Michael Shapiro – författare

The dramatic events of 2020—the presidential election, the COVID-19 pandemic, protests for racial justice—affected every corner of American life. What did these events mean for the residents of small towns and cities that are often overlooked by national newspapers? How do local stories change when they are told by journalists with roots in these communities? And what is lost as this kind of coverage disappears?American Deadline brings together dispatches from four longtime local journalists in different parts of the United States that tell the story of 2020 anew. It shares reporting from Bowling Green, Virginia; Macon, Georgia; McKeesport, Pennsylvania; and McAllen, Texas—two towns that lost their local newspapers and two where they are barely hanging on. The authors consider what makes each town distinctive and how these local perspectives tell a part of a broader American story. This book reports on how residents of these towns grapple with and talk about issues relating to race, schooling, health, immigration, deindustrialization, as well as local and national politics amid a changing and increasingly precarious information ecosystem. A distinct and intimate look at a calamitous year, American Deadline is an important book for all readers interested in the possibilities and future of local journalism.

The dramatic events of 2020—the presidential election, the COVID-19 pandemic, protests for racial justice—affected every corner of American life. What did these events mean for the residents of small towns and cities that are often overlooked by national newspapers? How do local stories change when they are told by journalists with roots in these communities? And what is lost as this kind of coverage disappears?American Deadline brings together dispatches from four longtime local journalists in different parts of the United States that tell the story of 2020 anew. It shares reporting from Bowling Green, Virginia; Macon, Georgia; McKeesport, Pennsylvania; and McAllen, Texas—two towns that lost their local newspapers and two where they are barely hanging on. The authors consider what makes each town distinctive and how these local perspectives tell a part of a broader American story. This book reports on how residents of these towns grapple with and talk about issues relating to race, schooling, health, immigration, deindustrialization, as well as local and national politics amid a changing and increasingly precarious information ecosystem. A distinct and intimate look at a calamitous year, American Deadline is an important book for all readers interested in the possibilities and future of local journalism.

This book’s chapters analyze aspects of urban politics with a combination of critical thinking (influenced by Walter Benjamin, Jacques Ranciere, Henri Lefebvre, and Achille Mbembe, among others) and readings of artistic genres (film, literature, and architecture). The coverage of cities includes, Tokyo, Paris, New York, Nairobi, Boston, Berlin and Hong Kong.

This groundbreaking and innovative text addresses the deep ontological and epistemological commitments that underpin conventional positivist methods and then demonstrates how "method" can be understood in much broader and more interesting ways. Drawing on a broad range of philosophical and methodological theory as well as a wide variety of artistic sources from fine art to cinema and from literature to the blues, leading contemporary thinker Michael Shapiro shows the reader how a more open understanding of the concept of method is rewarding and enlightening. His notion of ‘writing-as-method’ is enacted throughout the text and offers a stimulating alternative for students to positivist social science methods. This is essential reading for all students and faculty with an interest in post-positivist methods.

The Time of the City is a trans-disciplinary work with a focus on genre-city relationships as they articulate the micropolitics of urban life in diverse cities. Shifting the territorial emphasis of political studies from the mosaic of states to the global network of cities, the book draws on urban theory rather than traditional forms of official city politics. Deriving their methodological approaches from aspects of urban theory and philosophies of aesthetics, the chapters deploy concepts from philosophy, political theory, literary studies, cinema studies, poetics and aesthetic theory on diverse cities, among which are Berlin, Hong Kong, London, Los Angeles, New York, Philadelphia and Washington, DC. Investigating a wide variety of urban formations, and developing a geophilosophy appropriate to urban space, this multi genre approach to urban life provides stunning insights into the micropolitics of ethnicity, identity, security, subjectivity and sovereignty.

The Time of the City is a trans-disciplinary work with a focus on genre-city relationships as they articulate the micropolitics of urban life in diverse cities. Shifting the territorial emphasis of political studies from the mosaic of states to the global network of cities, the book draws on urban theory rather than traditional forms of official city politics. Deriving their methodological approaches from aspects of urban theory and philosophies of aesthetics, the chapters deploy concepts from philosophy, political theory, literary studies, cinema studies, poetics and aesthetic theory on diverse cities, among which are Berlin, Hong Kong, London, Los Angeles, New York, Philadelphia and Washington, DC. Investigating a wide variety of urban formations, and developing a geophilosophy appropriate to urban space, this multi genre approach to urban life provides stunning insights into the micropolitics of ethnicity, identity, security, subjectivity and sovereignty.

