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This book is concerned with the transmission and reception of Latin literary culture in the early Middle Ages, and with the production of Latin works in Ireland and in Irish centres on the Continent. In these articles, Professor Herren deals with several closely related themes: the introduction of Latin into Ireland and the study of Latin literary heritage; the language and metre of Hiberno-Latin writings; and questions of dating and authorship pertaining to a number of crucial texts, from Columbanus to John Scottus Eriugena.
Del 20 - Studies in Celtic History
Christ in Celtic Christianity
Britain and Ireland from the Fifth to the Tenth Century
Häftad, Engelska, 2012
339 kr
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A new interpretation of Celtic Christianity, supported by images of Christ taken from manuscripts, metalwork and sculpture, and showing how it departed from continental practice largely due to a differing perception and application of Pelagianism.Christ in Celtic Christianity gives a new interpretation of the nature of Christianity in Celtic Britain and Ireland from the fifth to the tenth century. The written and visual evidence on which the authors base their argument includes images of Christ created in and for this milieu, taken from manuscripts, metalwork and sculpture and reproduced in this study. The authors challenge the received opinion that Celtic Christians were in unity with Romein all matters except the method of Easter reckoning and the shape of the clerical tonsure. They find, on the contrary, that the strain of the Pelagian heresy which rooted itself in Britain in the early fifth century influenced the theology and practice of the Celtic monastic Churches on both sides of the Irish Sea for several hundred years, creating a theological spectrum quite distinct from that of continental establishments. MICHAEL W. HERRENis Professor of Classics and Distinguished Research Professor at York University (Toronto), a member of the Graduate Faculty at the Centre for Medieval Studies in the University of Toronto, and an Honorary Member of the Royal Irish Academy; SHIRLEY ANN BROWN is Professor of Art History and a member of the Faculty of Graduate Studies at York University.
390 kr
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Translations from the Latin of the ingenious works of Aldelm, first English man of letters. Introduction, bibliography and notes to the texts included.Aldhelm was the first Latin poet of Europe who was not a native speaker of Latin. The ingenuity and originality which he brought to the task of composing Latin poetry ensured that his poems would be widely read everywhere, but they were studied especially in England during the early medieval period. Aldhelm's poetic corpus includes the Carmina Ecclesiastica, a series of dedicatory poems which contain a wealth of detail about early Anglo-Saxon churches; the Carmen de Virginitate, a verse counterpart to his earlier prose De Virginitate, but which includes an extensive passage describing an allegorical battle of the vices and virtues; a collection of 100 riddles or Enigmata, which are an imaginative investigation of the structure of the natural world; and a brief rhythmical poem describing the effects of a mighty storm in southwest England. In each of the poetic genres he essayed, Aldhelm found a host of later imitators, and it is not an exaggeration to say that he was the most influential Latin poet whose works were studied in Anglo-Saxon England; indeed, many surviving Old English poems are simple translations or adaptations of Latin poems by Aldhelm.The translations are presented here with an introduction outlining what is known of Aldhelm's life and writings, and an appendix by NEIL WRIGHT contains a translation of Aldhelm's De Metris, a technical treatise on the composition of Latin verse.