Mike Featherstone – författare

We all have a finite life-span. We are born, we get old and we die. Given the universiality of the ageing process, it is remarkable that there is almost a complete absence of study of culture and self-image of the middle aged and old. Images of Ageing: Cultural Representations of Later Life changes this. The contributors discuss images of ageing which have come to circulate in the advanced industrial societies today. They address themes such as: body and self image in everyday interaction; experience and identity on old age; advertising and consumer culture images of the elderly; images of ageing used by Government agencies in health education campaigns; the diversity of historical representations of the elderly; gender images of ageing; images of senility and second childhood; images of health, illness and death.

We all have a finite life-span. We are born, we get old and we die. Given the universiality of the ageing process, it is remarkable that there is almost a complete absence of study of culture and self-image of the middle aged and old. Images of Ageing: Cultural Representations of Later Life changes this. The contributors discuss images of ageing which have come to circulate in the advanced industrial societies today. They address themes such as: body and self image in everyday interaction; experience and identity on old age; advertising and consumer culture images of the elderly; images of ageing used by Government agencies in health education campaigns; the diversity of historical representations of the elderly; gender images of ageing; images of senility and second childhood; images of health, illness and death.

Are there any cultural universals left? Does multiculturalism inevitably involve a slide into moral relativism? This timely and insightful book examines questions of politics and identity in the age of multicultures. It draws together the contribution of outstanding contributors such as Fraser, Honneth, O'Neill, Bauman, Lister, Gilroy and De Swann to explore how difference and multiculturalism take on the arguments of universalist humanism. The approach taken derives from the traditions of cultural sociology and cultural studies rather than political science and philosophy.

The book takes seriously the argument that the social bond and recognition are in danger through globalization and deterritorialization. It is a major contribution to the emerging debate on the form of post-national forms of civil society.

How can we interpret cyberspace? What is the place of the embodied human agent in the virtual world?

This innovative collection examines the emerging arena of cyberspace and the challenges it presents for the social and cultural forms of the human body. It shows how changing relations between body and technology offer new arenas for cultural representations. At the same time, the contributors examine the realities of human embodiment and the limits of virtual worlds. Topics examined include: technological body modifications, replacements and prosthetics; bodies in cyberspace, virtual environments and cyborg culture; cultural representations of technological embodiment in visual and literary productions; and cyberpunk science fiction as a pre-figurative social and cultural theory.

How can we interpret cyberspace? What is the place of the embodied human agent in the virtual world?

This innovative collection examines the emerging arena of cyberspace and the challenges it presents for the social and cultural forms of the human body. It shows how changing relations between body and technology offer new arenas for cultural representations. At the same time, the contributors examine the realities of human embodiment and the limits of virtual worlds. Topics examined include: technological body modifications, replacements and prosthetics; bodies in cyberspace, virtual environments and cyborg culture; cultural representations of technological embodiment in visual and literary productions; and cyberpunk science fiction as a pre-figurative social and cultural theory.

In Spaces of Culture an international group of scholars examines the implications of questions such as: What is culture? What is the relationship between social structure and culture in a globalized and networked world? Do critical perspectives still apply, or does the speed and complexity of cultural production demand new forms of analysis?

They explore the key themes in social theory: the nation state; the city; modernity and reflexivity; post-Fordism and the spatial logic of the informational city. The contributors go on to analyze the public sphere, questioning the reductive representation of technology as a form of instrumentality, and demonstrating how new technologies can offer new spaces of culture. This analysis of public space is essential to an understanding of issues like global citizenship and multicultural human rights.

In Spaces of Culture an international group of scholars examines the implications of questions such as: What is culture? What is the relationship between social structure and culture in a globalized and networked world? Do critical perspectives still apply, or does the speed and complexity of cultural production demand new forms of analysis?

