Scott M Lash – författare

Global Modernities is a sustained commentary on the international character of the most microcosmic practices. It demonstrates how the global increasingly informs the regional, so deconstructing ideas like the `nation state' and `national sovereignty'. The spatialization of social theory, hybridization and bio-politics are among the critical issues discussed.

Are there any cultural universals left? Does multiculturalism inevitably involve a slide into moral relativism? This timely and insightful book examines questions of politics and identity in the age of multicultures. It draws together the contribution of outstanding contributors such as Fraser, Honneth, O'Neill, Bauman, Lister, Gilroy and De Swann to explore how difference and multiculturalism take on the arguments of universalist humanism. The approach taken derives from the traditions of cultural sociology and cultural studies rather than political science and philosophy.

The book takes seriously the argument that the social bond and recognition are in danger through globalization and deterritorialization. It is a major contribution to the emerging debate on the form of post-national forms of civil society.

This penetrating book raises questions about how power operates in contemporary society. It explains how the speed of information flows has eroded the separate space needed for critical reflection. It argues that there is no longer an 'outside' to the global flows of communication and that the critique of information must take place within the information itself.

The operative unit of the information society is the idea. With the demise of depth reflection, reflexivity through the idea now operates external to the subject in its circulation through networks of humans and intelligent machines. It is these ideas that make the critique of information possible. This book is a major testament to the prospects of culture, politics and theory in the global information society.

In Spaces of Culture an international group of scholars examines the implications of questions such as: What is culture? What is the relationship between social structure and culture in a globalized and networked world? Do critical perspectives still apply, or does the speed and complexity of cultural production demand new forms of analysis?

They explore the key themes in social theory: the nation state; the city; modernity and reflexivity; post-Fordism and the spatial logic of the informational city. The contributors go on to analyze the public sphere, questioning the reductive representation of technology as a form of instrumentality, and demonstrating how new technologies can offer new spaces of culture. This analysis of public space is essential to an understanding of issues like global citizenship and multicultural human rights.

In Spaces of Culture an international group of scholars examines the implications of questions such as: What is culture? What is the relationship between social structure and culture in a globalized and networked world? Do critical perspectives still apply, or does the speed and complexity of cultural production demand new forms of analysis?

They explore the key themes in social theory: the nation state; the city; modernity and reflexivity; post-Fordism and the spatial logic of the informational city. The contributors go on to analyze the public sphere, questioning the reductive representation of technology as a form of instrumentality, and demonstrating how new technologies can offer new spaces of culture. This analysis of public space is essential to an understanding of issues like global citizenship and multicultural human rights.

This wide-ranging and accessible contribution to the study of risk, ecology and environment helps us to understand the politics of ecology and the place of social theory in making sense of environmental issues. The book provides insights into the complex dynamics of change in `risk societies'.

Global Modernities is a sustained commentary on the international character of the most microcosmic practices. It demonstrates how the global increasingly informs the regional, so deconstructing ideas like the `nation state' and `national sovereignty'. The spatialization of social theory, hybridization and bio-politics are among the critical issues discussed.

This is a novel account of social change that supplants conventional understandings of `society' and presents a sociology that takes as its main unit of analysis flows through time and across space.

Developing a comparative analysis of the UK and US, the new Germany and Japan, Lash and Urry show how restructuration after organized capitalism has its basis in increasingly reflexive social actors and organizations. The consequence is not only the much-vaunted `postmodern condition' but also a growth in reflexivity.

In exploring this new reflexive world, the authors argue that today's economies are increasingly ones of signs - information, symbols, images, desire - and of space, where both signs and social subjects - refugees, financiers, tourists and fl[ci]aneurs - are mobile over ever greater distances at ever greater speeds.

Contemporary culture, today's capitalism - our global information society - is ever expanding, is ever more extensive. And yet we seem to be experiencing a parallel phenomenon which can only be characterised as intensive. This thought provoking, innovative book is dedicated to the study of such intensive culture. Whilst extensive culture is a culture of the same: a culture of fixed equivalence; intensive culture is a culture of difference, of in-equivalence - the singular. Intensities generate what we encounter. They are virtuals or possibilities, always in process and always in movement.

We thus live in a culture that is both extensive and intensive. Indeed the more globally stretched and extensive social relations become the more they simultaneously seem to take on this intensity. Ours is a relational world where each intensity ? whether human, technological or biological ? provides a distinct, specific window onto the whole.

Lash tracks the emergence and pervasion of this intensive culture in society, religion, philosophy, language, communications, politics and the neo-liberal economy itself.

In so doing he redefines the work of Leibniz, Benjamin, Simmel, and Durkheim and inititates the reader into the ontological structures of our contemporary social relations. In the pursuit of intensive culture the reader is taken on an excursion from Karl Marx's Capital to the 'information theology' in the science fiction of Philip K. Dick.

Diverse, engaging and rich in detail the resulting book will be of interest to all those studying social and cultural theory, sociology, media and communication and cultural studies