Michael Lawrence - Böcker

DISCO! Music, Image, Dance takes an interdisciplinary approach to exploring disco's untold stories--sonic, visual, and kinetic--from its popular heyday to its many afterlives. The book attests to disco's irrepressibility in cultural practices from the 1970s to the 2020s, tracing its histories and instantiations as these traverse geographies, affects, and memories, and exploring the reaches of disco as an expansive field of music, image, and dance. Illustrating how disco shows up in multiple and surprising ways across its times and spaces, chapters track the ubiquity of disco not only in relation to music and nightlife but also fashion, film, literature, poetry, dance, performance art, digital media, museums, exercise, activism, and community. DISCO! offers an expanded and necessarily ambivalent view of the value of disco-its embrace of both the ridiculous and the sublime, and its involvement in both progressive and reactionary social tendencies. Stretching disco studies towards a more capacious logic of valuation, contributors reveal disco to be as frivolous as it is urgent, as fanciful as it is (under)grounded, as much to do with oppression as liberation. DISCO! attests to the undisciplined and inclusive attention which disco, as a tentacular global cultural phenomenon, duly deserves and requires.

DISCO! Music, Image, Dance takes an interdisciplinary approach to exploring disco's untold stories--sonic, visual, and kinetic--from its popular heyday to its many afterlives. The book attests to disco's irrepressibility in cultural practices from the 1970s to the 2020s, tracing its histories and instantiations as these traverse geographies, affects, and memories, and exploring the reaches of disco as an expansive field of music, image, and dance. Illustrating how disco shows up in multiple and surprising ways across its times and spaces, chapters track the ubiquity of disco not only in relation to music and nightlife but also fashion, film, literature, poetry, dance, performance art, digital media, museums, exercise, activism, and community. DISCO! offers an expanded and necessarily ambivalent view of the value of disco-its embrace of both the ridiculous and the sublime, and its involvement in both progressive and reactionary social tendencies. Stretching disco studies towards a more capacious logic of valuation, contributors reveal disco to be as frivolous as it is urgent, as fanciful as it is (under)grounded, as much to do with oppression as liberation. DISCO! attests to the undisciplined and inclusive attention which disco, as a tentacular global cultural phenomenon, duly deserves and requires.

Constitutional law is one of the most engaging and yet challenging first year law classes. At the confluence of history, politics, legal theory, and judicial review, it requires students to learn a new framework for legal interpretation and thought unique from other areas of law.For the first time, Oxford University Press equips students with an accessible guide to acing these challenging constitutional law exams. In Constitutional Law: Model Problems and Outstanding Answers, Kevin Saunders and Michael Lawrence help students demonstrate their knowledge of constitutional law in the structured and sophisticated manner that professors expect on law school exams. The book provides clear introductions on the fundamental topics in constitutional law, provides hypotheticals similar to those that students can expect to see on an exam, including multi-issue questions, and offers model answers to those hypotheticals. Professors Saunders and Lawrence then also coach students in how to evaluate their own work with a comprehensive self-analysis section. Constitutional Law: Model Problems and Outstanding Answers prepares students by challenging them to use the law they learn in class while also explaining the best way to express sophisticated answers on law school exams. Model Problems and Outstanding Answers is an innovative new series by Oxford University Press. Featuring topical introductions and clear fact patterns, each book contains exercises designed to help students develop methods to craft organized, relevant, and thoughtful responses to exam-style questions. These exercises show the student how to think like a lawyer. By guiding students to the most appropriate ways to apply their knowledge to new facts, the series offers meaningful and significant preparation for law school exams and bar-exam essays. Current titles in the series include Federal Income Taxation, Civil Procedure, and Criminal Law.

Artist Michael Lawrence and The Doors singer Jim Morrison met at UCLA, California. This coming-of-age memoir stretches from Michael's magical childhood in Fellini's Rome, where visitors to his home included Humphrey Bogart, Errol Flynn and Laurence Olivier, to teenage life in Venice, LA with Jim and then to Europe and Afghanistan by way of an enlightening encounter with Paul Bowles in Tangier. Whilst Jim's road was cut short far too early, Michael was to become an artist with a long road of success ahead of him - always with Jim at his shoulder. "These are some of our salad days, when we sat in the front seat of unfolding realities, our Venice LA and beyond. I too am Jim's fan and friend, who deeply cherishes these memories I am sharing with you. Jim's sweetness and mischievous promptings...his gracefulness, his poetic avant garde nature, his writings." Michael Lawrence, 2016 Michael Lawrence was born in Los Angeles in 1943, the son of Hollywood character actor Marc Lawrence and screenwriter, poet and novelist Fanya Foss. After he was awarded the Huntington Hartford Fellowship, his life's pursuits were set as an artist and a writer.Roy Lichtenstein described his artwork as "vibrant, joyous and colourful".His fine, poetic words and funny stories are destined to become equally so, in this coming of age tale like no other. "The guys from your UCLA days sent me your way, claiming your memories and stories of Jim are among the most important" Jerry Hopkins (Co-author of the Jim Morrison biography No One Here Gets Out Alive) "You have poems inside your head and you have learned to explode them with firecracker tubes of paint" Ray Bradbury "Here is a wealth of impressions! People, places and events, famous and personal, sit side by side in curious metaphors that softly draw the reader into meditation." Timothy Leary "This book is a genuine trip, a joyous, inspiring tour of the 60s." Daniel Klein, author of Travels With Epicurus LONGLISTED, THE UK PEOPLE'S BOOK PRIZE FOR NON-FICTION 2017

