Miles Leeson – författare

This book provides a concise and highly readable reassessment of Iris Murdoch's engagement with philosophy throughout her life and proposes that she was, most importantly, a philosophical novelist. By investigating her use of philosophical argument in her fictional writing, it becomes clear that her narratives always depend upon a strong metaphysical underpinning. Leeson proceeds thematically through the philosophical phases of Murdoch's life and develops a clear argument that Murdoch reacts against the philosophies of Sartre, Plato, Nietzsche and Heidegger not only in her philosophical writings but also in her fiction. Indeed, it is in her fiction that her philosophical argument is most persuasive and accessible. This timely study provides new information regarding Murdoch's engagement with Martin Heidegger and also provides a detailed critique of critics who have overlooked Murdoch's engagement with philosophy within her fiction.

This book provides a concise and highly readable reassessment of Iris Murdoch's engagement with philosophy throughout her life and proposes that she was, most importantly, a philosophical novelist. By investigating her use of philosophical argument in her fictional writing, it becomes clear that her narratives always depend upon a strong metaphysical underpinning. Leeson proceeds thematically through the philosophical phases of Murdoch's life and develops a clear argument that Murdoch reacts against the philosophies of Sartre, Plato, Nietzsche and Heidegger not only in her philosophical writings but also in her fiction. Indeed, it is in her fiction that her philosophical argument is most persuasive and accessible. This timely study provides new information regarding Murdoch's engagement with Martin Heidegger and also provides a detailed critique of critics who have overlooked Murdoch's engagement with philosophy within her fiction.

This book provides a concise and highly readable reassessment of Iris Murdoch''s engagement with philosophy throughout her life and proposes that she was, most importantly, a philosophical novelist. By investigating her use of philosophical argument in her fictional writing, it becomes clear that her narratives always depend upon a strong metaphysical underpinning. Leeson proceeds thematically through the philosophical phases of Murdoch''s life and develops a clear argument that Murdoch reacts against the philosophies of Sartre, Plato, Nietzsche and Heidegger not only in her philosophical writings but also in her fiction. Indeed, it is in her fiction that her philosophical argument is most persuasive and accessible. This timely study provides new information regarding Murdoch''s engagement with Martin Heidegger and also provides a detailed critique of critics who have overlooked Murdoch''s engagement with philosophy within her fiction.

This book provides a concise and highly readable reassessment of Iris Murdoch's engagement with philosophy throughout her life and proposes that she was, most importantly, a philosophical novelist. By investigating her use of philosophical argument in her fictional writing, it becomes clear that her narratives always depend upon a strong metaphysical underpinning. Leeson proceeds thematically through the philosophical phases of Murdoch's life and develops a clear argument that Murdoch reacts against the philosophies of Sartre, Plato, Nietzsche and Heidegger not only in her philosophical writings but also in her fiction. Indeed, it is in her fiction that her philosophical argument is most persuasive and accessible. This timely study provides new information regarding Murdoch's engagement with Martin Heidegger and also provides a detailed critique of critics who have overlooked Murdoch's engagement with philosophy within her fiction.

This is the first edited collection of essays which focuses on the incest taboo and its literary and cultural presentation from the 1950s to the present day. It considers a number of key authors and artists, rather than a single author from this period. The collection exposes the wide use of incest and sexual trauma, and the frequency this appears within contemporary literature and related arts. Incest in contemporary literature discusses the impact of this change in attitudes on literature and literary adaptations in the latter half of the twentieth century, and early years of the twenty-first century. Although primarily concerned with fiction, the collection includes work on television and film. Authors discussed include Iain Banks, A.S. Byatt, Angela Carter, Simone de Beauvoir, Ted Hughes, Doris Lessing, Ian McEwan Iris Murdoch, Vladimir Nabokov, Andrea Newman and Pier Pasolini and Sylvia Plath.

