Mikko Tuhkanen – författare

The Cambridge History of Gay and Lesbian Literature presents a global history of the field and is an unprecedented summation of critical knowledge on gay and lesbian literature that also addresses the impact of gay and lesbian literature on cognate fields such as comparative literature and postcolonial studies. Covering subjects from Sappho and the Greeks to queer modernism, diasporic literatures, and responses to the AIDS crisis, this volume is grounded in current scholarship. It presents new critical approaches to gay and lesbian literature that will serve the needs of students and specialists alike. Written by leading scholars in the field, The Cambridge History of Gay and Lesbian Literature will not only engage readers in contemporary debates but also serve as a definitive reference for gay and lesbian literature for years to come.

The Cambridge History of Gay and Lesbian Literature presents a global history of the field and is an unprecedented summation of critical knowledge on gay and lesbian literature that also addresses the impact of gay and lesbian literature on cognate fields such as comparative literature and postcolonial studies. Covering subjects from Sappho and the Greeks to queer modernism, diasporic literatures, and responses to the AIDS crisis, this volume is grounded in current scholarship. It presents new critical approaches to gay and lesbian literature that will serve the needs of students and specialists alike. Written by leading scholars in the field, The Cambridge History of Gay and Lesbian Literature will not only engage readers in contemporary debates but also serve as a definitive reference for gay and lesbian literature for years to come.

The Cambridge History of Gay and Lesbian Literature presents a global history of the field and is an unprecedented summation of critical knowledge on gay and lesbian literature that also addresses the impact of gay and lesbian literature on cognate fields such as comparative literature and postcolonial studies. Covering subjects from Sappho and the Greeks to queer modernism, diasporic literatures, and responses to the AIDS crisis, this volume is grounded in current scholarship. It presents new critical approaches to gay and lesbian literature that will serve the needs of students and specialists alike. Written by leading scholars in the field, The Cambridge History of Gay and Lesbian Literature will not only engage readers in contemporary debates but also serve as a definitive reference for gay and lesbian literature for years to come.

The first book-length study of Bersani's work, tracing the unfolding of his onto-ethics/aesthetics amidst numerous literary, artistic, and philosophical influences.Since his first publications in the late 1950s, Leo Bersani's work has influenced numerous scholarly fields, from studies of French modernism and realist fiction to psychoanalytic criticism and film theory. It has occasionally helped precipitate the emergence of new disciplinary fields, such as queer theory in the late 1980s. The Essentialist Villain is the first book-length study of this impressively rich oeuvre. Mikko Tuhkanen tracks the unfolding of Bersani's onto-ethics/aesthetics, paying particular attention to his persistent references to "essence," a concept central to classical speculative philosophy, which has fallen into distinct disfavor since the emergence of deconstructive thought. Because of his early influences-particularly Gilles Deleuze's philosophy-Bersani remains an ontologist through decades when deconstruction seems to have all but disallowed any thought of being. Tuhkanen also locates Bersani's thought amidst numerous literary, artistic, and philosophical interlocutors, including Deleuze, Freud, Proust, Laplanche, Beckett, Baudelaire, Genet, Leibniz, and others.

The first book-length study of Bersani's work, tracing the unfolding of his onto-ethics/aesthetics amidst numerous literary, artistic, and philosophical influences.Since his first publications in the late 1950s, Leo Bersani's work has influenced numerous scholarly fields, from studies of French modernism and realist fiction to psychoanalytic criticism and film theory. It has occasionally helped precipitate the emergence of new disciplinary fields, such as queer theory in the late 1980s. The Essentialist Villain is the first book-length study of this impressively rich oeuvre. Mikko Tuhkanen tracks the unfolding of Bersani's onto-ethics/aesthetics, paying particular attention to his persistent references to "essence," a concept central to classical speculative philosophy, which has fallen into distinct disfavor since the emergence of deconstructive thought. Because of his early influences-particularly Gilles Deleuze's philosophy-Bersani remains an ontologist through decades when deconstruction seems to have all but disallowed any thought of being. Tuhkanen also locates Bersani's thought amidst numerous literary, artistic, and philosophical interlocutors, including Deleuze, Freud, Proust, Laplanche, Beckett, Baudelaire, Genet, Leibniz, and others.

