Narratives of War considers the way war and battle are remembered and narrated across space and time in Europe in the twentieth century.

The book reflects on how narratives are generated and deployed, and on their function as coping mechanisms, means of survival, commemorative gestures, historical records and evidence. The contributions address such issues as the tension and discrepancy between memory and the official chronicling of war, the relationship between various individuals’ versions of war narratives and the ways in which events are brought together to serve varied functions for the narrators and their audiences. Drawing upon the two World Wars, the Spanish Civil War and the ex-Yugoslav wars, and considering narrative genres that include film, schoolbooks, novels, oral history, archives, official documents, personal testimony and memoirs, readers are introduced to a range of narrative forms and examples that highlight the complexity of narrative in relation to war.

Approached from a multidisciplinary perspective, and taken together, analysis of these narratives contributes to our understanding of the causes, experience, dynamics and consequences of war, making it the ideal book for those interested in twentieth-century war history and the history of memory and narrative.

Narratives of War considers the way war and battle are remembered and narrated across space and time in Europe in the twentieth century.

The book reflects on how narratives are generated and deployed, and on their function as coping mechanisms, means of survival, commemorative gestures, historical records and evidence. The contributions address such issues as the tension and discrepancy between memory and the official chronicling of war, the relationship between various individuals’ versions of war narratives and the ways in which events are brought together to serve varied functions for the narrators and their audiences. Drawing upon the two World Wars, the Spanish Civil War and the ex-Yugoslav wars, and considering narrative genres that include film, schoolbooks, novels, oral history, archives, official documents, personal testimony and memoirs, readers are introduced to a range of narrative forms and examples that highlight the complexity of narrative in relation to war.

Approached from a multidisciplinary perspective, and taken together, analysis of these narratives contributes to our understanding of the causes, experience, dynamics and consequences of war, making it the ideal book for those interested in twentieth-century war history and the history of memory and narrative.

This book raises awareness of Eurocentrism’s enormous impact and shows how, over the course of five centuries, Eurocentrism has extended its power across the globe.

In the twenty-first century, Eurocentrism’s hegemony remains powerful. By exploring a wide range of sources including Eurocentric maps and images, historiography, and Rudyard Kipling’s White Man’s Burden, Wintle uncovers Eurocentrism’s gradual evolution and reveals the ways in which it functions at both seen and unseen levels. Taking a thematic and then empirical approach, Eurocentrism offers a detailed and comprehensive discussion of Eurocentrism’s problems and dangers, pays special attention to the work of Samir Amin and James Blaut and applies notions garnered in the book to discuss Eurocentrism within the context of the twenty-first-century European Union. This study questions Eurocentrism’s function, its history, and its importance, providing a fresh insight into one of the world’s most complex and powerful cultural phenomena.

With its multi- and interdisciplinary analysis, this book is an indispensable tool for both scholars and students concerned with modern history, politics, visual culture and political geography.

This book raises awareness of Eurocentrism’s enormous impact and shows how, over the course of five centuries, Eurocentrism has extended its power across the globe.

In the twenty-first century, Eurocentrism’s hegemony remains powerful. By exploring a wide range of sources including Eurocentric maps and images, historiography, and Rudyard Kipling’s White Man’s Burden, Wintle uncovers Eurocentrism’s gradual evolution and reveals the ways in which it functions at both seen and unseen levels. Taking a thematic and then empirical approach, Eurocentrism offers a detailed and comprehensive discussion of Eurocentrism’s problems and dangers, pays special attention to the work of Samir Amin and James Blaut and applies notions garnered in the book to discuss Eurocentrism within the context of the twenty-first-century European Union. This study questions Eurocentrism’s function, its history, and its importance, providing a fresh insight into one of the world’s most complex and powerful cultural phenomena.

With its multi- and interdisciplinary analysis, this book is an indispensable tool for both scholars and students concerned with modern history, politics, visual culture and political geography.

