Mihaela Moscaliuc - Böcker

The poems in Immigrant Model explore issues of individual and communal identity in the face of conflict, conflicting "truths" or histories, and uprootedness. They explore the notion of homeland as it relates to one's roots, adopted space, psychological terrain, gendered body. If the book reads as a collage of voices or shards rather than as a book with an identifiable arc, it's because that's the only way the poet has managed to answer, so far, the question, "What is it like to be of this world and this world and this world, while also of the elsewhere skirting these worlds?"

In poems of compassion and social justice, Mihaela Moscaliuc probes borders and memory to work through, and further complicate, understandings of belonging—from places (including her native Romania) and histories, to ways of knowing, loving, and grieving. If the wounded populate these poems, so too do goats, black swans, centipedes, dismembered dolls, and wandering wombs. The ekphrastic sequence on Rousseau’s The Sleeping Gypsy honors stories of Roma people while addressing issues of (mis)representation and epistemic violence. As in previous collections, cemeteries become sites of power, holding the living accountable. The homeless women of IaşiSo many shouting at no one, disputing accusations, nodding maniacally, flogging trees with headscarves— their pantomimes re-populatesidewalks with ousted ghosts. They pose no threat but we detour cautiously, afraid their siren voices might awakenthe penal colony in our ribcage.

Gerald Stern has been a significant presence and an impassioned and idiosyncratic voice in twentieth and twenty-first-century American poetry. Insane Devotion is a retrospective of his career and features fourteen writers, critics, and poets examining the themes, stylistic traits, and craft of a poet who has shaped and inspired American verse for generations. The essays and interviews in Insane Devotion paint a broad picture of a man made whole by the influence of the written word. They touch on the contentious and nuanced stance of Judaism in the breadth of Stern's work and explore Stern's capacious memory and his use of personal history to illuminate our common humanity. What is revealed is a poet of complexity and heart, often tender, often outraged. As Philip Levine writes in his lyrical foreword to the volume, Stern is both sweet and spiky, "a born teacher who can teach me to see the universe in an acorn and hear the music of the lost in an empty Pepsi can."

Poets from around the world give eloquent voice to the trials, hopes, rewards and losses of migration.Each year, millions join the ranks of intrepid migrants who have reshaped societies throughout history. Most recently, Middle Eastern and African people have risked their lives to reach safety in Europe, while central Americans have fled north seeking asylum. But whether they are refugees from war or violence, political exiles or immigrants in search of education, opportunity and freedom, these travellers share the challenge of adapting to being strangers in a strange land.Border Lines brings together more than a hundred poets representing more than sixty nations - Imtiaz Dharker, Ruth Padel, Bernadine Evaristo, Derek Walcott, Mahmoud Darwish, 'Dreadlock Alien', Dunya Mikhail and Hédi Kaddour, to name but a few. Their poems tell moving stories of displacement and new beginnings in the UK, France and Germany, Canada and the United States and challenge us to reexamine our own society from a new perspective.

Ever since Eve plucked a tempting apple in the Garden of Eden, the fruits of the earth have been essential to human culture and the stories we tell about our world. Poets from ancient times to the present have celebrated the harvest of our gardens, fields, and orchards.The delectable cornucopia of poems harvested in this volume includes many beloved old chestnuts, such as Robert Frost’s ‘After Apple-Picking’, Emily Dickinson’s ‘Forbidden Fruit a flavor has’, Gwendolyn Brooks’s ‘The Bean Eaters’, and the famous chilled plums in William Carlos Williams’s ‘This Is Just to Say’.