This edited volume seeks to propose and examine different, though related, critical responses to modern cultures of war among other cultural practices of statecraft. Taken together, these essays present a space of creative engagement with the political and draw on a broad range of cultural contexts and genres of expressions to provoke the thinking that exceeds the conventional stories and practices of international relations. In contrast to a macropolitical focus on state policy and inter-state hostilities, the contributors to this volume treat the micropolitics of violence and dissensus that occur below [besides and against] the level and gaze that comprehends official map-making, policy-making and implementation practices. At a minimum, the counter-narratives presented in these essays disturb the functions, identities, and positions assigned by the nation-state, thereby multiplying relations between bodies, the worlds where they live, and the ways in which they are ‘equipped’ for fitting in them.Contributions deploy feature films, literature, photography, architecture to think the political in ways that offer glimpses of realities that are fugitive within existing perspectives. Bringing together a wide range of theorists from a host of geographical, cultural and theoretical contexts, this work explores the different ways in which an aesthetic treatment of world politics can contribute to an ethics of encounter predicated on minimal violence in encounters with people with different practices of identity.This work provides a significant contribution to the field of international theory, encouraging us to rethink politics and ethics in the world today.

This groundbreaking and innovative text addresses the deep ontological and epistemological commitments that underpin conventional positivist methods and then demonstrates how "method" can be understood in much broader and more interesting ways. Drawing on a broad range of philosophical and methodological theory as well as a wide variety of artistic sources from fine art to cinema and from literature to the blues, leading contemporary thinker Michael Shapiro shows the reader how a more open understanding of the concept of method is rewarding and enlightening. His notion of ‘writing-as-method’ is enacted throughout the text and offers a stimulating alternative for students to positivist social science methods. This is essential reading for all students and faculty with an interest in post-positivist methods.

Fragment-based drug discovery (FBDD) is a new paradigm in drug discovery that utilizes very small molecules - fragments of larger molecules. It is a faster, cheaper, smarter way to do drug discovery, as shown by the number of pharmaceutical companies that have embraced this approach and the biotechnology companies who use fragments as their sole source of drug discovery. Fragment-Based Drug Discovery: A Practical Approach is a guide to the techniques and practice of using fragments in drug screening. The emphasis is on practical guidance, with procedures, case studies, practical tips, and contributions from industry. Topics covered include: an introduction to  fragment based drug discovery, why using fragments is a more efficient process than predominant models, and what it means to have a successful FBDD effort.setting up an FBDD projectlibrary building and productionNMR in fragment screening and follow up application of protein-ligand NOE matching to the rapid evaluation of fragment binding posestarget immobilized NMR screening: validation and extension to membrane proteinsin situ fragment-based medicinal chemistry: screening by mass spectrometrycomputational approaches to fragment and substructure discovery and evaluationvirtual fragment scanning:  current trends, applications and web based toolsfragment-based lead discovery using covalent capture methodscase study from industry: the identification of high affinity beta-secretase inhibitors using fragment-based lead generationWith contributions from industry experts who have successfully set up an industrial fragment-based research program, Fragment-Based Drug Discovery: A Practical Approach offers essential advice to anyone embarking on drug discovery using fragments and those looking for a new approach to screening for drugs.