Narratives of War considers the way war and battle are remembered and narrated across space and time in Europe in the twentieth century.

The book reflects on how narratives are generated and deployed, and on their function as coping mechanisms, means of survival, commemorative gestures, historical records and evidence. The contributions address such issues as the tension and discrepancy between memory and the official chronicling of war, the relationship between various individuals’ versions of war narratives and the ways in which events are brought together to serve varied functions for the narrators and their audiences. Drawing upon the two World Wars, the Spanish Civil War and the ex-Yugoslav wars, and considering narrative genres that include film, schoolbooks, novels, oral history, archives, official documents, personal testimony and memoirs, readers are introduced to a range of narrative forms and examples that highlight the complexity of narrative in relation to war.

Approached from a multidisciplinary perspective, and taken together, analysis of these narratives contributes to our understanding of the causes, experience, dynamics and consequences of war, making it the ideal book for those interested in twentieth-century war history and the history of memory and narrative.

Narratives of War considers the way war and battle are remembered and narrated across space and time in Europe in the twentieth century.

The book reflects on how narratives are generated and deployed, and on their function as coping mechanisms, means of survival, commemorative gestures, historical records and evidence. The contributions address such issues as the tension and discrepancy between memory and the official chronicling of war, the relationship between various individuals’ versions of war narratives and the ways in which events are brought together to serve varied functions for the narrators and their audiences. Drawing upon the two World Wars, the Spanish Civil War and the ex-Yugoslav wars, and considering narrative genres that include film, schoolbooks, novels, oral history, archives, official documents, personal testimony and memoirs, readers are introduced to a range of narrative forms and examples that highlight the complexity of narrative in relation to war.

Approached from a multidisciplinary perspective, and taken together, analysis of these narratives contributes to our understanding of the causes, experience, dynamics and consequences of war, making it the ideal book for those interested in twentieth-century war history and the history of memory and narrative.

This book raises awareness of Eurocentrism’s enormous impact and shows how, over the course of five centuries, Eurocentrism has extended its power across the globe.

In the twenty-first century, Eurocentrism’s hegemony remains powerful. By exploring a wide range of sources including Eurocentric maps and images, historiography, and Rudyard Kipling’s White Man’s Burden, Wintle uncovers Eurocentrism’s gradual evolution and reveals the ways in which it functions at both seen and unseen levels. Taking a thematic and then empirical approach, Eurocentrism offers a detailed and comprehensive discussion of Eurocentrism’s problems and dangers, pays special attention to the work of Samir Amin and James Blaut and applies notions garnered in the book to discuss Eurocentrism within the context of the twenty-first-century European Union. This study questions Eurocentrism’s function, its history, and its importance, providing a fresh insight into one of the world’s most complex and powerful cultural phenomena.

With its multi- and interdisciplinary analysis, this book is an indispensable tool for both scholars and students concerned with modern history, politics, visual culture and political geography.

This book raises awareness of Eurocentrism’s enormous impact and shows how, over the course of five centuries, Eurocentrism has extended its power across the globe.

In the twenty-first century, Eurocentrism’s hegemony remains powerful. By exploring a wide range of sources including Eurocentric maps and images, historiography, and Rudyard Kipling’s White Man’s Burden, Wintle uncovers Eurocentrism’s gradual evolution and reveals the ways in which it functions at both seen and unseen levels. Taking a thematic and then empirical approach, Eurocentrism offers a detailed and comprehensive discussion of Eurocentrism’s problems and dangers, pays special attention to the work of Samir Amin and James Blaut and applies notions garnered in the book to discuss Eurocentrism within the context of the twenty-first-century European Union. This study questions Eurocentrism’s function, its history, and its importance, providing a fresh insight into one of the world’s most complex and powerful cultural phenomena.

With its multi- and interdisciplinary analysis, this book is an indispensable tool for both scholars and students concerned with modern history, politics, visual culture and political geography.