Miriam Stehling – författare
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3 produkter
3 produkter
1 764 kr
Skickas inom 10-15 vardagar
In contemporary media cultures, media are part of the most important sites where collectiverepresentations and narrations of a post-migrant civic culture are (re-)negotiated. At thesame time, they offer powerful resources and instruments for civic participation and collaboration.Media and Participation in Post-Migrant Societies addresses an important shortcoming inthe research on participation in media cultures by introducing a special focus on post-migrantconditions to the discussion – both as conceptual refinements and as empirical studies.The contributions of this book provide diverse analyses of the conditions, possibilities,but also constraints for participation and the role of media communication in the reshapingof civic culture in post-migrant societies.
439 kr
Skickas inom 10-15 vardagar
In contemporary media cultures, media are part of the most important sites where collectiverepresentations and narrations of a post-migrant civic culture are (re-)negotiated. At thesame time, they offer powerful resources and instruments for civic participation and collaboration.Media and Participation in Post-Migrant Societies addresses an important shortcoming inthe research on participation in media cultures by introducing a special focus on post-migrantconditions to the discussion – both as conceptual refinements and as empirical studies.The contributions of this book provide diverse analyses of the conditions, possibilities,but also constraints for participation and the role of media communication in the reshapingof civic culture in post-migrant societies.
Die Aneignung von Fernsehformaten im transkulturellen Vergleich
Eine Studie am Beispiel des Topmodel-Formats
Häftad, Tyska, 2015
456 kr
Skickas inom 10-15 vardagar
In einer Aneignungsstudie mit jungen Zuschauerinnen des Topmodel-Formats in Deutschland und den USA wird das Konzept der Transkulturalität von Miriam Stehling als Forschungsperspektive genutzt und Transkulturalität als eine mediatisierte Praxis der Rezeption von Fernsehformaten entworfen.