Michael Löwy - Böcker

Revolutionary critic of the philosophy of progress, nostalgic of the past yet dreaming of the future, romantic partisan of materialism - Walter Benjamin is in every sense of the word an "unclassifiable" philosopher. His essay "On the Concept of History" was written in a state of urgency, as he attempted to escape the Gestapo in 1940, before finally committing suicide. In this scrupulous, clear and fascinating examination of this essay, Michael Löwy argues that it remains one of the most important philosophical and political writings of the twentieth century. Looking in detail at Benjamin's celebrated but often mysterious text, and restoring the philosophical, theological and political context, Löwy highlights the complex relationship between redemption and revolution in Benjamin's philosophy of history.

An expanded edition of revered theorist Michael LÖwy's Morning Star: Marxism and Surrealism (previously published in French, Portuguese, Spanish, Italian, and Greek), this masterwork collects the author's essays on the ways in which surrealism intersected with a variety of revolutionary political approaches, ranging from utopian ideals to Marxism and situationism. Taking its title from AndrÉ Breton's essay "Arcane 17," which casts the star as the searing firebrand of rebellion, LÖwy's provocative work spans many perspectives. These include surrealist artists who were deeply interested in Marxism and anarchism (Breton among them), as well as Marxists who were deeply interested in surrealism (Walter Benjamin in particular). Probing the dialectics of innovation, diversity, continuity, and unity throughout surrealism's international presence, Morning Star also incorporates analyses of Claude Cahun, Guy Debord, Pierre Naville, JosÉ Carlos MariÁtegui and others, accompanied by numerous reproductions of surrealist art. An extraordinarily rich collection, Morning Star promises to ignite new dialogues regarding the very nature of dissent.

Romantic Anti-capitalism and Nature examines the deep connections between the romantic rebellion against modernity and ecological concern with modern threats to nature. The chapters deal with expressions of romantic culture from a wide variety of different areas: travel writing, painting, utopian vision, cultural studies, political philosophy, and activist socio-political writing. The authors discuss a highly diverse group of figures - William Bartram, Thomas Cole, William Morris, Walter Benjamin, Raymond Williams, and Naomi Klein - from the late eighteenth to the early twenty-first century. They are rooted individually in English, American, and German cultures, but share a common perspective: the romantic protest against modern bourgeois civilisation and its destruction of the natural environment.Although a rich ecocritical literature has developed since the 1990s, particularly in the United States and Britain, that addresses many aspects of ecology and its intersection with romanticism, they almost exclusively focus on literature, and define romanticism as a limited literary period of the late eighteenth and early nineteenth centuries. This study is one of the first to suggest a much broader view of the romantic relation to ecological discourse and representation, covering a range of cultural creations and viewing romanticism as a cultural critique, or protest against capitalist-industrialist modernity in the name of past, pre-modern, or pre-capitalist values.This book will be of great interest to students and scholars of ecology, romanticism, and the history of capitalism.

Building on the classical works that have propelled and shaped ecosocialist thinking and action and more recent political developments on the ground, the volume will provide a reference point for international work in the field, both directly political and academic.The Handbook acquaints readers with the varied roots of and sometimes conflicting approaches to ecosocialism. It does not attempt any unification of ecosocialist currents. Rather, it aims to provide a resource that is as comprehensive as possible with respect not only to theorization and ideological framing, but also and especially to existing projects, practices, and movements and giving a sense of the geographical reach that ecosocialism so far represents. This includes scholarship that extends Marxist foundations and reflects on more recent political developments. The theoretical and practice-oriented moorings are buttressed by discussions on movements, frameworks, and prefigurative processes as well as on social struggles occurring within institutional settings. Together, the collection offers a reference point for international work in the field, in social movements, and in institutional transformations.Providing detailed but accessible overviews of the complex, varied dimensions of ecosocialism, the Handbook is an essential up-to-date guide and reference not only for researchers, but also for undergraduate and graduate students in geography, environmental studies, development studies, sociology, and political science, as well as for policymakers and activists.

In this seminal exploration of Che Guevara's contributions to Marxist thinking, Michael Löwy traces Che's ideas about Marxism both as they related to Latin America and to more general philosophical, political, and economic issues. Now revised and updated, this edition includes a chapter on Guevara's search for a new paradigm of socialism and a substantive essay by Peter McLaren on Che's continued relevance today. Löwy portrays Guevara as a revolutionary humanist who considered all political questions from an internationalist viewpoint. For him, revolutionary movements in Latin America were part of a world process of emancipation. Löwy considers especially Che's views on the contradiction between socialist planning and the law of value in the Cuban economy and his search for an alternative road to the "actually existing socialism" of the Stalinist and post-Stalinist Soviet bloc. Che's varied occupations—doctor and economist, revolutionary and banker, agitator and ambassador, industrial organizer and guerrilla fighter—were expressions of a deep commitment to social change. This book eloquently captures his views on humanity, his contributions to the theory of revolutionary warfare, and his ideas about society's transition to socialism, offering a cohesive, nuanced introduction to the range of Guevara's thought.