Cross-dressing, sexual identity, and the performance of gender are among the most hotly discussed topics in contemporary cultural studies. A vital addition to the growing body of literature, this book is the most in-depth and historically contextual study to date of Shakespeare's uses of the heroine in male disguise--man-playing-woman-playing-man--in all its theatrical and social complexity.Shapiro's study centers on the five plays in which Shakespeare employed the figure of the "female page": The Two Gentlemen of Verona, The Merchant of Venice, As You Like It, Twelfth Night, and Cymbeline. Combining theater and social history, Shapiro locates Shakespeare's work in relation to controversies over gender roles and cross-dressing in Elizabethan England.The popularity of the "female page" is examined as a playful literary and theatrical way of confronting, avoiding, or merely exploiting issues such as the place of women in a patriarchal culture and the representation of women on stage. Looking beyond and behind the stage for the cultural anxieties that found their way into Shakespearean drama, Shapiro considers such cases as cross-dressing women in London being punished as prostitutes and the alleged homoerotic practices of the apprentices who played female roles in adult companies. Shapiro also traces other Elizabethan dramatists' varied uses of the cross-dressing motif, especially as they were influenced by Shakespeare's innovations."Shapiro's engaging study is distinguished by the scope of interrelated topics it draws together and the balance of critical perspectives it brings to bear on them." --ChoiceMichael Shapiro is Professor of English, University of Illinois, Urbana.

This book provides a new mathematical theory for the treatment of an ample series of spatial problems of electrodynamics, particle physics, quantum mechanics and elasticity theory. This technique proves to be as powerful for solving the spatial problems of mathematical physics as complex analysis is for solving planar problems.The main analytic tool of the book, a non-harmonic version of hypercomplex analysis recently developed by the authors, is presented in detail. There are given applications of this theory to the boundary value problems of electrodynamics and elasticity theory as well as to the problem of quark confinement. A new approach to the linearization of special classes of the self-duality equation is also considered. Detailed proofs are given throughout. The book contains an extensive bibliography on closely related topics.This book will be of particular interest to academic and professional specialists and students in mathematics and physics who are interested in integral representations for partial differential equations. The book is self-contained and could be used as a main reference for special course seminars on the subject.

In an era when headlines often seem dominated by horrific stories about abused children, Solomon's Sword weaves together the elements of two painful custody battles into a memorable book that no reader who cares about children will be able to put aside. In examining collisions between children, parents, and the law, Shapiro meets judges, lawyers, social workers, clergy, and therapists who must advocate a course of action in thousands of cases each year across America. Reading about these dedicated people, professionals in the vanguard of new approaches to the problem of mistreated children, will leave readers hopeful that we are finally learning how to ameliorate this enduring national disgrace. Solomon's Sword sheds new light on a dire social problem in a powerful book that will influence public policy for years to come.

Illuminating the contemporary revival of the Jewish marriage contract, Ketubah Renaissance relays the storied history of this beloved document (known in Hebrew as a ketubah) through the present day and showcases sixty of the most innovative and beautiful ketubot of the last half century.Originally created 2,500 years ago as a unilateral marriage contract stating what a groom would provide for his bride, the ketubah evolved from the tenth century onward into a richly decorated expression of love and commitment. Starting in the late 1960s a modern sensibility took root. Influenced by Jewish life and North American society at large, hundreds of artists and calligraphers began to imprint their unique aesthetic onto each ketubah design-a movement Judaica scholar Shalom Sabar calls “a veritable renaissance of the illuminated ketubbah”-while also updating the original Aramaic text to express contemporary values.Couples and families with upcoming weddings as well as officiating clergy, educators, aficionados of Jewish culture, scholars, and others will discover the evolving history of the ketubah in all its facets: its artforms, texts, scripts, iconography, production processes, and technological innovations. A curated, chronological ketubah gallery brings readers up close to sixty influential ketubot and the artists who created them-a colorful cornucopia of breakthroughs that epitomize the ketubah renaissance.

Shakespeare's The Merchant of Venice occupies a unique place in world culture. As the fictional, albeit iconic, character of Shylock has been interpreted as exotic outsider, social pariah, melodramatic villain and tragic victim, the play, which has been performed and read in dozens of languages, has served as a lens for examining ideas and images of the Jew at various historical moments. In the last two hundred years, many of the play's stage interpreters, spectators, readers and adapters have themselves been Jews, whose responses are often embedded in literary, theatrical and musical works. This volume examines the ever-expanding body of Jewish responses to Shakespeare's most Jewishly relevant play.

