Michal Krawczak – författare

How small groups and grassroots collectives can act for justice and leverage contemporary media to document violence.Exposing Violence gathers, for the first time, new tendencies in contemporary media practices that engage in exposing the violence inflicted upon human beings and the environment. It focuses on projects that emerged in the second and third decades of the twenty-first century as forms of socially engaged media activities initiated by independent groups of artists and researchers, interdisciplinary teams emerging at universities, and small laboratory groups.Agnieszka Jelewska and Michał Krawczak propose an original analytical concept, the aesthetics of radical truth (AeRT), as a modus operandi to understand the specific nature of these projects situated at the intersection of art, science, activism, and engaged journalism. Their primary goal is the development of experimental, innovative, and collective forms of recording, revealing, tracing, identifying, and critically analyzing various manifestations of violence.The book outlines the beginning of recent developments within “open justice,” including the creation of new digital archives and platforms that gather data on violence, interactive environments that facilitate new understanding through the emotional experience of evidence, and tools produced from the grass roots that allow for the tracking and disclosure of violence. The authors also highlight strategies for resisting violence in a media-dense environment.

Describes the transformations we have witnessed due to the development of nuclear science and technology, accelerating policies interdependent on energy, and military procedures that have led us to make a provocative claim that, in many respects, planet Earth is getting closer to the embodiment of the project we call Nuclear Gaia.The book examines media archives and online platforms that recover data and memory and shape community knowledge of nuclear events from the distant and nearer past. These are the pieces of evidence that we are on the eve of creating new forms of social justice, carried out by open-source investigations (OSINT) groups, independent researchers, artists, media makers, activists, local communities and civic groups. Thus, analysing nuclear processes and their social and environmental consequences is no longer the exclusive domain of experts, scientists, politicians and the military. The authors hope that such communities’ practices and decolonial discourses, combined with the critiques within our methodology as post-nuclear media studies, can also change the fate of nuclear industry victims by creating media space to discuss and regain justice as socially sanctioned and shared rules for understanding and using nuclear energy both in past and the future.