Michelle Faubert – författare

During the Romantic era, psychology and literature enjoyed a fluid relationship. Faubert focuses on psychologist-poets who grew out of the literary-medical culture of the Scottish Enlightenment. They used poetry as an accessible form to communicate emerging psychological, cultural and moral ideas.

As a psychiatric term ‘depression’ dates back only as far as the mid-nineteenth century. Before then a wide range of terms were used: ‘melancholy’ carried enormous weight, and was one of the two confirmed forms of eighteenth-century insanity. This four-volume set is the first large-scale study of depression across an extensive period.

As a psychiatric term ‘depression’ dates back only as far as the mid-nineteenth century. Before then a wide range of terms were used: ‘melancholy’ carried enormous weight, and was one of the two confirmed forms of eighteenth-century insanity. This four-volume set is the first large-scale study of depression across an extensive period.

As a psychiatric term ‘depression’ dates back only as far as the mid-nineteenth century. Before then a wide range of terms were used: ‘melancholy’ carried enormous weight, and was one of the two confirmed forms of eighteenth-century insanity. This four-volume set is the first large-scale study of depression across an extensive period.

As a psychiatric term ‘depression’ dates back only as far as the mid-nineteenth century. Before then a wide range of terms were used: ‘melancholy’ carried enormous weight, and was one of the two confirmed forms of eighteenth-century insanity. This four-volume set is the first large-scale study of depression across an extensive period.

Romanticism and Subversive Suicide: Human Rights, Existential Freedom and Biopower traces the roots and expression of the literary theme of subversive suicide in the British Romantic era through key texts from different genres, from novels to letters, and poems to plays. A range of commentaries on suicide including newspaper reports, coroners' inquests, religious tracts, sermons, medical studies, and legal texts reveals the existence of a distinctly Romantic-era suicide debate, the fervour of which reflects the rise of biopower, as defined by Michel Foucault, to which suicide was the ultimate threat. This debate features a spirited defence of Enlightenment ideas proclaiming the Western liberal subject to be existentially free, as well as the broad cultural influence of the British slave trade, which shaped both national awareness of what it meant to be a subject and the definition of the human at the time

Romanticism and Subversive Suicide: Human Rights, Existential Freedom and Biopower traces the roots and expression of the literary theme of subversive suicide in the British Romantic era through key texts from different genres, from novels to letters, and poems to plays. A range of commentaries on suicide – including newspaper reports, coroners’ inquests, religious tracts, sermons, medical studies, and legal texts – reveals the existence of a distinctly Romantic-era suicide debate, the fervour of which reflects the rise of biopower, as defined by Michel Foucault, to which suicide was the ultimate threat. This debate features a spirited defence of Enlightenment ideas proclaiming the Western liberal subject to be existentially free, as well as the broad cultural influence of the British slave trade, which shaped both national awareness of what it meant to be a subject and the definition of the human at the time

During the Romantic era, psychology and literature enjoyed a fluid relationship. Faubert focuses on psychologist-poets who grew out of the literary-medical culture of the Scottish Enlightenment. They used poetry as an accessible form to communicate emerging psychological, cultural and moral ideas.