This work is a critical intervention into the archive of female identity; it reflects on the ways in which the Central and Eastern European female ideal was constructed, represented, and embodied in communist societies and on its transformation resulting from the political, economic, and social changes specific to the post-communist social and political transitions. During the communist period, the female ideal was constituted as a heroic mother and worker, both a revolutionary and a state bureaucrat, which were regarded as key elements in the processes of industrial development and production. She was portrayed as physically strong and with rugged rather than with feminized attributes. After the post-communist regime collapsed, the female ideal’s traits changed and instead took on the feminine attributes that are familiar in the West’s consumer-oriented societies. Each chapter in the volume explores different aspects of these changes and links those changes to national security, nationalism, and relations with Western societies, while focusing on a variety of genres of expression such as films, music, plays, literature, press reports, television talk shows, and ethnographic research. The topics explored in this volume open a space for discussion and reflection about how radical social change intimately affected the lives and identities of women, and their positions in society, resulting in various policy initiatives involving women’s social and political roles.The book will be of interest to students and scholars of gender studies, comparative politics, Eastern European studies, and cultural studies.

This work is a critical intervention into the archive of female identity; it reflects on the ways in which the Central and Eastern European female ideal was constructed, represented, and embodied in communist societies and on its transformation resulting from the political, economic, and social changes specific to the post-communist social and political transitions. During the communist period, the female ideal was constituted as a heroic mother and worker, both a revolutionary and a state bureaucrat, which were regarded as key elements in the processes of industrial development and production. She was portrayed as physically strong and with rugged rather than with feminized attributes. After the post-communist regime collapsed, the female ideal’s traits changed and instead took on the feminine attributes that are familiar in the West’s consumer-oriented societies. Each chapter in the volume explores different aspects of these changes and links those changes to national security, nationalism, and relations with Western societies, while focusing on a variety of genres of expression such as films, music, plays, literature, press reports, television talk shows, and ethnographic research. The topics explored in this volume open a space for discussion and reflection about how radical social change intimately affected the lives and identities of women, and their positions in society, resulting in various policy initiatives involving women’s social and political roles.The book will be of interest to students and scholars of gender studies, comparative politics, Eastern European studies, and cultural studies.

This edited volume seeks to propose and examine different, though related, critical responses to modern cultures of war among other cultural practices of statecraft. Taken together, these essays present a space of creative engagement with the political and draw on a broad range of cultural contexts and genres of expressions to provoke the thinking that exceeds the conventional stories and practices of international relations. In contrast to a macropolitical focus on state policy and inter-state hostilities, the contributors to this volume treat the micropolitics of violence and dissensus that occur below [besides and against] the level and gaze that comprehends official map-making, policy-making and implementation practices. At a minimum, the counter-narratives presented in these essays disturb the functions, identities, and positions assigned by the nation-state, thereby multiplying relations between bodies, the worlds where they live, and the ways in which they are ‘equipped’ for fitting in them.Contributions deploy feature films, literature, photography, architecture to think the political in ways that offer glimpses of realities that are fugitive within existing perspectives. Bringing together a wide range of theorists from a host of geographical, cultural and theoretical contexts, this work explores the different ways in which an aesthetic treatment of world politics can contribute to an ethics of encounter predicated on minimal violence in encounters with people with different practices of identity.This work provides a significant contribution to the field of international theory, encouraging us to rethink politics and ethics in the world today.

This book’s chapters analyze aspects of urban politics with a combination of critical thinking (influenced by Walter Benjamin, Jacques Ranciere, Henri Lefebvre, and Achille Mbembe, among others) and readings of artistic genres (film, literature, and architecture). The coverage of cities includes, Tokyo, Paris, New York, Nairobi, Boston, Berlin and Hong Kong.

Frederick Law Olmsted relocated from New York to the Boston area in the early 1880s. With the help of his stepson and partner, John Charles Olmsted, his professional office grew to become the first of its kind: a modern landscape architecture practice with park, subdivision, campus, residential, and other landscape design projects throughout the country. During the period covered in this volume, Olmsted and his partners, apprentices, and staff designed the exceptional park system of Boston and Brookline-including the Back Bay Fens, Franklin Park, and the Muddy River Improvement. Olmsted also designed parks for New York City, Rochester, Buffalo, and Detroit and created his most significant campus plans for Stanford University and the Lawrenceville School. The grounds of the U.S. Capitol were completed with the addition of the grand marble terraces that he designed as the transition to his surrounding landscape. Many of Olmsted's most important private commissions belong to these years. He began his work at Biltmore, the vast estate of George Washington Vanderbilt, and designed Rough Point at Newport, Rhode Island, and several other estates for members of the Vanderbilt family.Olmsted wrote more frequently on the subject of landscape design during these years than in any comparable period. He would never provide a definitive treatise or textbook on landscape architecture, but the articles presented in this volume contain some of his most mature and powerful statements on the practice of landscape architecture.

