Mila Burns – författare

This book offers a groundbreaking perspective on the 973 Chilean coup, highlighting Brazil's pivotal role in shaping the political landscape of South America during the Cold War. Shifting the focus from the United States to interregional dynamics, Mila Burns argues that Brazil was instrumental in the overthrow of Salvador Allende and the establishment of Augusto Pinochet's dictatorship.Drawing on original documents, interviews, and newly accessible archives, particularly from the Brazilian Truth Commission, Burns reveals Brazil's covert involvement in the coup, providing weapons, intelligence, and even torturers to anti-Allende forces. She also explores the resistance networks formed by Brazilian exiles in Chile. Burns's impeccable research—combining history, anthropology, and political science—makes Dictatorship across Borders a vital addition to Cold War studies, reshaping how we understand power and resistance in South America.

This book offers a groundbreaking perspective on the 973 Chilean coup, highlighting Brazil's pivotal role in shaping the political landscape of South America during the Cold War. Shifting the focus from the United States to interregional dynamics, Mila Burns argues that Brazil was instrumental in the overthrow of Salvador Allende and the establishment of Augusto Pinochet's dictatorship.Drawing on original documents, interviews, and newly accessible archives, particularly from the Brazilian Truth Commission, Burns reveals Brazil's covert involvement in the coup, providing weapons, intelligence, and even torturers to anti-Allende forces. She also explores the resistance networks formed by Brazilian exiles in Chile. Burns's impeccable research—combining history, anthropology, and political science—makes Dictatorship across Borders a vital addition to Cold War studies, reshaping how we understand power and resistance in South America.

This book offers a groundbreaking perspective on the 1973 Chilean coup, highlighting Brazil’s pivotal role in shaping the political landscape of South America during the Cold War. Shifting the focus from the United States to interregional dynamics, Mila Burns argues that Brazil was instrumental in the overthrow of Salvador Allende and the establishment of Augusto Pinochet’s dictatorship.Drawing on original documents, interviews, and newly accessible archives, particularly from the Brazilian Truth Commission, Burns reveals Brazil’s covert involvement in the coup, providing weapons, intelligence, and even torturers to anti-Allende forces. She also explores the resistance networks formed by Brazilian exiles in Chile. Burns’s impeccable research—combining history, anthropology, and political science—makes Dictatorship across Borders a vital addition to Cold War studies, reshaping how we understand power and resistance in South America.

This book offers a groundbreaking perspective on the 1973 Chilean coup, highlighting Brazil’s pivotal role in shaping the political landscape of South America during the Cold War. Shifting the focus from the United States to interregional dynamics, Mila Burns argues that Brazil was instrumental in the overthrow of Salvador Allende and the establishment of Augusto Pinochet’s dictatorship.Drawing on original documents, interviews, and newly accessible archives, particularly from the Brazilian Truth Commission, Burns reveals Brazil’s covert involvement in the coup, providing weapons, intelligence, and even torturers to anti-Allende forces. She also explores the resistance networks formed by Brazilian exiles in Chile. Burns’s impeccable research—combining history, anthropology, and political science—makes Dictatorship across Borders a vital addition to Cold War studies, reshaping how we understand power and resistance in South America.

More than simply a paragon of Brazilian samba, Dona (Lady) Ivone Lara’s 1981 Sorriso Negro (translated to Black Smile) is an album deeply embedded in the political and social tensions of its time. Released less than two years after the Brazilian military dictatorship approved the Lei de Anistia (the "Opening" that put Brazil on a path toward democratic governance), Sorriso Negro reflects the seminal shifts occurring within Brazilian society as former exiles reinforced notions of civil rights and feminist thought in a nation under the iron hand of a military dictatorship that had been in place since 1964. By looking at one of the most important samba albums ever recorded (and one that also happened to be authored by a black woman), Mila Burns explores the pathbreaking career of Dona Ivone Lara, tracing the ways in which she navigated the tense gender and race relations of the samba universe to ultimately conquer the masculine world of samba composers.33 1/3 Global, a series related to but independent from 33 1/3, takes the format of the original series of short, music-basedbooks and brings the focus to music throughout the world. With initial volumes focusing on Japanese and Brazilian music, the series will also include volumes on the popular music of Australia/Oceania, Europe, Africa, the Middle East, and more.

More than simply a paragon of Brazilian samba, Dona (Lady) Ivone Lara’s 1981 Sorriso Negro (translated to Black Smile) is an album deeply embedded in the political and social tensions of its time. Released less than two years after the Brazilian military dictatorship approved the Lei de Anistia (the "Opening" that put Brazil on a path toward democratic governance), Sorriso Negro reflects the seminal shifts occurring within Brazilian society as former exiles reinforced notions of civil rights and feminist thought in a nation under the iron hand of a military dictatorship that had been in place since 1964. By looking at one of the most important samba albums ever recorded (and one that also happened to be authored by a black woman), Mila Burns explores the pathbreaking career of Dona Ivone Lara, tracing the ways in which she navigated the tense gender and race relations of the samba universe to ultimately conquer the masculine world of samba composers.33 1/3 Global, a series related to but independent from 33 1/3, takes the format of the original series of short, music-basedbooks and brings the focus to music throughout the world. With initial volumes focusing on Japanese and Brazilian music, the series will also include volumes on the popular music of Australia/Oceania, Europe, Africa, the Middle East, and more.

More than simply a paragon of Brazilian samba, Dona (Lady) Ivone Lara's 1981 Sorriso Negro (translated to Black Smile) is an album deeply embedded in the political and social tensions of its time. Released less than two years after the Brazilian military dictatorship approved the Lei de Anistia (the "Opening" that put Brazil on a path toward democratic governance), Sorriso Negro reflects the seminal shifts occurring within Brazilian society as former exiles reinforced notions of civil rights and feminist thought in a nation under the iron hand of a military dictatorship that had been in place since 1964. By looking at one of the most important samba albums ever recorded (and one that also happened to be authored by a black woman), Mila Burns explores the pathbreaking career of Dona Ivone Lara, tracing the ways in which she navigated the tense gender and race relations of the samba universe to ultimately conquer the masculine world of samba composers.33 1/3 Global, a series related to but independent from 33 1/3, takes the format of the original series of short, music-basedbooks and brings the focus to music throughout the world. With initial volumes focusing on Japanese and Brazilian music, the series will also include volumes on the popular music of Australia/Oceania, Europe, Africa, the Middle East, and more.