For the past 60 years, Leo Bersani has inspired, resisted, guided, and challenged scholarly work in the fields of literary criticism, queer theory, cultural studies, psychoanalytic theory, and film and visual studies. Moving across an impressive range of sources, Mikko Tuhkanen seeks out the “fundamental notes”-the questions that we find and refind-in Bersani's extensive oeuvre across the decades.The chapters explore Bersani's engagement with psychoanalytic theory (Freud, Laplanche, Klein, Lacan), French and American modernist fiction (Proust, Baudelaire, Mallarmé, James, Beckett), poststructuralist theory (Derrida, Foucault, Deleuze, Guattari, Blanchot), queer theory (Butler, Edelman), and the visual arts (Caravaggio, Almodóvar, Pasolini, Malick, Dumont). This first introduction to Bersani's work provides a chronological overview of his thought and details his contributions to literary studies and critical theory.

For the past 60 years, Leo Bersani has inspired, resisted, guided, and challenged scholarly work in the fields of literary criticism, queer theory, cultural studies, psychoanalytic theory, and film and visual studies. Moving across an impressive range of sources, Mikko Tuhkanen seeks out the “fundamental notes”-the questions that we find and refind-in Bersani's extensive oeuvre across the decades.The chapters explore Bersani's engagement with psychoanalytic theory (Freud, Laplanche, Klein, Lacan), French and American modernist fiction (Proust, Baudelaire, Mallarmé, James, Beckett), poststructuralist theory (Derrida, Foucault, Deleuze, Guattari, Blanchot), queer theory (Butler, Edelman), and the visual arts (Caravaggio, Almodóvar, Pasolini, Malick, Dumont). This first introduction to Bersani's work provides a chronological overview of his thought and details his contributions to literary studies and critical theory.

For the past 60 years, Leo Bersani has inspired, resisted, guided, and challenged scholarly work in the fields of literary criticism, queer theory, cultural studies, psychoanalytic theory, and film and visual studies. Moving across an impressive range of sources, Mikko Tuhkanen seeks out the “fundamental notes”—the questions that we find and refind—in Bersani’s extensive oeuvre across the decades.The chapters explore Bersani’s engagement with psychoanalytic theory (Freud, Laplanche, Klein, Lacan), French and American modernist fiction (Proust, Baudelaire, Mallarmé, James, Beckett), poststructuralist theory (Derrida, Foucault, Deleuze, Guattari, Blanchot), queer theory (Butler, Edelman), and the visual arts (Caravaggio, Almodóvar, Pasolini, Malick, Dumont). This first introduction to Bersani's work provides a chronological overview of his thought and details his contributions to literary studies and critical theory.

For the past 60 years, Leo Bersani has inspired, resisted, guided, and challenged scholarly work in the fields of literary criticism, queer theory, cultural studies, psychoanalytic theory, and film and visual studies. Moving across an impressive range of sources, Mikko Tuhkanen seeks out the “fundamental notes”—the questions that we find and refind—in Bersani’s extensive oeuvre across the decades.The chapters explore Bersani’s engagement with psychoanalytic theory (Freud, Laplanche, Klein, Lacan), French and American modernist fiction (Proust, Baudelaire, Mallarmé, James, Beckett), poststructuralist theory (Derrida, Foucault, Deleuze, Guattari, Blanchot), queer theory (Butler, Edelman), and the visual arts (Caravaggio, Almodóvar, Pasolini, Malick, Dumont). This first introduction to Bersani's work provides a chronological overview of his thought and details his contributions to literary studies and critical theory.