They explore the key themes in social theory: the nation state; the city; modernity and reflexivity; post-Fordism and the spatial logic of the informational city. The contributors go on to analyze the public sphere, questioning the reductive representation of technology as a form of instrumentality, and demonstrating how new technologies can offer new spaces of culture. This analysis of public space is essential to an understanding of issues like global citizenship and multicultural human rights.

This major collection explores the contested nature of love and eroticism, examining the ways in which erotic bodily pleasures have become central to contemporary consumer culture. It investigates the spatial dimension of erotic life through considerations of Bohemian love, the gay city and the ways in which the urban landscape and everyday life have become sexualized - issues which have become central to the emergence of `queer' as a new form of gender politics and more general questions of sexual citizenship.

Drawing on the work of feminists, sociologists and cultural theorists, this book contains a wide-ranging and accessible set of contributions to contemporary debates on sexuality, love and eroticism.

Love & Eroticism is simultaneously published as volume 15, issue 3-4 of Theory, Culture & Society.

This major collection explores the contested nature of love and eroticism, examining the ways in which erotic bodily pleasures have become central to contemporary consumer culture. It investigates the spatial dimension of erotic life through considerations of Bohemian love, the gay city and the ways in which the urban landscape and everyday life have become sexualized - issues which have become central to the emergence of `queer' as a new form of gender politics and more general questions of sexual citizenship.

Drawing on the work of feminists, sociologists and cultural theorists, this book contains a wide-ranging and accessible set of contributions to contemporary debates on sexuality, love and eroticism.

Love & Eroticism is simultaneously published as volume 15, issue 3-4 of Theory, Culture & Society.

This fascinating collection explores the growing range of body modification practices such as piercing, tattooing, branding, cutting and inserting implants, which have sprung up recently in the West.

It asks whether this implies that we are returning to traditional tribal practices of inscribing identities onto bodies on the part of 'modern primitives', or is body modification better understood as purely cosmetic and decorative with body markings merely temporary signs of transferable loyalties?

This fascinating collection explores the growing range of body modification practices such as piercing, tattooing, branding, cutting and inserting implants, which have sprung up recently in the West.

It asks whether this implies that we are returning to traditional tribal practices of inscribing identities onto bodies on the part of 'modern primitives', or is body modification better understood as purely cosmetic and decorative with body markings merely temporary signs of transferable loyalties?

Written with the clarity and insight that readers have come to expect of Mike Featherstone Undoing Culture is a notable contribution to our understanding of modernism and postmodernism. It explores the formation and deformation of the cultural sphere and the effects on culture of globalization. Against many orthodox postmodernist accounts,the author argues that it is wrong to regard our present state of fragmentation and dislocation as an epochal break. Existing interdependencies and power balances are not so easily broken down.

Nonetheless some important cultural changes have occurred since World War II. In particular, the book examines some of the processes which have uncoupled culture from the social; the erosion of the ideal of the heroic life in the face of the onslaught from consumerism and the deformation of culture; and the rise of new forms of identity development. It explains why culture has gained a more significant role in everyday life and also why it has come to preoccupy the Academy in recent years.

Mike Featherstone looks at the effects of the multiplication of cultural goods and images on our ability to read culture and develop fixed meanings and relationships. He highlights the importance of the global in attempting to cope with the objective difficulties of cultural overproduction. The book concludes that the rise of non-Western nation-states with different cultural frames produces different reactions of modernity, making it more appropriate to refer to global modernities.

Global Modernities is a sustained commentary on the international character of the most microcosmic practices. It demonstrates how the global increasingly informs the regional, so deconstructing ideas like the `nation state' and `national sovereignty'. The spatialization of social theory, hybridization and bio-politics are among the critical issues discussed.

Global Modernities is a sustained commentary on the international character of the most microcosmic practices. It demonstrates how the global increasingly informs the regional, so deconstructing ideas like the `nation state' and `national sovereignty'. The spatialization of social theory, hybridization and bio-politics are among the critical issues discussed.

