Michael Friedrich – författare

Composite and multiple-text manuscripts are traditionally studied for their individual texts, but recent trends in codicology have paved the way for a more comprehensive approach: Manuscripts are unique artefacts which reveal how they were produced and used as physical objects. While multiple-text manuscripts codicologically are to be considered as production units, i.e. they were originally planned and realized in order to carry more than one text, composites consist of formerly independent codicological units and were put together at a later stage with intentions that might be completely different from those of its original parts. Both sub-types of manuscripts are still sometimes called "miscellanies", a term relating to the texts only. The codicological difference is important for reconstructing why and how these manuscripts which in many cases resemble (or contain) a small library were produced and used. Contributions on the manuscript cultures of China, India, Africa, the Islamic world and European traditions lead not only to the conclusion that "one-volume libraries" have been produced in many manuscript cultures, but allow also for the identification of certain types of uses.

Archives are considered to be collections of administrative, legal, commercial and other records or the actual place where they are located. They have become ubiquitous in the modern world, but emerged not much later than the invention of writing. Following Foucault, who first used the word archive in a metaphorical sense as "the general system of the formation and transformation of statements" in his "Archaeology of Knowledge" (1969), postmodern theorists have tried to exploit the potential of this concept and initiated the "archival turn". In recent years, however, archives have attracted the attention of anthropologists and historians of different denominations regarding them as historical objects and "grounding" them again in real institutions. The papers in this volume explore the complex topic of the archive in a historical, systematic and comparative context and view it in the broader context of manuscript cultures by addressing questions like how, by whom and for which purpose were archival records produced, and if they differ from literary manuscripts regarding materials, formats, and producers (scribes).

Fakes and forgeries are objects of fascination. This volume contains a series of thirteen articles devoted to fakes and forgeries of written artefacts from the beginnings of writing in Mesopotamia to modern China. The studies emphasise the subtle distinctions conveyed by an established vocabulary relating to the reproduction of ancient artefacts and production of artefacts claiming to be ancient: from copies, replicas and imitations to fakes and forgeries. Fakes are often a response to a demand from the public or scholarly milieu, or even both. The motives behind their production may be economic, political, religious or personal – aspiring to fame or simply playing a joke. Fakes may be revealed by combining the study of their contents, codicological, epigraphic and palaeographic analyses, and scientific investigations. However, certain famous unsolved cases still continue to defy technology today, no matter how advanced it is. Nowadays, one can find fakes in museums and private collections alike; they abound on the antique market, mixed with real artefacts that have often been looted. The scientific community’s attitude to such objects calls for ethical reflection.

The case studies presented in this volume help illuminate the rationale for the founding of libraries in an age when books were handwritten, thus contributing to the comparative history of libraries. They focus on examples ranging from the seventh to the seventeenth century emanating from the Muslim World, East Asia, Byzantium and Western Europe. Accumulation and preservation are the key motivations for the development of libraries. Rulers, scholars and men of religion were clearly dedicated to collecting books and sought to protect these fragile objects against the various hazards that threatened their survival. Many of these treasured books are long gone, but there remain hosts of evidence enabling one to reconstruct the collections to which they belonged, found in ancient buildings, literary accounts, archival documentation and, most crucially, catalogues. With such material at hand or, in some cases, the manuscripts of a certain library which have come down to us, it is possible to reflect on the nature of these libraries of the past, the interests of their owners, and their role in the intellectual history of the manuscript age.

The present volume contains twelve chapters authored by specialists of Asian, African and European manuscript cultures reflecting on the cohesion of written artefacts, particularly manuscripts. Assuming that ‘codicological units’ exist in every manuscript culture and that they are usually composed of discrete elements (such as clay tablets, papyrus sheets, bamboo slips, parchment bifolios, palm leaves), the issue of the cohesion of the constituents is a general one. The volume presents a series of case studies on devices and strategies adopted to achieve this cohesion by manuscript cultures distant in space (from China to West Africa) and time (from the third millennium bce to the present). This comparative view provides the frame for the understanding of a phenomenon that appears to be of essential importance for the study of the structure of written artefacts. Regardless of the way in which cohesion is realised, all strategies and devices that allow the constituents to be kept together are subsumed under the term ‘binding’. Thus, it is possible to highlight similarities, convergences, and unique physical and technical methods adopted by various manuscript cultures to face a common challenge.

Written artefacts are traditionally studied because of their content. Material aspects of these artefacts enrich the study of ancient history in many ways. Eleven case studies in five sections on the ancient world, including the Near East, Egypt, the Mediterranean, China and India, demonstrate the impact of a holistic approach that considers materiality and content alike.Following an introductory sketch of relevant research, the first section, ‘Methodological Considerations’, critically examines the limitations the evidence available imposes on our understanding. ‘Early Uses of Writing’ addresses material and spatial aspects of inscriptions, and their communicative functions over the textual ones. The third section, ‘Material Features’, deals with clay, wooden and papyrus manuscripts and demonstrates the importance of an integrated approach. The contributions to ‘Co-presence of Written Artefacts’ take into account that written artefacts come in clusters. The final section, ‘Cultural Encounters’, presents studies on the interactions between social strata and ethnic groups, challenging previous ideas.The volume contributes to the comparative study of written artefacts in ancient history, stimulating cross-disciplinary and -cultural research.

Ancient cultures are studied through literary sources and artefacts, both of which are limited and often contradictory. Scholarly traditions often privilege one type of evidence over the other, depending on their research questions and the stories they want to tell. As a result, our understanding of the past may be shaped by bias. New archaeological discoveries force historians to rethink their views of the past. Missing evidence, though difficult to identify, can lead to educated guesses and a re-evaluation of previous ideas. However, over-reliance on a single dataset leads to the risk of overlooking important perspectives. While scholars have developed methods for dealing with insufficient data, methodological reflection on the subject is rare.This volume presents case studies from ancient civilisations that explore how different types of missing evidence (e.g. missing, contradictory or neglected evidence) affect our perceptions of ancient cultures and shape the narratives we provide. Covering Southwest Asia, China, India, Greece, Etruria, early Christianity, Mesoamerica and Central Asian Buddhism, it invites scholars to compare the situation in their own fields to the state-of-the-art in others.

This book has been edited by two of the best known experts in the field of breast diseases. It was in 1975 that MICHAEL FRIEDRICH, Professor of Radiology at the Free University of Berlin, commenced his efforts to develop and improve mammography so as to allow the early diagnosis of breast cancer. The outstanding results that he has achieved have led to awards from the German Radiological Society (the Hermann-Holthusen-Ring) and the Medical High School, Hannover (the Johann-Georg-Zimmermann Prize). EDWARD ALLEN SICKLES, Professor of Radiology and Chief of the Breast Imaging Section at the University of California San Francisco, has since 1976 devoted much effort to comparison of the different methods of diagnostic radiology of the breast, including ultrasonography and magnetic resonance imaging. He has received many distinctions and important awards in recognition of his studies. Professor Sickles is one of the leading radiologists in this field of research in the United States, and is well known all over the world.