Brings together critical race theory and psychoanalysis to examine African American and other diasporic African cultural texts.The American Optic charts new territory in the relationship of psychoanalysis to critical race studies. Focusing on the work of Richard Wright and Jacques Lacan, it explore the political and ethical implications of psychoanalysis for African American and other diasporic African cultural texts. Mikko Tuhkanen develops a theory of "racialization" that recasts the genealogy of the Western concept of racial difference as outlined by critical race theory, through the theory of the real, which Lacan developed in his later work. By engaging a wide array of resources-including the work of W. E. B. Du Bois, Booker T. Washington, and Frantz Fanon, as well as nineteenth-century slave narratives and studies of blackface minstrelsy-Tuhkanen not only illuminates the unexpectedly rich connections between Lacanian psychoanalysis and black literary and cultural studies, but also demonstrates the ways in which the artistic and political traditions of the African diaspora allow us to reinvent the Lacanian ethics of becoming.

Brings together critical race theory and psychoanalysis to examine African American and other diasporic African cultural texts.The American Optic charts new territory in the relationship of psychoanalysis to critical race studies. Focusing on the work of Richard Wright and Jacques Lacan, it explore the political and ethical implications of psychoanalysis for African American and other diasporic African cultural texts. Mikko Tuhkanen develops a theory of "racialization" that recasts the genealogy of the Western concept of racial difference as outlined by critical race theory, through the theory of the real, which Lacan developed in his later work. By engaging a wide array of resources-including the work of W. E. B. Du Bois, Booker T. Washington, and Frantz Fanon, as well as nineteenth-century slave narratives and studies of blackface minstrelsy-Tuhkanen not only illuminates the unexpectedly rich connections between Lacanian psychoanalysis and black literary and cultural studies, but also demonstrates the ways in which the artistic and political traditions of the African diaspora allow us to reinvent the Lacanian ethics of becoming.

Queer theory essays on time and becoming in the fields of literature, philosophy, film, and performance.If queer theorists have agreed on anything, it is that for queer thought to have any specificity at all, it must be characterized by becoming, the constant breaking of habits. Queer Times, Queer Becomings explores queer articulations of time and becoming in literature, philosophy, film, and performance. Whether in the contexts of psychoanalysis, the nineteenth-century discourses of evolution and racial sciences, or the daily rhythms of contemporary, familially oriented communities, queerness has always been marked by a peculiar untimeliness, by a lack of proper orientation in terms of time as much as social norms. Yet it is the skewed relation to the temporal norm that also gives queerness its singular hope. This is demonstrated by the essays collected here as they consider the ways in which queer theory has acknowledged, resisted, appropriated, or refused divergent models of temporality.

Queer theory essays on time and becoming in the fields of literature, philosophy, film, and performance.If queer theorists have agreed on anything, it is that for queer thought to have any specificity at all, it must be characterized by becoming, the constant breaking of habits. Queer Times, Queer Becomings explores queer articulations of time and becoming in literature, philosophy, film, and performance. Whether in the contexts of psychoanalysis, the nineteenth-century discourses of evolution and racial sciences, or the daily rhythms of contemporary, familially oriented communities, queerness has always been marked by a peculiar untimeliness, by a lack of proper orientation in terms of time as much as social norms. Yet it is the skewed relation to the temporal norm that also gives queerness its singular hope. This is demonstrated by the essays collected here as they consider the ways in which queer theory has acknowledged, resisted, appropriated, or refused divergent models of temporality.

Examines the importance of Leo Bersani's work for queer theory, psychoanalysis, literary criticism and theory, cultural studies, and film studies.For more than fifty years, Leo Bersani's writing has inspired and challenged scholars in the fields of literary criticism and theory, cultural studies, queer theory, psychoanalysis, and film and visual studies. This is the first book-length collection on this important author. The book's extensive introduction outlines in detail Bersani's oeuvre, particularly its place in queer thought and his complicated relationships with the fields of queer theory and psychoanalysis. The subsequent contributions by notable scholars in various fields demonstrate the richness and open-endedness of his work. The book concludes with a new interview with Bersani.