Since the modern founding of the theory of signs by the American philosopher-scientist Charles Sanders Peirce (1839-1914), the field of semiotics has become increasingly prominent as a method of interdisciplinary research and study, bridging the humanities, the fine arts, and the natural and social sciences. It is also truly international, with faculty representation at many universities, research institutes, and scholarly societies throughout the world. These two volumes reflect the continuing appeal of Peirce's sign theory bringing together as they do a great variety of authors from all over the world whose aim is to set the stage for a productive collaboration among linguists and cognitive scientists.

Philosophers and linguists have come together for this volume to provide a glimpse of current thinking about language in a semiotic mode and of the analyses that result from applying the theory of signs of the American philosopher-scientist Charles Sanders Peirce (1839-1914) to subjects that Peirce himself did not explore in any depth. Contributors include Victor Friedman, Laura Janda, Tony Jappy, Dinès Johansen, Dan Nesher, Joáo Queiroz, Joëlle Réthoré, Michael Shapiro, and Nils Thelin.

The theory of holomorphic functions of several complex variables emerged from the attempt to generalize the theory in one variable to the multidimensional situation. Research in this area has led to the discovery of many sophisticated facts, structures, ideas, relations, and applications. This deepening of knowledge, however, has also revealed more and more paradoxical differences between the structures of the two theories.The authors of this Research Note were driven by the quest to construct a theory in several complex variables that has the same structure as the one-variable theory. That is, they sought a reproducing kernel for the whole class that is universal and from same class. Integral Theorems for Functions and Differential Forms in Cm documents their success. Their highly original approach allowed them to obtain new results and refine some well-known results from the classical theory of several complex variables. The 'hyperholomorphic" theory they developed proved to be a kind of direct sum of function theories for two Dirac-type operators of Clifford analysis considered in the same domain.In addition to new results and methods, this work presents a first-look at a brand new setting, based upon the natural language of differential forms, for complex analysis. Integral Theorems for Functions and Differential Forms in Cm reveals a deep link between the fields of several complex variables theory and Clifford analysis. It will have a strong influence on researchers in both areas, and undoubtedly will change the general viewpoint on the methods and ideas of several complex variables theory.

In A Sense of Place, journalist/travel writer Michael Shapiro goes on a pilgrimage to visit the world's great travel writers on their home turf to get their views on their careers, the writer's craft, and most importantly, why they chose to live where they do and what that place means to them. The book chronicles a young writer’s conversations with his heroes, writers he's read for years who inspired him both to pack his bags to travel and to pick up a pen and write. Michael skillfully coaxes a collective portrait through his interviews, allowing the authors to speak intimately about the writer's life, and how place influences their work and perceptions.In each chapter Michael sets the scene by describing the writer's surroundings, placing the reader squarely in the locale, whether it be Simon Winchester's Massachusetts, Redmond O'Hanlon's London, or Frances Mayes's Tuscany. He then lets the writer speak about life and the world, and through quiet probing draws out fascinating commentary from these remarkable people. For Michael it’s a dream come true, to meet his mentors; for readers, it's an engaging window onto the twin landscapes of great travel writers and the world in which they live.