This is the first edited collection of essays which focuses on the incest taboo and its literary and cultural presentation from the 1950s to the present day. It considers a number of key authors and artists, rather than a single author from this period. The collection exposes the wide use of incest and sexual trauma, and the frequency this appears within contemporary literature and related arts. Incest in contemporary literature discusses the impact of this change in attitudes on literature and literary adaptations in the latter half of the twentieth century, and early years of the twenty-first century. Although primarily concerned with fiction, the collection includes work on television and film. Authors discussed include Iain Banks, A.S. Byatt, Angela Carter, Simone de Beauvoir, Ted Hughes, Doris Lessing, Ian McEwan Iris Murdoch, Vladimir Nabokov, Andrea Newman and Pier Pasolini and Sylvia Plath.

This is the first edited collection of essays which focuses on the incest taboo and its literary and cultural presentation from the 1950s to the present day. It considers a number of key authors and artists, rather than a single author from this period. The collection exposes the wide use of incest and sexual trauma, and the frequency this appears within contemporary literature and related arts. Incest in contemporary literature discusses the impact of this change in attitudes on literature and literary adaptations in the latter half of the twentieth century, and early years of the twenty-first century. Although primarily concerned with fiction, the collection includes work on television and film. Authors discussed include Iain Banks, A.S. Byatt, Angela Carter, Simone de Beauvoir, Ted Hughes, Doris Lessing, Ian McEwan Iris Murdoch, Vladimir Nabokov, Andrea Newman and Pier Pasolini and Sylvia Plath.

This is the first edited collection of essays which focuses on the incest taboo and its literary and cultural presentation from the 1950s to the present day. It considers a number of key authors and artists, rather than a single author from this period. The collection exposes the wide use of incest and sexual trauma, and the frequency this appears within contemporary literature and related arts. Incest in contemporary literature discusses the impact of this change in attitudes on literature and literary adaptations in the latter half of the twentieth century, and early years of the twenty-first century. Although primarily concerned with fiction, the collection includes work on television and film.

'...Without surpriseI see him now in evil company.A wicked face – but oh those eyes could charm –Heart, sudden heart, don’t beat me to my knees.'Long hidden in an attic, vivid and revelatory poems shine a new light on the life and loves of Iris Murdoch.*As seen in the Guardian***With an introduction by Booker-shortlisted author Sarah Hall, and an essay from the editors.*In the dusty attic of Iris Murdoch’s Oxford home lay a battered, black chest. In 2016, when the chest was finally opened, Murdoch’s life in poems was revealed.Renowned for her fiercely intelligent novels and groundbreaking philosophy, Murdoch was one of the great writers of the twentieth century. Yet she is also known for her equally radical life – intense friendships, relationships with both men and women, and an open marriage – about which much has, often controversially, been written. Now, her tightly wrought and vivid poems reveal a new, deeply personal account in Murdoch’s own voice. They range over the preoccupations closest to her heart, from the state of Ireland to memories of a first love lost in the Second World War.Murdoch kept her poems private or addressed them to specific individuals. This did not affect the attention she paid to her craft. Always ‘obsessed’ with poetry, her technical skill is clear even in the musicality of the early pieces, maturing in the extraordinary, impassioned cycle ‘Conversations with a Prince’ and in the liberation of free verse.Above all, these are masterful poems about love; there is no writer who reveals its secrets quite like Iris Murdoch. These are essential poems for those who, like her, think deeply about romance and friendship, jealousy and commitment, and about all the shades of love in our lives.Praise for Iris Murdoch:'I’ve always been a big Iris Murdoch fan ... [She] lived her life with an incredibly open heart' Sarah Waters'More than almost any other writer, she understands the currents beneath the surface' Charlotte Mendelson'She is particularly good on what might be seen as our uglier feelings ... Murdoch writes so well about what it is to experience those twinges of envy and the cognate emotions, vanity and desire' TLS