This newly updated third edition of The Audio Expert offers a comprehensive reference book that covers all aspects of audio. The book includes both practical and theoretical explanations, using common sense plain-English explanations and mechanical analogies, with minimal math.Written for people who want to understand audio at a technical level without needing an engineering degree, it uses an easy-to-read conversational tone as well as more than 400 figures and photos to augment the printed text. Thoroughly revised, the third edition includes updated terminology for clarity and accuracy, refreshed topics that reflect modern workflows, practices and research, and new sections covering topics such as audio myth-busting. Bringing together the concepts of audio, aural perception, musical instrument physics, acoustics, and basic electronics to demonstrate how they’re intimately related, this book describes in detail many of the practices and techniques used by recording and mixing engineers.The Audio Expert is the ideal resource for intermediate to advanced sound engineers and audiophiles who want to become experts, as well as offering plenty for beginners too.

This newly updated third edition of The Audio Expert offers a comprehensive reference book that covers all aspects of audio. The book includes both practical and theoretical explanations, using common sense plain-English explanations and mechanical analogies, with minimal math.Written for people who want to understand audio at a technical level without needing an engineering degree, it uses an easy-to-read conversational tone as well as more than 400 figures and photos to augment the printed text. Thoroughly revised, the third edition includes updated terminology for clarity and accuracy, refreshed topics that reflect modern workflows, practices and research, and new sections covering topics such as audio myth-busting. Bringing together the concepts of audio, aural perception, musical instrument physics, acoustics, and basic electronics to demonstrate how they’re intimately related, this book describes in detail many of the practices and techniques used by recording and mixing engineers.The Audio Expert is the ideal resource for intermediate to advanced sound engineers and audiophiles who want to become experts, as well as offering plenty for beginners too.

The Zoo and Screen Media: Images of Exhibition and Encounter provides a new map of twentieth-century human-animal relations by exploring how the zoo, that modern apparatus for presenting living animals to human audiences, has itself been represented across a diverse range of moving image media.

Capitol Hill Baptist Church associate pastor Michael Lawrence contributes to the IXMarks series as he centers on the practical importance of biblical theology to ministry. He begins with an examination of a pastor's tools of the trade: exegesis and biblical and systematic theology. The book distinguishes between the power of narrative in biblical theology and the power of application in systematic theology, but also emphasizes the importance of their collaboration in ministry.Having laid the foundation for pastoral ministry, Lawrence uses the three tools to build a biblical theology, telling the entire story of the Bible from five different angles. He puts biblical theology to work in four areas: counseling, missions, caring for the poor, and church/state relations. Rich in application and practical insight, this book will equip pastors and church leaders to think, preach, and do ministry through the framework of biblical theology.

"A tremendous resource for those wanting to study and teach the Bible with an understanding of how the gospel is woven throughout Scripture." —Bryan Chapell, Pastor, Grace Presbyterian ChurchThe Knowing the Bible series is a resource designed to help Bible readers better understand and apply God’s Word.These 12-week studies lead participants through books of the Bible and are made up of four basic components: (1) reflection questions help readers engage the text at a deeper level; (2) “Gospel Glimpses” highlight the gospel of grace throughout the book; (3) “Whole-Bible Connections” show how any given passage connects to the Bible’s overarching story of redemption, culminating in Christ; and (4) “Theological Soundings” identify how historic orthodox doctrines are taught or reinforced throughout Scripture.With contributions from an array of influential pastors and church leaders, these gospel-centered studies will help Christians see and cherish the message of God’s grace on every page of the Bible.

