Molière – författare

Molière tillhör världsdramatiken största författare. Hans komedier har spelats flitigt varje år alltsedan de skrevs. Bakom det komiska ryms dock en kritik av människans laster och hennes överdrivna respekt för myndigheter, auktoritet och börd. Här samlas sex komedier som både tillhör Molières mest berömda och som upp­visar hans bredd som författare. Översättningarna är gjorda av några av våra mest lysande översättare: Lars Forssell, Göran O Eriksson, Sven Åke Heed och Ulf Peter Hallberg. Sven Åke Heed har dessutom skrivit ett initierat förord om Molière och ett efterord om Molière på svenska. Bandet innehåller: De löjliga preciöserna, Hustruskolan, Don Juan, Misantropen, Tartuffe och Den inbillade sjuke

'Why does he write those ghastly plays that the whole of Paris flocks to see? And why does he paint such lifelike portraits that everyone recognizes themselves?' Moliere, The Impromptu at VersaillesThis volume brings together four of Moliere's greatest verse comedies covering the best years of his prolific writing career. Actor, director, and playwright, Moliere (1622-73) was one of the finest and most influential French dramatists, adept at portraying human foibles and puncturing pomposity. The School for Wives was his first great success; Tartuffe, condemned and banned for five years, his most controversial play. The Misanthrope is his acknowledged masterpiece, and The Clever Women his last, and perhaps best-constructed, verse piece. In addition this collection includes a spirited attack on his enemies and a defence of his theatre, in the form of two sparkling short plays, The School for Wives Criticized and The Impromptu at Versailles.Moliere's prose plays are available in a complementary Oxford World's Classics edition, Don Juan and Other Plays. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Contains: Don Juan, Precious Provincials, The Reluctant Doctor, George Dandin, The Miser, The Would-be Gentleman, Scapin the SchemerSince the second half of the seventeenth century, when Moli`re composed and performed his comedies, scarcely a decade has passed in which they have not been revived, imitated, or adapted; their appeal to twenty-first century audiences remains as great as to their initial public. This selection of seven of Moli`re's prose plays shows his versatility and indicates the reason for his enduring popularity. Whether he writes in a strictly defined historical context (as in Precious Provincials or The Would-be Gentleman) or whether he sets his plays in an almost mythical world (as in Don Juan); whether his plays are exuberant celebrations of light heartedness, ingenuity, and wit (The Reluctant Doctor and Scapin the Schemer) or whether they come closer in spirit to black humour (The Miser and George Dandin), they remain as fresh and vivid as ever. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

His biting satire, witty dialogue, and irreverent staging have made him a favorite with theatergoers for four centuries. This Norton Critical Edition of Molière’s most controversial and most often-performed play is based on Constance Congdon’s acclaimed new verse translation. It is accompanied by explanatory annotations and nine illustrations of the seventeenth-century farce.“Backgrounds and Sources” draws readers’ attention to the real-life controversy Molière faced following the opening of Tartuffe, which was immediately banned by the Church. Both sides of the argument surrounding Tartuffe are presented in contemporary documents translated and annotated by Virginia Scott, among them Molière’s three petitions to King Louis XIV, Pierre Roullé on the monarchy, letters by Boileau and Charles Robinet, and Hardouin de Péréfixe on the law.Assessments of Tartuffe as a production are given in seminal reviews by Harold Clurman and John Peter. Constantin Stanislavsky and Louis Jovet discuss the challenges they faced in preparing for modern productions of Tartuffe.From the wealth of critical commentary on Tartuffe both in the United States and in France, the editors have chosen nine interpretations focusing on the central issues of translation, religion, social history, staging, and international adaptation. Contributors include Nancy Senior, Emanuel S. Chill, Roger W. Herzel, P. Munoz Simonds, Pamela Saur, William J. Beck, Mechele Leon, Wilma Newberry, and Cheryl Kennedy McFarren.A Chronology of Molière’s life and work and a Chronology are included.

This volume brings together five of Moliere's finest and best-known plays. The three verse plays, The Misanthrope, Tartuffe and The School for Wives, have been skilfully turned into sparkling English couplets by Richard Wilbur's 'brilliant rhymed translation' Sunday Telegraph; while the playwright Alan Drury has translated the two prose comedies, The Miser and The Hypochondriac ('a cherubically funny translation' Independent).

Contains five works from the classical period of French theatre - "The Cid", "Phedra", "Tartuffe", "The Lottery of Love" and "The Marriage of Figaro".

A reworking of Moliere's comic play. Alceste abhors hypocrisy and the well-rehearsed, sycophantic pleasantries of the chattering classes. He tells the truth, even it hurts. Alceste is in love with Jennifer (Celimene), but thinks she's in love with a theatre critic who thinks he can write plays.

Orgon is the man who has everything. Money, power, a beautiful family. But lately he's been questioning the point of it all. When he invites Tartuffe into his perfect household, he unleashes a whirlwind of deception and seduction that threatens everything.With Orgon under Tartuffe's spell, can his family outwit this charismatic trickster? Are Tartuffe's wild claims truth or fiction? This mysterious stranger may not be quite the villain he appears.John Donnelly's ferocious new version of Molière's comic masterpiece looks at the lengths we go to find meaning - and what happens when we find chaos instead. Tartuffe, the Imposter opened at the National Theatre, London, in February 2019.

Comedy / 6m, 5f / Int. This modern adaptation casts Tartuffe as a deposed televangelist who rooks Orgon and his family of their money and property and nearly compromises Orgon's wife. The action takes place in a religious television studio in Baton Rouge where the characters cavort to either prevent or aid Tartuffe in his machinations. Written in modern verse, Tartuffe: Born Again adheres closely to the structure and form of the original. Moliere's legendary comedic characters are delightfully at home in this modern day version that played at New York's Circle in the Square.

Prudence Steiner's lively prose translation of Moliere's great comedy remains close to the original French, while casting the speech of characters in a slightly compressed and formalized way that comes very close to the original effect created by Molière's verse. This edition includes translations of Moliere's three appeals to the king, as well as an introductory essay by Roger Herzel, which discusses Moliere's life, Tartuffe and the comic tradition, and the setting, language and style of the play.

Prudence Steiner's lively prose translation of Moliere's great comedy remains close to the original French, while casting the speech of characters in a slightly compressed and formalized way that comes very close to the original effect created by Molière's verse. This edition includes translations of Moliere's three appeals to the king, as well as an introductory essay by Roger Herzel, which discusses Moliere's life, Tartuffe and the comic tradition, and the setting, language and style of the play.