In this seminal exploration of Che Guevara's contributions to Marxist thinking, Michael Löwy traces Che's ideas about Marxism both as they related to Latin America and to more general philosophical, political, and economic issues. Now revised and updated, this edition includes a chapter on Guevara's search for a new paradigm of socialism and a substantive essay by Peter McLaren on Che's continued relevance today. Löwy portrays Guevara as a revolutionary humanist who considered all political questions from an internationalist viewpoint. For him, revolutionary movements in Latin America were part of a world process of emancipation. Löwy considers especially Che's views on the contradiction between socialist planning and the law of value in the Cuban economy and his search for an alternative road to the "actually existing socialism" of the Stalinist and post-Stalinist Soviet bloc. Che's varied occupations—doctor and economist, revolutionary and banker, agitator and ambassador, industrial organizer and guerrilla fighter—were expressions of a deep commitment to social change. This book eloquently captures his views on humanity, his contributions to the theory of revolutionary warfare, and his ideas about society's transition to socialism, offering a cohesive, nuanced introduction to the range of Guevara's thought.

Romanticism is a worldview that finds expression over a whole range of cultural fields-not only in literature and art but in philosophy, theology, political theory, and social movements. In Romanticism Against the Tide of Modernity Michael LÖwy and Robert Sayre formulate a theory that defines romanticism as a cultural protest against modern bourgeois industrial civilization and work to reveal the unity that underlies the extraordinary diversity of romanticism from the eighteenth to the twenty-first century. After critiquing previous conceptions of romanticism and discussing its first European manifestations, LÖwy and Sayre propose a typology of the sociopolitical positions held by romantic writers-from “restitutionist” to various revolutionary/utopian forms. In subsequent chapters, they give extended treatment to writers as diverse as Coleridge and Ruskin, Charles Peguy, Ernst Bloch and Christa Wolf. Among other topics, they discuss the complex relationship between Marxism and romanticism before closing with a reflection on more contemporary manifestations of romanticism (for example, surrealism, the events of May 1968, and the ecological movement) as well as its future.Students and scholars of literature, humanities, social sciences, and cultural studies will be interested in this elegant and thoroughly original book.

Romantic Anti-capitalism and Nature examines the deep connections between the romantic rebellion against modernity and ecological concern with modern threats to nature. The chapters deal with expressions of romantic culture from a wide variety of different areas: travel writing, painting, utopian vision, cultural studies, political philosophy, and activist socio-political writing. The authors discuss a highly diverse group of figures - William Bartram, Thomas Cole, William Morris, Walter Benjamin, Raymond Williams, and Naomi Klein - from the late eighteenth to the early twenty-first century. They are rooted individually in English, American, and German cultures, but share a common perspective: the romantic protest against modern bourgeois civilisation and its destruction of the natural environment.Although a rich ecocritical literature has developed since the 1990s, particularly in the United States and Britain, that addresses many aspects of ecology and its intersection with romanticism, they almost exclusively focus on literature, and define romanticism as a limited literary period of the late eighteenth and early nineteenth centuries. This study is one of the first to suggest a much broader view of the romantic relation to ecological discourse and representation, covering a range of cultural creations and viewing romanticism as a cultural critique, or protest against capitalist-industrialist modernity in the name of past, pre-modern, or pre-capitalist values.This book will be of great interest to students and scholars of ecology, romanticism, and the history of capitalism.

Building on the classical works that have propelled and shaped ecosocialist thinking and action and more recent political developments on the ground, the volume will provide a reference point for international work in the field, both directly political and academic.The Handbook acquaints readers with the varied roots of and sometimes conflicting approaches to ecosocialism. It does not attempt any unification of ecosocialist currents. Rather, it aims to provide a resource that is as comprehensive as possible with respect not only to theorization and ideological framing, but also and especially to existing projects, practices, and movements and giving a sense of the geographical reach that ecosocialism so far represents. This includes scholarship that extends Marxist foundations and reflects on more recent political developments. The theoretical and practice-oriented moorings are buttressed by discussions on movements, frameworks, and prefigurative processes as well as on social struggles occurring within institutional settings. Together, the collection offers a reference point for international work in the field, in social movements, and in institutional transformations.Providing detailed but accessible overviews of the complex, varied dimensions of ecosocialism, the Handbook is an essential up-to-date guide and reference not only for researchers, but also for undergraduate and graduate students in geography, environmental studies, development studies, sociology, and political science, as well as for policymakers and activists.