In this book leading social scientists from many countries analyze the extent to which we are seeing a globalization of culture. Is a unified world culture emerging? And if so, how does this relate to existing cultural divisions and to the autonomy of the nation state? Differing explanations are offered for trends towards global unification and their relation to an economic world-system. Will the intensification of global contact produce increasing tolerance of other cultures? Or will an integrating culture produce sharper reactions in the form of fundamentalist and nationalist movements?

The contributors explore the emergence of `third cultures', such as international law, the financial markets and media conglomerates, as elements which transcend the boundaries of the nation state. As well as examining the extent, causation and consequences of global homogenization, the authors consider its implication for the social sciences.

Global Culture was published simultaneously as Volume 7, issues 2-3 of Theory, Culture & Society.

This challenging volume reasserts the centrality of the body within social theory as a means to understanding the complex interrelations between nature, culture and society. At a theoretical level, the volume explores the origins of a social theory of the body in sources ranging from the work of Nietzsche to contemporary feminist theory.

The importance of a theoretical understanding of the body to social and cultural analysis of contemporary societies is demonstrated through specific case studies. These range from the expression of the emotions, romantic love, dietary practice, consumer culture, fitness and beauty, to media images of women and sexuality.

The German sociologist and philosopher Georg Simmel (1858-1918) is recognized as a leading early twentieth-century European social theorist. This collection enables the reader to engage with the full range of Simmel's dazzling contributions to the study of culture. It opens with Simmel's basic essays on defining culture, its changes and its crisis. These are followed by more specific explorations of: the culture of face-to-face interactions; spatial and urban culture; leisure culture; the culture of money and commodities; the culture of belief; and the politics of female culture.

The German sociologist and philosopher Georg Simmel (1858-1918) is recognized as a leading early twentieth-century European social theorist. This collection enables the reader to engage with the full range of Simmel's dazzling contributions to the study of culture. It opens with Simmel's basic essays on defining culture, its changes and its crisis. These are followed by more specific explorations of: the culture of face-to-face interactions; spatial and urban culture; leisure culture; the culture of money and commodities; the culture of belief; and the politics of female culture.

The first edition of this contemporary classic can claim to have put 'consumer culture' on the map, certainly in relation to postmodernism. This expanded new edition includes:a fully revised preface that explores the developments in consumer culture since the first editiona major new chapter on 'Modernity and the Cultural Question'an update on postmodernism and the development of contemporary theory after postmodernisman account of multiple and alternative modernitiesthe challenges of consumer culture in Japan and China.

The result is a book that shakes the boundaries of debate, from one of the foremost writers on culture and postmodernism of the present day.

The first edition of this contemporary classic can claim to have put 'consumer culture' on the map, certainly in relation to postmodernism. This expanded new edition includes:a fully revised preface that explores the developments in consumer culture since the first editiona major new chapter on 'Modernity and the Cultural Question'an update on postmodernism and the development of contemporary theory after postmodernisman account of multiple and alternative modernitiesthe challenges of consumer culture in Japan and China.

The result is a book that shakes the boundaries of debate, from one of the foremost writers on culture and postmodernism of the present day.

Mobility - flows, movement and migration in social life - has emerged as a central area of sociological debate, yet one of its most dominant forms, automobility, has remained largely ignored. Edited by three leading social analysts, Automobilities presents one of the first and most wide-ranging examinations of the car and its promise of autonomy and mobility. Drawing on rich empirical detail, from ethnographies of office work on the motorway to the important of the car in French cultural theory, the contributions demonstrate just how significant have been the economic, technological, social and political consequences of a pervasive and accelerating culture of the car.

A broad array of theories are put to work to illuminate this vast and yet neglected topic: strategy and tactics, complexity theory, performativity, actor network theory, film theory, material culture, theories of non-places, embodiment, sensuous geography/sociology, ethnomethodology and non-representational theory.

This book will firmly establish automobilities as a key topic for theory and research. Automobilities represents a landmark text that will contribute to and provide a significant impetus for the emerging analysis of mobilities in contemporary societies.