How Does Understanding Conversion Shape Ministry?The way a church operates says a lot about how they believe people are saved. When a church truly embraces the Bible's teaching on conversion, they will call people to repentance and faith—not just one-time decisions, therapeutic healings, or moral lifestyles. This short book was written to help churches rightly understand the difference that a biblical doctrine of conversion should make for teaching, evangelism, discipling, membership, and every other facet of the life of a local church. Part of the 9Marks Building Healthy Churches series.   Shows the relationship between our doctrine of conversion and practice of ministry in the local churchPart of the 9Marks: Building Healthy Churches series, which expands on Mark Dever’s best-selling book Nine Marks of a Healthy Church Useful for small groups or individual study

Programming Graphical User Interfaces with R introduces each of the major R packages for GUI programming: RGtk2, qtbase, Tcl/Tk, and gWidgets. With examples woven through the text as well as stand-alone demonstrations of simple yet reasonably complete applications, the book features topics especially relevant to statisticians who aim to provide a practical interface to functionality implemented in R. The book offers: A how-to guide for developing GUIs within RThe fundamentals for users with limited knowledge of programming within R and other languagesGUI design for specific functions or as learning toolsThe accompanying package, ProgGUIinR, includes the complete code for all examples as well as functions for browsing the examples from the respective chapters. Accessible to seasoned, novice, and occasional R users, this book shows that for many purposes, adding a graphical interface to one’s work is not terribly sophisticated or time consuming.

Tracks & Signs of the Birds of Britain and Europe contains a wealth of fascinating material for any field naturalist. This unique guide enables the reader to find, interpret and understand field marks left by a variety of birds throughout Britain and Europe, and to use these to identify the species in question. It covers subjects including tracks and trails, feeding and other behavioural signs, nests, pellets, droppings, feathers and skulls, habitat types and field analysis methods. All European bird families are featured, with numerous individual species being described in detail.Fully revised and updated, this third edition contains a great deal of new material, including 19 new colour plates and hundreds of new photographs, line drawings and diagrams. Tracks & Signs of the Birds of Britain and Europe is an indispensable addition to any feather-finder or track-watcher’s backpack – the ultimate resource for anyone wanting to identify a bird species from the sometimes subtle clues they leave behind.

This collection interrogates the representation of humanitarian crisis, catastrophe and care. Contributors explore the refraction of humanitarian intervention from the mid-twentieth century to the present across a diverse range of media forms, including screen media (film, television and online video), newspapers, memoirs, music festivals and social media platforms (notably Facebook, YouTube and Flickr). Examining the historical, cultural and political contexts that have shaped the mediation of humanitarian relationships since the middle of the twentieth century, the book reveals significant synergies between the humanitarian enterprise – the endeavour to alleviate the suffering of particular groups – and its media representations, particularly in their modes of addressing and appealing to specific publics.An electronic edition of this book is freely available under a Creative Commons (CC BY-NC-ND) licence.

The classic laugh-out-loud horror that inspired the hit BBC series Young Dracula, in an gloriously illustrated hi-lo format. Before Count Dracula became one of the greatest, most feared vampires of all time, he was just a young boy called Wilfred who didn't really feel like he belonged anywhere. But Wilfred's dad, the old Count, doesn't think his son is up to the task of being a great vampire! Can Wilfred show his father what he's really made of? Particularly suitable for readers aged 7+ with a reading age of 7.

The first Indian to become an international film star, Sabu rose to fame as a child actor in Elephant Boy (1937), and subsequently appeared in a succession of British pictures before relocating to Hollywood, where he died in 1963. Repeatedly cast in orientalist extravaganzas and jungle thrillers, he was associated with the 'exotic' and the 'primitive' in ways that reflected contemporary attitudes towards India and 'the East' more generally. In this captivating study, Michael Lawrence explores the historical, political, cultural contexts of Sabu's popularity as a star, and considers the technological and industrial shifts that shaped his career – from the emergence of Technicolor in the late 1930s to the breakdown of the studio system in the 1950s. Attending to the detail of Sabu's distinctively physical performances, Lawrence shows how his agency as an actor enabled him to endure, exceed and exploit his unique star image.

Indian Film Stars offers original insights and important reappraisals of film stardom in India from the early talkie era of the 1930s to the contemporary period of global blockbusters. The collection represents a substantial intervention to our understanding of the development of film star cultures in India during the 20th and 21st centuries. The contributors seek to inspire and inform further inquiries into the histories of film stardom—the industrial construction and promotion of star personalities, the actual labouring and imagined lifestyles of professional stars, the stars’ relationship to specific aesthetic cinematic conventions (such as frontality and song-dance) and production technologies (such as the play-back system and post-synchronization), and audiences’ investment in and devotion to specific star bodies—across the country’s multiple centres of film production and across the overlapping (and increasingly international) zones of the films’ distribution and reception. The star images, star bodies and star careers discussed are examined in relation to a wide range of issues, including the negotiation and contestation of tradition and modernity, the embodiment and articulation of both Indian and non-Indian values and vogues; the representation of gender and sexuality, of race and ethnicity, and of cosmopolitan mobility and transnational migration; innovations and conventions in performance style; the construction and transformation of public persona; the star’s association with film studios and the mainstream media; the star’s relationship with historical, political and cultural change and memory; and the star’s meaning and value for specific (including marginalised) sectors of the audience.

