Tanja Thomas, Professor in Media Studies, University of Tuebingen, Germany Merle-Marie Kruse, research fellow at the Institute of Media Studies, University of Tuebingen, Germany Miriam Stehling, postdoctoral researcher at the Institute of Media Studies, University of Tuebingen, Germany

This edited volume is a welcomed contribution to the multidisciplinary crossing of media and migration studies as it explores two recently introduced terms – conviviality and post-migrant societies – from media studies perspectives. This book offers an exciting starting point to examine different local, national and diasporic contexts through the notion of post-migration, a discussion that has started in Germany.

• List of Figures and TablesForeword (Arjun Appadurai)Introduction (Merle-Marie Kruse, Miriam Stehling, and Tanja Thomas)Part I: Conceptual Perspectives on Media and Participation in Post-Migrant Societies1 (Miriam Stehling, Tanja Thomas, and Merle-Marie Kruse) Media, Participation, and Collaboration in Post-Migrant Societies2 (Peter Dahlgren)Immigrants, Social Media, and Participation: The Long and Winding Road via Integration3 (Radha S. Hegde)Dangerous Precarity: Sexual Politics, Migrant Bodies, and the Limits of ParticipationPart II: Visibilities and Vulnerabilities of Refugees and Migrants in Media and Art4 (Rafal Zaborowski)Between the Vulnerable and the Dangerous: Representations of Refugees in the British Press5 (Brigitte Hipfl)Exploring Films’ Potential for Convivial Civic Culture6 (Katarzyna Marciniak)Art and Refugeeism: Speaking-with and Speaking-from-withinPart III: Ambiguities and Contestation in Social Media7 (Sina Arnold and Stephan Görland)Partici

Tanja Thomas, Professor in Media Studies, University of Tuebingen, Germany Merle-Marie Kruse, research fellow at the Institute of Media Studies, University of Tuebingen, Germany Miriam Stehling, postdoctoral researcher at the Institute of Media Studies, University of Tuebingen, Germany

This edited volume is a welcomed contribution to the multidisciplinary crossing of media and migration studies as it explores two recently introduced terms – conviviality and post-migrant societies – from media studies perspectives. This book offers an exciting starting point to examine different local, national and diasporic contexts through the notion of post-migration, a discussion that has started in Germany.

• List of Figures and TablesForeword (Arjun Appadurai)Introduction (Merle-Marie Kruse, Miriam Stehling, and Tanja Thomas)Part I: Conceptual Perspectives on Media and Participation in Post-Migrant Societies1 (Miriam Stehling, Tanja Thomas, and Merle-Marie Kruse) Media, Participation, and Collaboration in Post-Migrant Societies2 (Peter Dahlgren)Immigrants, Social Media, and Participation: The Long and Winding Road via Integration3 (Radha S. Hegde)Dangerous Precarity: Sexual Politics, Migrant Bodies, and the Limits of ParticipationPart II: Visibilities and Vulnerabilities of Refugees and Migrants in Media and Art4 (Rafal Zaborowski)Between the Vulnerable and the Dangerous: Representations of Refugees in the British Press5 (Brigitte Hipfl)Exploring Films’ Potential for Convivial Civic Culture6 (Katarzyna Marciniak)Art and Refugeeism: Speaking-with and Speaking-from-withinPart III: Ambiguities and Contestation in Social Media7 (Sina Arnold and Stephan Görland)Partici

Tanja Thomas, Professor in Media Studies, University of Tuebingen, Germany Merle-Marie Kruse, research fellow at the Institute of Media Studies, University of Tuebingen, Germany Miriam Stehling, postdoctoral researcher at the Institute of Media Studies, University of Tuebingen, Germany

This edited volume is a welcomed contribution to the multidisciplinary crossing of media and migration studies as it explores two recently introduced terms – conviviality and post-migrant societies – from media studies perspectives. This book offers an exciting starting point to examine different local, national and diasporic contexts through the notion of post-migration, a discussion that has started in Germany.

• List of Figures and TablesForeword (Arjun Appadurai)Introduction (Merle-Marie Kruse, Miriam Stehling, and Tanja Thomas)Part I: Conceptual Perspectives on Media and Participation in Post-Migrant Societies1 (Miriam Stehling, Tanja Thomas, and Merle-Marie Kruse) Media, Participation, and Collaboration in Post-Migrant Societies2 (Peter Dahlgren)Immigrants, Social Media, and Participation: The Long and Winding Road via Integration3 (Radha S. Hegde)Dangerous Precarity: Sexual Politics, Migrant Bodies, and the Limits of ParticipationPart II: Visibilities and Vulnerabilities of Refugees and Migrants in Media and Art4 (Rafal Zaborowski)Between the Vulnerable and the Dangerous: Representations of Refugees in the British Press5 (Brigitte Hipfl)Exploring Films’ Potential for Convivial Civic Culture6 (Katarzyna Marciniak)Art and Refugeeism: Speaking-with and Speaking-from-withinPart III: Ambiguities and Contestation in Social Media7 (Sina Arnold and Stephan Görland)Partici