Mitch Kachun – författare

First Martyr of Liberty explores how Crispus Attucks's death in the 1770 Boston Massacre led to his achieving mythic significance in African Americans' struggle to incorporate their experiences and heroes into the mainstream of the American historical narrative. While the other victims of the Massacre have been largely ignored, Attucks is widely celebrated as the first to die in the cause of freedom during the era of the American Revolution. He became a symbolic embodiment of black patriotism and citizenship. This book traces Attucks's career through both history and myth to understand how his public memory has been constructed through commemorations and monuments; institutions and organizations bearing his name; juvenile biographies; works of poetry, drama, and visual arts; popular and academic histories; and school textbooks. There will likely never be a definitive biography of Crispus Attucks since so little evidence exists about the man's actual life. While what can and cannot be known about Attucks is addressed here, the focus is on how he has been remembered--variously as either a hero or a villain--and why at times he has been forgotten by different groups and individuals from the eighteenth century to the present day.

In 1865, The Christian Recorder, the national newspaper of the African Methodist Episcopal Church, serialized The Curse of Caste; or The Slave Bride, a novel written by Mrs. Julia C. Collins, an African American woman living in the small town of Williamsport, Pennsylvania. The first novel ever published by a black American woman, it is set in antebellum Louisiana and Connecticut, and focuses on the lives of a beautiful mixed-race mother and daughter whose opportunities for fulfillment through love and marriage are threatened by slavery and caste prejudice. The text shares much with popular nineteenth-century women''s fiction, while its dominant themes of interracial romance, hidden African ancestry, and ambiguous racial identity have parallels in the writings of both black and white authors from the period. Begun in the waning months of the Civil War, the novel was near its conclusion when Julia Collins died of tuberculosis in November of 1865. In this first-ever book publication of The Curse of Caste; or The Slave Bride, the editors have composed a hopeful and a tragic ending, reflecting two alternatives Collins almost certainly would have considered for the closing of her unprecedented novel. In their introduction, the editors offer the most complete and current research on the life and community of an author who left few traces in the historical record, and provide extensive discussion of her novel''s literary and historical significance. Collins''s published essays, which provide intriguing glimpses into the mind of this gifted but overlooked writer, are included in what will prove to be the definitive edition of a major new discovery in African American literature. Its publication contributes immensely to our understanding of black American literature, religion, women''s history, community life, and race relations during the era of United States emancipation.

The Curse of Caste is the earliest published novel by an African American woman yet to be discovered.

In 1865, The Christian Recorder, the national newspaper of the African Methodist Episcopal Church, serialized The Curse of Caste; or The Slave Bride, a novel written by Mrs. Julia C. Collins, an African American woman living in the small town of Williamsport, Pennsylvania. The first novel ever published by a black American woman, it is set in antebellum Louisiana and Connecticut, and focuses on the lives of a beautiful mixed-race mother and daughter whose opportunities for fulfillment through love and marriage are threatened by slavery and caste prejudice. The text shares much with popular nineteenth-century women''s fiction, while its dominant themes of interracial romance, hidden African ancestry, and ambiguous racial identity have parallels in the writings of both black and white authors from the period. Begun in the waning months of the Civil War, the novel was near its conclusion when Julia Collins died of tuberculosis in November of 1865. In this first-ever book publication of The Curse of Caste; or The Slave Bride, the editors have composed a hopeful and a tragic ending, reflecting two alternatives Collins almost certainly would have considered for the closing of her unprecedented novel. In their introduction, the editors offer the most complete and current research on the life and community of an author who left few traces in the historical record, and provide extensive discussion of her novel''s literary and historical significance. Collins''s published essays, which provide intriguing glimpses into the mind of this gifted but overlooked writer, are included in what will prove to be the definitive edition of a major new discovery in African American literature. Its publication contributes immensely to our understanding of black American literature, religion, women''s history, community life, and race relations during the era of United States emancipation.

First Martyr of Liberty explores how Crispus Attucks's death in the 1770 Boston Massacre, often cited as the first man to die in the American Revolution, led to his achieving mythic significance in African Americans' struggle to incorporate their experiences and heroes into the mainstream of the American historical narrative. While the other victims of the Massacre have been largely ignored, Attucks is widely celebrated as the first to die in the cause of freedom during the era of the American Revolution. He became a symbolic embodiment of black patriotism and citizenship. This book traces Attucks's career through both history and myth to understand how his public memory has been constructed through commemorations and monuments; institutions and organizations bearing his name; juvenile biographies; works of poetry, drama, and visual arts; popular and academic histories; and school textbooks. There will likely never be a definitive biography of Crispus Attucks since so little evidence exists about the man's actual life. While what can and cannot be known about Attucks is addressed here, the focus is on how he has been remembered--variously as either a hero or a villain--and why at times he has been forgotten by different groups and individuals from the eighteenth century to the present day.

First Martyr of Liberty explores how Crispus Attucks''s death in the 1770 Boston Massacre led to his achieving mythic significance in African Americans'' struggle to incorporate their experiences and heroes into the mainstream of the American historical narrative. While the other victims of the Massacre have been largely ignored, Attucks is widely celebrated as the first to die in the cause of freedom during the era of the American Revolution. He became a symbolic embodiment of black patriotism and citizenship. This book traces Attucks''s career through both history and myth to understand how his public memory has been constructed through commemorations and monuments; institutions and organizations bearing his name; juvenile biographies; works of poetry, drama, and visual arts; popular and academic histories; and school textbooks. There will likely never be a definitive biography of Crispus Attucks since so little evidence exists about the man''s actual life. While what can and cannot be known about Attucks is addressed here, the focus is on how he has been remembered--variously as either a hero or a villain--and why at times he has been forgotten by different groups and individuals from the eighteenth century to the present day.

First Martyr of Liberty explores how Crispus Attucks''s death in the 1770 Boston Massacre led to his achieving mythic significance in African Americans'' struggle to incorporate their experiences and heroes into the mainstream of the American historical narrative. While the other victims of the Massacre have been largely ignored, Attucks is widely celebrated as the first to die in the cause of freedom during the era of the American Revolution. He became a symbolic embodiment of black patriotism and citizenship. This book traces Attucks''s career through both history and myth to understand how his public memory has been constructed through commemorations and monuments; institutions and organizations bearing his name; juvenile biographies; works of poetry, drama, and visual arts; popular and academic histories; and school textbooks. There will likely never be a definitive biography of Crispus Attucks since so little evidence exists about the man''s actual life. While what can and cannot be known about Attucks is addressed here, the focus is on how he has been remembered--variously as either a hero or a villain--and why at times he has been forgotten by different groups and individuals from the eighteenth century to the present day.