Indian Film Stars offers original insights and important reappraisals of film stardom in India from the early talkie era of the 1930s to the contemporary period of global blockbusters. The collection represents a substantial intervention to our understanding of the development of film star cultures in India during the 20th and 21st centuries. The contributors seek to inspire and inform further inquiries into the histories of film stardom—the industrial construction and promotion of star personalities, the actual labouring and imagined lifestyles of professional stars, the stars’ relationship to specific aesthetic cinematic conventions (such as frontality and song-dance) and production technologies (such as the play-back system and post-synchronization), and audiences’ investment in and devotion to specific star bodies—across the country’s multiple centres of film production and across the overlapping (and increasingly international) zones of the films’ distribution and reception. The star images, star bodies and star careers discussed are examined in relation to a wide range of issues, including the negotiation and contestation of tradition and modernity, the embodiment and articulation of both Indian and non-Indian values and vogues; the representation of gender and sexuality, of race and ethnicity, and of cosmopolitan mobility and transnational migration; innovations and conventions in performance style; the construction and transformation of public persona; the star’s association with film studios and the mainstream media; the star’s relationship with historical, political and cultural change and memory; and the star’s meaning and value for specific (including marginalised) sectors of the audience.

From the proto-cinematic sequencing of animal motion in the nineteenth century to the ubiquity of animal videos online, the histories of animal life and the moving image are enigmatically interlocked.Animal Life and the Moving Image is the first collection of essays to offer a sustained focus on the relations between screen cultures and non-human animals. The volume brings together some of the most important and influential writers working on the non-human animal's significance for cultures and theories of the moving image. It offers innovative analyses of the representation of animals across a wide range of documentary, fiction, mainstream and avant-garde practices, from early cinema to contemporaryuser-generated media. Individual chapters consider King Kong, The Birds, The Misfits, The Cove, Grizzly Man and Microcosmos, the work of Sergei Eisenstein, Robert Bresson, Malcolm Le Grice, Peter Greenaway, Carolee Schneemann and Isabella Rossellini, and YouTube stars Christian the lion and Maru the cat.

From the proto-cinematic sequencing of animal motion in the nineteenth century to the ubiquity of animal videos online, the histories of animal life and the moving image are enigmatically interlocked.Animal Life and the Moving Image is the first collection of essays to offer a sustained focus on the relations between screen cultures and non-human animals. The volume brings together some of the most important and influential writers working on the non-human animal's significance for cultures and theories of the moving image. It offers innovative analyses of the representation of animals across a wide range of documentary, fiction, mainstream and avant-garde practices, from early cinema to contemporaryuser-generated media. Individual chapters consider King Kong, The Birds, The Misfits, The Cove, Grizzly Man and Microcosmos, the work of Sergei Eisenstein, Robert Bresson, Malcolm Le Grice, Peter Greenaway, Carolee Schneemann and Isabella Rossellini, and YouTube stars Christian the lion and Maru the cat.

Midnight Oil are one of the most 'Australian' rock bands this country has produced. Born from the Australian pub rock scene that gave us AC/DC, Cold Chisel and INXS, the Oils were able to break out of that scene without compromising themselves in any way. Indeed, their breakthrough overseas record was the most Australian album they made. But it was not just the subject matter that made them fiercely Australian; it was their stubborn independence, and their refusal to play the rock'n'roll game and respect its rules and masters. But more than any of this is the adrenalin rush of an Oils show. Performances so intense that witnesses swore they had seen the greatest Oils gig ever! Such was the belief that something so powerful could surely not take place regularly. When they took this overseas, audiences could often not understand a word they were saying, but musically they recognised a common language: powerful, unadulterated live performances. There is no band whose live shows are spoken of with the same awe as the Oils.

We are creating society.Creating Schools reminds us that while we argue about reading and instruction styles, the teaching profession is being strangled, and students (and teachers!) in record numbers are feeling alienated from education. The implications of this play out in crime, violence and an inestimable cost to society.How we treat and support our teachers in the education system becomes the lens through which our students receive and view education, and then the lens through which they view the world outside of education. It can be characterised by trust, innovation, creativity, autonomy, critical thinking, collaboration and inspiration or blighted by excessive compliance, control, dependency, micromanaging, standardization, meaningless competition, arbitrary ranking and superficial judgement.We are creating society.If education leaders do not create change in the best interests of students and the profession, then we risk more than lowered education standards and reputations. The time to act is now.