“Knowledgeable, probing, and thoughtful.” —Foreword ReviewsSmokey Robinson • Barbara Kingsolver • Francis Ford Coppola • David Sedaris • Jane Goodall and other luminaries reveal the secrets to their creative success. Amy Tan talks about how she finds truth by writing fiction. Melissa Etheridge tells us how she channels her fire into her music. Pico Iyer shares how seeking stillness enhances his creativity. And Coppola discusses how he found the courage to make groundbreaking films.In The Creative Spark, a collection of interviews prefaced by brief biographies, these luminaries join dozens of other voices to create a symphony of inspiration. Lucinda Williams talks about honesty and making every word count; Jane Goodall cites the value of persistence and believing in yourself; and Smokey Robinson heralds the timeless power of love songs.For more than a decade, award-winning author Michael Shapiro (A Sense of Place) has interviewed many of our brightest creators. In The Creative Spark, musicians, authors, explorers, and chefs speak about what drives them, what helps them see the world in fresh ways, and what inspires them to turn their visions into art. Shapiro’s work as a music journalist has led to interviews with legends including Graham Nash, Lyle Lovett, Melissa Etheridge, Jake Shimabukuro, Merle Haggard, and Jethro Tull bandleader Ian Anderson. And he’s spoken with creative masters in other fields, such as comedian Joan Rivers and author Frances Mayes.Yet it’s not simply that Shapiro has had access to so many supremely talented people—it’s that he gets them to go deep. Moments into his penetrating conversation with Lucinda (her fans call her by her first name), she tells Shapiro about how decisions made about her mother’s funeral led to fissures in her family. From this achingly personal conversation, readers can glean fresh insights into why Lucinda has such a devoted following and why her songs open listeners’ hearts.Unexpected revelations pop up in every chapter of The Creative Spark. Iowa folksinger Greg Brown isn’t a household name, but his fellow musicians revere his poetic compositions. Then there’s San Francisco Giants announcer Mike Krukow, who turns every broadcast into a work of art. Chefs, including SingleThread’s Kyle Connaughton, discuss how they’re transforming the way we approach fine dining and why social responsibility is essential.Each chapter starts with a short biography of the creative person being profiled, then segues into Q+A. This collection brings together some of the best-known artists of our time with others who may not be as famed but who have valuable insights about living an artful life. The Creative Spark stands as a testament to human achievement, showing how creativity illuminates our world. And how it resides in each and every one of us, just waiting to break out.

“Knowledgeable, probing, and thoughtful.” —Foreword ReviewsSmokey Robinson • Barbara Kingsolver • Francis Ford Coppola • David Sedaris • Jane Goodall and other luminaries reveal the secrets to their creative success. Amy Tan talks about how she finds truth by writing fiction. Melissa Etheridge tells us how she channels her fire into her music. Pico Iyer shares how seeking stillness enhances his creativity. And Coppola discusses how he found the courage to make groundbreaking films. In The Creative Spark, a collection of interviews prefaced by brief biographies, these luminaries join dozens of other voices to create a symphony of inspiration. Lucinda Williams talks about honesty and making every word count; Jane Goodall cites the value of persistence and believing in yourself; and Smokey Robinson heralds the timeless power of love songs.For more than a decade, award-winning author Michael Shapiro (A Sense of Place) has interviewed many of our brightest creators. In The Creative Spark, musicians, authors, explorers, and chefs speak about what drives them, what helps them see the world in fresh ways, and what inspires them to turn their visions into art. Shapiro’s work as a music journalist has led to interviews with legends including Graham Nash, Lyle Lovett, Melissa Etheridge, Jake Shimabukuro, Merle Haggard, and Jethro Tull bandleader Ian Anderson. And he’s spoken with creative masters in other fields, such as comedian Joan Rivers and author Frances Mayes.Yet it’s not simply that Shapiro has had access to so many supremely talented people—it’s that he gets them to go deep. Moments into his penetrating conversation with Lucinda (her fans call her by her first name), she tells Shapiro about how decisions made about her mother’s funeral led to fissures in her family. From this achingly personal conversation, readers can glean fresh insights into why Lucinda has such a devoted following and why her songs open listeners’ hearts.Unexpected revelations pop up in every chapter of The Creative Spark. Iowa folksinger Greg Brown isn’t a household name, but his fellow musicians revere his poetic compositions. Then there’s San Francisco Giants announcer Mike Krukow, who turns every broadcast into a work of art. Chefs, including SingleThread’s Kyle Connaughton, discuss how they’re transforming the way we approach fine dining and why social responsibility is essential.Each chapter starts with a short biography of the creative person being profiled, then segues into Q+A. This collection brings together some of the best-known artists of our time with others who may not be as famed but who have valuable insights about living an artful life. The Creative Spark stands as a testament to human achievement, showing how creativity illuminates our world. And how it resides in each and every one of us, just waiting to break out.