Winner of the 2020 European Walter Benjamin Prize, The Revolution is the Emergency Break is a rich discussion of Walter Benjamin’s lesser-known writings by renowned social scientist Michael Löwy. Translated into several languages but available in English for the very first time, Löwy’s book brings together the philosophical, literary, theological and cultural aspects of Benjamin’s writings, including his relation to figures such as Gershom Scholem and Franz Rosenzweig, his interpretation of historical materialism, surrealism, anti-fascism and anarchism, his contribution to understanding capitalism as a religion, and his relevance for Latin America and ecology today. The concept of revolution in his writings – not only the political ones but also those that deal with art, literature or theology, run through the work, connecting the various chapters. The Revolution is the Emergency Break also features four new chapters in this collection. Written in a clear-eyed, accessible language, The Revolution is the Emergency Break is a must-read for researchers, teachers and students interested in the works of this influential German intellectual.

Winner of the 2020 European Walter Benjamin Prize, The Revolution is the Emergency Break is a rich discussion of Walter Benjamin’s lesser-known writings by renowned social scientist Michael Löwy. Translated into several languages but available in English for the very first time, Löwy’s book brings together the philosophical, literary, theological and cultural aspects of Benjamin’s writings, including his relation to figures such as Gershom Scholem and Franz Rosenzweig, his interpretation of historical materialism, surrealism, anti-fascism and anarchism, his contribution to understanding capitalism as a religion, and his relevance for Latin America and ecology today. The concept of revolution in his writings – not only the political ones but also those that deal with art, literature or theology, run through the work, connecting the various chapters. The Revolution is the Emergency Break also features four new chapters in this collection. Written in a clear-eyed, accessible language, The Revolution is the Emergency Break is a must-read for researchers, teachers and students interested in the works of this influential German intellectual.

Towards the end of the nineteenth century, there appeared in Central Europe a generation of Jewish intellectuals whose work was to transform modern culture. Drawing at once on the traditions of German Romanticism and Jewish messianism, their thought was organized around the cabalistic idea of the "tikkoun": redemption. Redemption and Utopia uses the concept of "elective affinity" to explain the surprising community of spirit that existed between redemptive messianic religious thought and the wide variety of radical secular utopian beliefs held by this important group of intellectuals. The author outlines the circumstances that produced this unusual combination of religious and non-religious thought and illuminates the common assumptions that united such seemingly disparate figures as Martin Buber, Franz Kafka, Walter Benjamin and Georg Lukács.

The philosophical and political development that converted Georg Lukács from a distinguished representative of Central European aesthetic vitalism into a major Marxist theorist and Communist militant has long remained an enigma. In this this now classic study, Michael Löwy for the first time traced and explained the extraordinary mutation that occurred in Lukács's thought between 1909 and 1929. Utilizing many as yet unpublished sources, Löwy meticulously reconstructed the complex itinerary of Lukács's thinking as he gradually moved towards his decisive encounter with Bolshevism. The religious convictions of the early Lukács, the peculiar spell exercised on him and on Max Weber by Dostoyevskyan images of pre-revolutionary Russia, the nature of his friendships with Ernst Bloch and Thomas Mann, were amongst the discoveries of the book. Then, in a fascinating case-study in the sociology of ideas, Löwy showed how the same philosophical problematic of Lebensphilosophie dominated the intelligentsias of both Germany and Hungary in the pre-war period, yet how the different configurations of social forces in each country bent its political destiny into opposite directions. The famous works produced by Lukács during and after the Hungarian Commune-Tactics and Ethics, History and Class Consciousness and Lenin-were analysed and assessed. A concluding chapter discussed Lukács's eventual ambiguous settlement with Stalinism in the thirties, and its coda of renewed radicalism in the final years of his life.In this new edition, Löwy has added a substantial new introduction which reassess the nature of Lukács's thought in the light of newly published texts and debates.

The War of Gods traces the intimate relationship between religion, politics and social issues in Latin America over the last three decades, as liberation theology has reinterpreted the vocation of the Catholic Church and as Protestantism has made inroads on traditional Catholic strongholds.In the 1960s liberation theology addressed itself to the problems of a continent racked by poverty and oppression. Comprising a network of localized communities and pastoral organizations, it soon became something much more than a doctrinal current. Liberationist Christianity defined itself in a multitude of social struggles, particularly in Brazil and Central America. Many of the most momentous events in the continent's recent history-the Nicaraguan revolution, the development of the PT (Workers' Party) in Brazil, the tortuous ascent of President Aristide in Haiti and the uprising in Chiapas-have borne witness to the influence of a distinctive liberationist Christianity. Michael Löwy proposes here a new interpretation-inspired by the sociology of culture-both of liberation theology and of the rival religious projects in Latin America.

Den franske historikern Löwy ger här ett fascinerande politiskt och psykologiskt porträtt av Lukács. Titeln står för tre skilda faser i Lukács' utveckling: 1910-talets pessimistiska kulturkritik; revolutionsårens förhoppningsfulla optimism; samt slutligen det realpolitiska accepterandet av den stalinistiska verkligheten.