'...Without surpriseI see him now in evil company.A wicked face – but oh those eyes could charm –Heart, sudden heart, don’t beat me to my knees.'Long hidden in an attic, vivid and revelatory poems shine a new light on the life and loves of Iris Murdoch.*As seen in the Guardian***With an introduction by Booker-shortlisted author Sarah Hall, and an essay from the editors.*In the dusty attic of Iris Murdoch’s Oxford home lay a battered, black chest. In 2016, when the chest was finally opened, Murdoch’s life in poems was revealed.Renowned for her fiercely intelligent novels and groundbreaking philosophy, Murdoch was one of the great writers of the twentieth century. Yet she is also known for her equally radical life – intense friendships, relationships with both men and women, and an open marriage – about which much has, often controversially, been written. Now, her tightly wrought and vivid poems reveal a new, deeply personal account in Murdoch’s own voice. They range over the preoccupations closest to her heart, from the state of Ireland to memories of a first love lost in the Second World War.Murdoch kept her poems private or addressed them to specific individuals. This did not affect the attention she paid to her craft. Always ‘obsessed’ with poetry, her technical skill is clear even in the musicality of the early pieces, maturing in the extraordinary, impassioned cycle ‘Conversations with a Prince’ and in the liberation of free verse.Above all, these are masterful poems about love; there is no writer who reveals its secrets quite like Iris Murdoch. These are essential poems for those who, like her, think deeply about romance and friendship, jealousy and commitment, and about all the shades of love in our lives.Praise for Iris Murdoch:'I’ve always been a big Iris Murdoch fan ... [She] lived her life with an incredibly open heart' Sarah Waters'More than almost any other writer, she understands the currents beneath the surface' Charlotte Mendelson'She is particularly good on what might be seen as our uglier feelings ... Murdoch writes so well about what it is to experience those twinges of envy and the cognate emotions, vanity and desire' TLS

This volume is the third volume in Palgrave' Macmillan's new Iris Murdoch Today scholarly series.Iris Murdoch and the Literary Imagination is the first major collection of literary essays since her centenary in 2019. It brings together leading Murdoch scholars from across the world who expand the boundaries of recent criticism offering work not only on the novels, but on her unpublished poetry and archival materials. This collection discusses her interest in, and use of, Japanese literature; her relationship with, and reader-response to her, in Australia; Murdoch in the post #metoo era; her lifelong interest in the supernatural, same-sex relationships and friendships; as well as the use and abuse of biographical material. The collection widens the field of Murdoch studies and marks a new waypoint in the development of her critical reception.

This volume is the third volume in Palgrave'' Macmillan''s new Iris Murdoch Today scholarly series.

Iris Murdoch and the Literary Imagination is the first major collection of literary essays since her centenary in 2019. It brings together leading Murdoch scholars from across the world who expand the boundaries of recent criticism offering work not only on the novels, but on her unpublished poetry and archival materials. This collection discusses her interest in, and use of, Japanese literature; her relationship with, and reader-response to her, in Australia; Murdoch in the post #metoo era; her lifelong interest in the supernatural, same-sex relationships and friendships; as well as the use and abuse of biographical material. The collection widens the field of Murdoch studies and marks a new waypoint in the development of her critical reception.

This volume is the third volume in Palgrave' Macmillan's new Iris Murdoch Today scholarly series.Iris Murdoch and the Literary Imagination is the first major collection of literary essays since her centenary in 2019. It brings together leading Murdoch scholars from across the world who expand the boundaries of recent criticism offering work not only on the novels, but on her unpublished poetry and archival materials. This collection discusses her interest in, and use of, Japanese literature; her relationship with, and reader-response to her, in Australia; Murdoch in the post #metoo era; her lifelong interest in the supernatural, same-sex relationships and friendships; as well as the use and abuse of biographical material. The collection widens the field of Murdoch studies and marks a new waypoint in the development of her critical reception.

Scholarly interest in theological aspects of Murdoch’s fiction and philosophy took off slowly. It was thirty years after her writing debut that the first work taking detailed notice of the theological language deployed by this overtly-atheist author appeared, and it was a further decade before theologians began to engage with Murdoch’s work together. But it was not until the twenty-first century that this aspect of Murdoch’s thought and imagination began to receive sustained attention. This collection seeks to build on this foundation, begun forty years ago, and to expand the work in this area of Murdoch studies which has lately been gathering momentum. This project consolidates earlier discussion of the vital part theology plays in Murdoch’s thought, and then takes the debate in new directions. Contributors include a wide range of current Murdoch scholars from diverse disciplines who develop debate about this subject in a variety of innovative and fruitful ways, to inspire future works in this area of Murdoch studies.