenced by paragons of Western Modernity. The present volume is less interested in a general discussion on the multitude of aspects in Gao''s works and even less in controversies concerning their aesthetic value than in obtaining a response to the crucial issues of freedom and fate from a clearly defined angle. The very nature of the answer to the question of freedom and fate within Gao Xingjian''s works can be called a polyphonic one: there are affirmative as well as skeptical voices. But polyphony, as embodied by Gao, is an even more multifaceted phenomenon. Most important for our contention is the fact that Gao Xingjian''s aesthetic experience embodies prose, theater, painting, and film. Taken together, they form a Gesamtkunstwerk whose diversity of voices characterizes every single one of them.

Like artists, important writers defy unequivocal interpretations. Gao Xingjian, winner of the Nobel Prize in literature, is a cosmopolitan writer, deeply rooted in the Chinese past while influenced by paragons of Western Modernity. The present volume is less interested in a general discussion on the multitude of aspects in Gao''s works and even less in controversies concerning their aesthetic value than in obtaining a response to the crucial issues of freedom and fate from a clearly defined angle. The very nature of the answer to the question of freedom and fate within Gao Xingjian''s works can be called a polyphonic one: there are affirmative as well as skeptical voices. But polyphony, as embodied by Gao, is an even more multifaceted phenomenon. Most important for our contention is the fact that Gao Xingjian''s aesthetic experience embodies prose, theater, painting, and film. Taken together, they form a Gesamtkunstwerk whose diversity of voices characterizes every single one of them.

Chang Tsai (1020-1078) gab mit Cheng-meng, seiner enzyklopädisch angelegten Auseinandersetzung mit den kanonischen Schriften der alten chinesischen Tradition, einen entscheidenden Anstoß zur Begründung des Neokonfuzianismus. Sein Werk eignet sich in besonderem Maße, einen erhellenden, methodischen wie philosophischen Zugang zu den Grundlagen des klassischen chinesischen Weltbildes zu eröffnen.

Jack Benneth, a kilépett FBI-os Ecuadorban tengeti alkoholba fojtott életét, azonban egy telefonhívás mindent megváltoztat. A múltja kísérti: vissza kell térnie New Yorkba, hogy megoldjon egy 9/11-hez hasonló, - azonban ez esetben az egész országra kiterjedő – terrorsorozatból álló bűntényt. Zseniális elkövetők, még briliánsabb nyomozókkal vívják macska-egér harcukat. Nehéz eldönteni, hogy mik a terroristák mozgatórugói. Az azonban biztos, hogy az államot ez nem döntheti romba, és gyorsan kell cselekedni, hisz egy régi terrorcselekmény árnyéka nem kerülhet újból a felszínre.

Coping with the Future: Theories and Practices of Divination in East Asia offers insights into various techniques of divination, their evolution, and their assessment. The contributions cover the period from the earliest documents on East Asian mantic arts to their appearance in the present time. The volume reflects the pervasive manifestations of divination in literature, religious and political life, and their relevance for society and individuals. Special emphasis is placed on cross-cultural influences and attempts to find theoretical foundations for divinatory practices. This edited volume is an initiative to study the phenomena of divination across East Asian cultures and beyond. It is also one of the first attempts to theorize divinatory practices through East Asian traditions.

The essays collected in Fate and Prognostication in the Chinese Literary Imagination deal with the philosophical, psychological, gender and cultural issues in the Chinese conception of fate as represented in literary texts and films, with a focus placed on human efforts to solve the riddles of fate prediction. Viewed in this light, the collected essays unfold a meandering landscape of the popular imaginary in Chinese beliefs and customs.The chapters in this book represent concerted efforts in research originated from a project conducted at the International Consortium for Research in the Humanities at the Friedrich-Alexander-University Erlangen-Nuremberg, Germany.Contributors are Michael Lackner, Kwok-kan Tam, Monika Gaenssbauer, Terry Siu-han Yip, Xie Qun, Roland Altenburger, Jessica Tsui-yan Li, Kaby Wing-Sze Kung, Nicoletta Pesaro, Yan Xu-Lackner, and Anna Wing Bo Tso.

This is the first comprehensive book that presents the manifold aspects of divination and prognostication in traditional and modern China, from the early period of oracle bones to present-day fortune-tellers. It introduces what is out there in the field of Chinese divination and prognostication, and how we can further explore it especially through different disciplines. Eminent specialists outline the classifications of divination, recently excavated texts, the relationship between practitioners and clients, the place of the “occult” arts in cosmology, literature and religion, and the bureaucratic system. Contributors are: Constance Cook, Richard J. Smith, Marc Kalinowski, Stephen R. Bokenkamp, Lü Lingfeng, Liao Hsien-huei, Philip Clart, Fabrizio Pregadio, Esther-Maria Guggenmos, Andrew Schonebaum, and Stéphanie Homola.